{"id":343018,"date":"2025-08-14T05:09:19","date_gmt":"2025-08-14T05:09:19","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/343018\/"},"modified":"2025-08-14T05:09:19","modified_gmt":"2025-08-14T05:09:19","slug":"the-night-our-foolish-idea-brought-london-to-a-standstill","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/343018\/","title":{"rendered":"The night our \u2018foolish idea\u2019 brought London to a standstill"},"content":{"rendered":"<p>It was, on the face of it, a somewhat improbable idea. One of Britain\u2019s most successful pop groups, Pet Shop Boys, would write a new 73-minute score for Sergei Eisenstein\u2019s 1925 silent movie Battleship Potemkin, about a revolt against the Russian ruling classes. They would then perform this score, as the film played on a giant screen, one summer Sunday night in the middle of Trafalgar Square.<\/p>\n<p>The proposal had come from Philip Dodd, the director of the Institute of Contemporary Arts, who approached the two Pet Shop Boys \u2014 Neil Tennant and Chris Lowe \u2014 in April 2003. There were good reasons to expect that Tennant, in particular, would be receptive to the plan. He had a longstanding fascination with Russian and Soviet history \u2014 an interest that has seeped into Pet Shop Boys songs and videos such as Go West and London.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Still, Tennant\u2019s first instinct was to say no. \u201cI didn\u2019t really want to do it, to be honest, at the beginning,\u201d he says. \u201cI thought, it\u2019s a lot of work and we won\u2019t get paid anything.\u201d He laughs. \u201cAnd it was, and we didn\u2019t.\u201d He also presumed that Lowe wouldn\u2019t be enthusiastic, but he was wrong.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cIt was something different,\u201d Lowe explains. \u201cWhat was appealing was it was for a silent film \u2014 a piece of music to go with the visuals. And you weren\u2019t dealing with a Hollywood system where they could say, \u2018Oh, we don\u2019t like it \u2014 we\u2019re going to get John Williams instead.\u2019\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">So the Pet Shop Boys agreed. As a first step they watched a Battleship Potemkin DVD together twice, muting its soundtrack of Shostakovich pieces, collated from various symphonies, so that it wouldn\u2019t influence them. Then they began to strategise. \u201cIt was a challenge to see if we could write a long piece of music,\u201d Tennant says. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">About half the score was written in the late summer of 2003; the second half was completed in the spring of 2004. As the work progressed their thoughts turned to how this music should be orchestrated. They decided to approach the German composer Torsten Rasch, because they\u2019d liked his album Mein Herz brennt, based on the music of the death metal band Rammstein.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/culture\/music\/article\/pet-shop-boys-interview-clubbing-in-berlin-its-nice-to-still-dip-a-toe-in-there-c0z3g5556\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>Pet Shop Boys: \u2018Clubbing in Berlin? It\u2019s nice to still dip a toe in there\u2019<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\"> Tennant simply sent him an email: My name is Neil Tennant. I am half of the British pop duo the Pet Shop Boys. I would like to get in touch with Torsten Rasch to see if he would be interested in collaborating with us on a project mixing electronic and orchestral music. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Rasch agreed, although at first the collaboration stuttered a little. \u201cHe thought our music was very repetitive,\u201d Tennant says. And Lowe and Tennant found Rasch\u2019s initial orchestrations far too dissonant. But over time they found a productive middle ground. Then, after several delays and crises as sponsorship fell through, a date for the Trafalgar Square performance was set: September 12, 2004.<\/p>\n<p><img decoding=\"async\" alt=\"Large crowd watching a film screening outdoors at night.\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/\/6020baf4-bfff-40dc-a834-8f9839fac2a3.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>The screening in Trafalgar Square<\/p>\n<p>ANDRE CAMARA FOR THE SUNDAY TIMES<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">On the afternoon of the premiere, the Pet Shop Boys prepared to soundcheck. They took their places next to the orchestra, behind a light mesh screen: thin enough to be seen through but thick enough to catch the light of the film projection at night. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Afterwards they walked to a nearby hotel \u2014 \u201cHow did we end up doing this?\u201d Lowe muttered \u2014 where, in a typical Pet Shop Boys divergence, Tennant walked up the hotel stairs while Lowe took the lift.<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/culture\/music\/article\/pet-shop-boys-cardiff-castle-concert-review-7gjpp29gr\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>Pet Shop Boys live review \u2014 high-end, hit-packed pop spectacle<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Soon it was time for a press conference. What did this project mean to the Pet Shop Boys, compared with their other work, someone asked. \u201cWell, it represents a big challenge for us,\u201d Tennant began. \u201cThe film itself is quite romantic and hard-hitting, and with the music we\u2019ve tried to bring out those aspects, and also to bring out the emotion of it \u2014 the excitement, the horror, the freedom.