{"id":336837,"date":"2025-08-11T22:29:17","date_gmt":"2025-08-11T22:29:17","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/336837\/"},"modified":"2025-08-11T22:29:17","modified_gmt":"2025-08-11T22:29:17","slug":"tramlines-2025-day-three-festival-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/336837\/","title":{"rendered":"Tramlines 2025: Day Three &#8211; Festival Review"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-full wp-image-483579\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/27195158_SIGRID_TOTHER-STAGE_CF1_2000-Enhanced-NR_CAROLINA-FARUOLO.jpg\" alt=\"Tramlines 2025: Day Three \u2013 Festival Review\" width=\"1200\" height=\"801\"  \/>Sigrid \u00a9 Carolina Faruolo 2025<\/p>\n<p><strong>Tramlines Festival \u2013 Sunday (also see <a href=\"https:\/\/louderthanwar.com\/tramlines-2025-day-one-festival-review\/\" target=\"_blank\" rel=\"noopener\">Friday<\/a> and <a href=\"https:\/\/louderthanwar.com\/tramlines-2025-day-two-festival-review\/\" target=\"_blank\" rel=\"noopener\">Saturday<\/a>)<\/strong><br \/><strong>Sheffield Hillsborough Park<\/strong><br \/><strong>25th-27th June 2025<\/strong><\/p>\n<p><strong>The elements were once again kind to Tramlines Festival as gangs of teenage music fans \u00a0enjoyed\u00a0\u00a0their local festival. Paul Clarke enjoyed some top quality pop acts in the blazing South Yorkshire sun.<\/strong><\/p>\n<p>Back in the day when Spotify was a new thing, many naysayers were predicting the end of live music as young people became obsessed with playlists and wouldn\u2019t listen to albums. Judging by the number of gangs of good natured teenage fans roaming from tent to tent, those digital luddites were dead wrong. What Spotify and other platforms like TikTok have actually done is introduce younger music fans to both new music and songs their parents enjoyed.<\/p>\n<p>Tramlines are wise to this, so the Sunday bill had more pop\/rock feel than the other two days which saw triumphant headline sets by local legends <a href=\"https:\/\/louderthanwar.com\/tramlines-2025-day-one-festival-review\/\" target=\"_blank\" rel=\"noopener\">Pulp<\/a> and Rotherham\u2019s The <a href=\"https:\/\/louderthanwar.com\/tramlines-2025-day-two-festival-review\/\" target=\"_blank\" rel=\"noopener\">Reytons<\/a>. And that was no bad thing, as artists working in the pop space are hugely popular, and they\u2019re not too cool to engage with people who had paid good money to get in.<\/p>\n<p>This was proved by the long lines of teenagers working hard to find space in the T\u2019Other Place tent to see rising star <strong>Luvcat<\/strong>, fresh off a support slot with Sabrina Carpenter in Hyde Park. Sophie Howarth was first noticed by The Verve\u2019s Simon Mason, releasing three acoustic EPs before forming her band named after The Cure single. Working with other musicians has led to a more electro pop sound, like the punch of Matador and Vicious Delicious, the latter the title track of her debut album due to be released on Halloween. He\u2019s My Man is about falling in love in a Liverpool bar, and the personable Howarth showed her range with torch song, Dinner @Brasserie Zedel. Luvcat are destined for the outdoor stages in the not too distant future.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-full wp-image-483581\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/27163901_CMAT_TOTHER_ANDREW_WHITTON_0597.jpg\" alt=\"Tramlines 2025: Day Three \u2013 Festival Review\" width=\"1200\" height=\"800\"  \/>CMAT \u00a9 Andrew Whitton 2025<\/p>\n<p>It\u2019s not often you see a future Tramlines main stage headliner in a tent but that\u2019s what <strong>CMAT<\/strong> \u2013 aka Ireland\u2019s Ciara Mary-Alice Thompson \u2013 was, as teenagers knocked their elders out of the way in their desperation to share in a joyful show that really spoke to them. \u00a0CMAT is a natural performer so full of joie de vivre that you couldn\u2019t help but be swept along with it. A caustic The Jamie Oliver Petrol Station was a riot as CMAT bounced around the stage and was one for those who aren\u2019t keen on the cheeky TV chief. The reaction to the opening bars of Take A Sexy Picture Of Me left CMAT mouthing \u2018wow\u2019, and her message about the intense pressures on young women to look a certain way would have struck a chord with her younger fans packed into a roasting tent.<\/p>\n<p>There was time for a group hug with her band, who clearly have totally bought into CMAT\u2019s vision and smiled their way through Running\/Planning as their leader belted out the words. CMAT invited all of us to do the Dunboyne Twostep during I Wanna Be a Cowboy, Baby! and it was a beautiful moment of community, as hundreds of people across the generations gently stepped from side to side from the front to the back of the tent. Stay For Something is simply a massive pop song, as an energised CMAT dived into the crowd to bask in the love. If the Tramlines bookers weren\u2019t waiting for her offstage with a contract for 2026, then they\u2019ve really missed a trick.