{"id":330104,"date":"2025-08-09T08:36:19","date_gmt":"2025-08-09T08:36:19","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/330104\/"},"modified":"2025-08-09T08:36:19","modified_gmt":"2025-08-09T08:36:19","slug":"early-beatles-photos-by-paul-mccartney-to-go-on-show-in-london-the-beatles","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/330104\/","title":{"rendered":"Early Beatles photos by Paul McCartney to go on show in London | The Beatles"},"content":{"rendered":"<p class=\"dcr-130mj7b\">A collection of photographs taken by <a href=\"https:\/\/www.theguardian.com\/music\/paulmccartney\" data-link-name=\"in body link\" data-component=\"auto-linked-tag\" target=\"_blank\" rel=\"noopener\">Paul McCartney<\/a> when the Beatles were on the brink of global stardom are to be shown in an exhibition that sheds light on intimate moments as the group first experienced fame.<\/p>\n<p class=\"dcr-130mj7b\">Paul McCartney: Rearview Mirror, which opens at the Gagosian gallery in London on 28 August, features more than 30 shots taken by the singer-songwriter during late 1963 after the release of the Beatles\u2019 first album, and early 1964 as they travelled to the US.<\/p>\n<p>Self-portrait at the Asher family home, London, December 1963. Photograph: Paul McCartney<\/p>\n<p class=\"dcr-130mj7b\"><a href=\"https:\/\/news.artnet.com\/market\/gagosian-new-director-photography-2325177\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">Joshua Chuang<\/a>, the Gagosian\u2019s director of photography, said the images captured the Beatles before the all-consuming <a href=\"https:\/\/www.theguardian.com\/music\/2013\/sep\/29\/beatlemania-screamers-fandom-teenagers-hysteria\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">fame of a few months later<\/a>. \u201cWhen Paul is most prolific when using his camera parallels the time in which they actually had time. When they weren\u2019t so overwhelmed by being so overexposed and in demand,\u201d Chuang said.<\/p>\n<p class=\"dcr-130mj7b\">\u201cIt was a really precious few months in which they\u2019re realising who they are, who they are to other people, and want to participate in that image formation.\u201d<\/p>\n<p class=\"dcr-130mj7b\">The Beatles released their first two albums in 1963: Please Please Me and With the Beatles, which catapulted them into the limelight, powered by what <a href=\"https:\/\/www.theguardian.com\/music\/musicblog\/2012\/oct\/04\/beatles-anthology-band-reviewed\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">the Guardian called<\/a> \u201ca different and heavily northern-flavoured sound of their own\u201d.<\/p>\n<p class=\"dcr-130mj7b\">The band followed that up in 1964 with <a href=\"https:\/\/www.theguardian.com\/music\/2019\/sep\/26\/the-beatles-singles-ranked\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">singles including A Hard Day\u2019s Night<\/a> and two more albums that helped them break America and become a global phenomenon.<\/p>\n<p>The Beatles at a London airport (with Brian Epstein, Mal Evans and Neil Aspinall) for a flight to New York on 7 February 1964.  Photograph: Paul McCartney<\/p>\n<p class=\"dcr-130mj7b\">In autumn 1963, McCartney decided to pick up a camera, long before he and the group became some of the most photographed people on the planet. He bought a simple Pentax and used mostly black and white Kodak and Ilford film, and took a small selection of colour images in early 1964.<\/p>\n<p class=\"dcr-130mj7b\"><strong>\u201c<\/strong>I think they knew that history was happening,\u201d said Chuang. \u201cThey wanted to capture it, and do it themselves. They picked a camera for the same reason anyone does, to have your own view.\u201d<\/p>\n<p class=\"dcr-130mj7b\">The colour shots mostly capture the frantic first steps into the world of American light entertainment, with behind-the-scenes rehearsal shots at The Ed Sullivan Show and relaxed poolside moments before they played live for Sullivan at Miami Beach.<\/p>\n<p class=\"dcr-130mj7b\">McCartney also snaps fans as they wait outside hotels and captures stills of paparazzi swarming around the band. There are also more reflective self-portraits taken before live shows and interviews. One of the self-portraits is taken in the attic of McCartney\u2019s then girlfriend, the actor <a href=\"https:\/\/www.theguardian.com\/lifeandstyle\/2023\/may\/06\/jane-asher-what-scares-me-about-getting-older-becoming-irritating-to-other-people\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">Jane Asher<\/a>, which is where he wrote the melody for Yesterday.<\/p>\n<p><a data-ignore=\"global-link-styling\" href=\"#EmailSignup-skip-link-12\" class=\"dcr-jzxpee\">skip past newsletter promotion<\/a><\/p>\n<p class=\"dcr-1xjndtj\">Get our weekly pop culture email, free in your inbox every Friday<\/p>\n<p><strong>Privacy Notice: <\/strong>Newsletters may contain info about charities, online ads, and content funded by outside parties. For more information see our <a data-ignore=\"global-link-styling\" href=\"https:\/\/www.theguardian.com\/help\/privacy-policy\" rel=\"noreferrer noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a>. We use Google reCaptcha to protect our website and the Google <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/privacy\" rel=\"noreferrer noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Privacy Policy<\/a> and <a data-ignore=\"global-link-styling\" href=\"https:\/\/policies.google.com\/terms\" rel=\"noreferrer noopener\" class=\"dcr-1rjy2q9\" target=\"_blank\">Terms of Service<\/a> apply.<\/p>\n<p id=\"EmailSignup-skip-link-12\" tabindex=\"0\" aria-label=\"after newsletter promotion\" role=\"note\" class=\"dcr-jzxpee\">after newsletter promotion<\/p>\n<p class=\"dcr-130mj7b\">Chuang said: \u201cWhen life is happening so quickly and changing so quickly, you don\u2019t often have a chance to stop and look at yourself in the mirror. And I really think that\u2019s exactly what he\u2019s doing: looking at himself in the near and wanting to crystallise that moment, not knowing what was going to happen next.\u201d<\/p>\n<p>John Lennon on the Champs-\u00c9lys\u00e9es in Paris, 1964. Photograph: Paul McCartney<\/p>\n<p class=\"dcr-130mj7b\">The images cover the era when the band were well known in the UK but could still get the cold shoulder when they ventured abroad. McCartney\u2019s photos from Paris hint at a less-than-rapturous response in the French capital. He captures the modest crowds outside the Olympia \u2013 where they had a three-week run \u2013 and a stroll down the Champs-\u00c9lys\u00e9es where John Lennon could still walk freely.<\/p>\n<p class=\"dcr-130mj7b\">Some of the images were shown in 2023 at <a href=\"https:\/\/www.theguardian.com\/music\/2023\/jan\/25\/lost-photos-paul-mccartney-national-portrait-gallery-exhibition\" data-link-name=\"in body link\" target=\"_blank\" rel=\"noopener\">Paul McCartney Photographs 1963-64: Eyes of the Storm<\/a>, an exhibition of the photos he rediscovered during the pandemic.<\/p>\n","protected":false},"excerpt":{"rendered":"A collection of photographs taken by Paul McCartney when the Beatles were on the brink of global stardom&hellip;\n","protected":false},"author":2,"featured_media":330105,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[748,393,4884,257,16,15],"class_list":{"0":"post-330104","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-britain","9":"tag-england","10":"tag-great-britain","11":"tag-london","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114997898980825565","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/330104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=330104"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/330104\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/330105"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=330104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=330104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=330104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}