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cGood answer,\u201d Lowe said. \u201cGold star.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">They retired to separate rooms to rest and get dressed. At the allotted time Lowe appeared in Tennant\u2019s room, full of cheery fatalism. \u201cOh, we might as well go out in style,\u201d he declared. \u201cIt was always a very foolish idea.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">About 25,000 people had gathered in Trafalgar Square. Tennant would later quote someone\u2019s observation that \u201cit must have been the biggest audience there\u2019s ever been for silent film in Britain\u201d. It had been difficult to imagine quite how it was going to work \u2014 a huge crowd watching a silent Russian film in one of the busiest parts of London while music pulsed and cascaded over them. The reality was just as difficult to describe, except to say that people seemed captivated.<\/p>\n<p><img decoding=\"async\" alt=\"Photo of the Pet Shop Boys.\" loading=\"lazy\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/\/ca62e2c6-b8bc-41e9-b984-201b1744e0dd.jpg\" class=\"responsive-sc-1nnon4d-0 bAbKns\"\/><\/p>\n<p>The Pet Shop Boys are on their Dreamworld tour \u2014 the longest in their four-decade career<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cIt was really a very moving occasion to be standing on the stage,\u201d Tennant recalls. \u201cWe were under the screen with the orchestra, and you could see all these heads looking up at the film, and this drizzle, and the light. There was a very powerful sense of occasion \u2014 and meanwhile the buses were going past.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/culture\/music\/article\/best-movie-soundtrack-critic-choice-2zkvgwpz8\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>The 30 best movie soundtracks of all time \u2014 chosen by the critics<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">Back at their hotel, Lowe opened a half bottle of Mo\u00ebt &amp; Chandon from the minibar to share and declared: \u201cWell, we got through it! That was exhausting.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cEven doing nothing most of the time,\u201d Tennant agreed, \u201cis exhausting.\u201d<\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">They flew to Ibiza the next morning, but it was far from the end of the story, paving the way for other collaborations. In 2011 their ballet based on a Hans Christian Andersen story, The Most Incredible Thing, premiered at Sadler\u2019s Wells. In 2014 they unveiled A Man from the Future, an eight-part composition about the life of the computer pioneer and code-breaker Alan Turing, at the Royal Albert Hall. \u201cIt got us into the idea of writing long-form, primarily instrumental pieces,\u201d Tennant says. <\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u2022 <a href=\"https:\/\/www.thetimes.com\/culture\/film\" class=\"link__RespLink-sc-1ocvixa-0 csWvlP\" target=\"_blank\" rel=\"noopener\"><b>Read more film reviews,<\/b> <b>guides about what to watch and interviews<\/b><\/a><\/p>\n<p class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">As for the score itself, and that premiere, the band\u2019s quiet sense of satisfaction remains.<\/p>\n<p id=\"last-paragraph\" class=\"responsive__Paragraph-sc-1pktst5-0 gaEeqC\">\u201cI always remember reading a review which was very blas\u00e9 about it,\u201d Tennant says. \u201cAs though it was the most normal thing in the world for Pet Shop Boys to perform a brand-new soundtrack to a classic silent film in Trafalgar Square with a symphony orchestra. With 25,000 people watching. As though it happened every day of the week. Whereas I think it\u2019s the only time it has ever happened.\u201d <\/p>\n<p><b>Battleship Potemkin with soundtrack by Pet Shop Boys is in cinemas from Fri and released on Blu-ray\/CD and vinyl on Sep 5. This is an edited version of an essay accompanying the release<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"It was, on the face of it, a somewhat improbable idea. One of Britain\u2019s most successful pop groups,&hellip;\n","protected":false},"author":2,"featured_media":343019,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[748,393,4884,257,16,15],"class_list":{"0":"post-343018","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-britain","9":"tag-england","10":"tag-great-britain","11":"tag-london","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115025396586840446","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/343018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=343018"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/343018\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/343019"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=343018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=343018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=343018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}