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-full wp-image-483580\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/27182312_LAST_DINNER_PARTY_MAIN_STAGE_ANDREW_WHITTON_4500.jpg\" alt=\"Tramlines 2025: Day Three \u2013 Festival Review\" width=\"1200\" height=\"800\"  \/>The Last Dinner Party \u00a9 Andrew Whitton 2025<\/p>\n<p>This might not have been an ideal crowd for the\u00a0<strong>The Last Dinner Party,<\/strong>\u00a0but they managed to won them over with a combo of great songs and being a really, really tight band. They are probably in the last cycle of plugging their excellent debut record, but they went out on a high as the charismatic Abigail Morris, in her trademark floaty dress, weaved around the Roman columns of their set though Caesar On A TV Screen, and the pin sharp close harmonies of Second Best. Keyboardist Aurora Nichevci took lead vocal on the folky Gjuha, and by a pugnacious Sinner the crowd were grooving with them, so they took the chance to urge people to donate to Medical Aid For Palestine. Morris noted the bittersweet My Lady of Mercy was about going to a Catholic school, and there were plenty of folk dancing along. The harder edge of live favourite Big Dog was driven by Emily Roberts\u2019 always interesting lead guitar, and they showed a nice sense of fun as they did a Shadows style dance move across the stage to Mirror.\u00a0\u00a0New track This Is The Killer Speaking suggested the next album might have a less baroque feel to it, and their breakthrough single Nothing Matters, with its wonderfully sweary chorus, was still an absolute banger.<\/p>\n<p>I\u2019ve always had an aversion to turgid dad rock so I swerved Kasabian, and opted for the exuberant fun of Norwegian pop export <strong>Sigrid<\/strong> who was playing to a less than full T\u2019Other Place. This was criminal as Sigrid was a ball of relentless upbeat energy who proved she is a hugely skilled pop writer. She\u2019s been away for a while in the studio but, dressed in her regulation t-shirt and jeans, she opened with new track, the more pop\/rock orientated, Always Be Your Girl before cracking through the bitter sweet Burning Bridges, and undoubted pop majesty of Sucker Punch. Unlike other \u2018artists\u2019 who think writhing round an empty stage and using autotune is a show, Sigrid doesn\u2019t rely on tech, and is back with her regular full band who really added to her typically intelligent new songs like Do It Again and Jellyfish.<\/p>\n<p>A piano was wheeled out for a solo Home To You which showcased Sigrid\u2019s strong, clear voice. She kept the energy high bouncing around the stage to It Gets Dark, Mirror and Strangers, ending a weekend full of special homecomings with a highly entertaining Scandinavian pop flourish.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" onerror=\"this.src=\" https:=\"\" class=\"size-full wp-image-483582\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/26134947_ATMOS_ARENA__DSC0725_MATT-HIGGS.jpg\" alt=\"Tramlines 2025: Day Three \u2013 Festival Review\" width=\"1200\" height=\"798\"  \/>\u00a9 Matt Higgs 2025<\/p>\n<p><strong>You can follow Tramlines on <a href=\"https:\/\/www.facebook.com\/Tramlines\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>\u00a0and\u00a0<a href=\"https:\/\/x.com\/tramlines\">Twitter<\/a><\/strong>.<\/p>\n<p style=\"text-align: center;\"><strong>~<\/strong><\/p>\n<p><strong>Words by Paul Clarke, you can see his author profile <a href=\"https:\/\/louderthanwar.com\/author\/paul-clarke\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a><\/strong>.<\/p>\n<p><b>A Plea From Louder Than War<\/b><\/p>\n<p>Louder Than War is run by a small but dedicated independent team, and we rely on the small amount of money we generate to keep the site running smoothly. Any money we do get is not lining the pockets of oligarchs or mad-cap billionaires dictating what our journalists are allowed to think and write, or hungry shareholders. We know times are tough, and we want to continue bringing you news on the most interesting releases, the latest gigs and anything else that tickles our fancy. We are not driven by profit, just pure enthusiasm for a scene that each and every one of us is passionate about. <\/p>\n<p> To us, music and culture are eveything, without them, our very souls shrivel and die. We do not charge artists for the exposure we give them and to many, what we do is absolutely vital. <b>Subscribing to one of our paid tiers takes just a minute, and each sign-up makes a huge impact, helping to keep the flame of independent music burning! Please click the button below to help. <\/b><\/p>\n<p> John Robb \u2013 Editor in Chief <\/p>\n<p> <a id=\"subscribe-btn\" href=\"https:\/\/louderthanwar.com\/subscribe-to-louder-than-war\/\" target=\"_blank\" rel=\"noopener\">PLEASE SUBSCRIBE TO LTW<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Sigrid \u00a9 Carolina Faruolo 2025 Tramlines Festival \u2013 Sunday (also see Friday and Saturday)Sheffield Hillsborough Park25th-27th June 2025&hellip;\n","protected":false},"author":2,"featured_media":336838,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8817],"tags":[748,393,4884,1620,16,15],"class_list":{"0":"post-336837","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sheffield","8":"tag-britain","9":"tag-england","10":"tag-great-britain","11":"tag-sheffield","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115012499503611179","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/336837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=336837"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/336837\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/336838"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=336837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=336837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=336837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}