{"id":345369,"date":"2025-08-15T02:02:13","date_gmt":"2025-08-15T02:02:13","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/345369\/"},"modified":"2025-08-15T02:02:13","modified_gmt":"2025-08-15T02:02:13","slug":"edinburgh-festival-fringe-2025-happy-ending-street-corr-blimey","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/345369\/","title":{"rendered":"Edinburgh Festival Fringe 2025 \u2013 Happy Ending Street \u2013 Corr Blimey"},"content":{"rendered":"<p><img loading=\"lazy\" data-recalc-dims=\"1\" decoding=\"async\" width=\"620\" height=\"350\" data-attachment-id=\"28738\" data-permalink=\"https:\/\/corrblimey.uk\/2025\/07\/24\/have-a-gander-at-the-edinburgh-fringe-2025-top-theatre-trips\/happy-ending-street\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/07\/happy-ending-street.png?fit=720%2C406&amp;ssl=1\" data-orig-size=\"720,406\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"happy-ending-street\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/07\/happy-ending-street.png?fit=300%2C169&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/07\/happy-ending-street.png?fit=620%2C350&amp;ssl=1\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/happy-ending-street.png\" alt=\"\" class=\"wp-image-28738\" style=\"width:828px;height:auto\"  \/><\/p>\n<p><strong>Written by Jenna Stones<\/strong><\/p>\n<p><strong>Songs by Lucia Ireland<\/strong><\/p>\n<p><strong>Review by Aislinn McSharry<\/strong><\/p>\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-72c45e65431c1e2b12a61ffdbabf506a\"><strong><a href=\"https:\/\/www.edfringe.com\/tickets\/whats-on\/pump\" target=\"_blank\" rel=\"noopener\">Leith Arches<\/a><\/strong><\/p>\n<p>\u2b50\u2b50\u2b50<\/p>\n<p>Rating: 3 out of 5.<\/p>\n<p>Bawdy, bold and imbued with deeper social commentary,\u00a0<strong>DollsnRags\u00a0<\/strong>Debut <strong>Fringe <\/strong>Show\u00a0<strong>Happy\u00a0Ending\u00a0Street<\/strong>,\u00a0is an impressive display of new Scottish theatre, expertly and engagingly performed.\u00a0\u00a0<\/p>\n<p>Detailing the lives of three sex-workers in 1890s Edinburgh, Pearl (<strong>Lucia Ireland<\/strong>), Bonnie (<strong>Jenna Stones<\/strong>) and Frances (<strong>Braegha\u00a0Sturrock<\/strong>)\u00a0plan to run away together and start a new life, when the \u2018Hen Catcher\u2019 is killing the inhabitants of \u2018Happy\u00a0Ending\u00a0Street\u2019.\u00a0DollsnRags\u2019 play seems to take three Shakespearean-esque\u00a0stock characters and insert them into a play of their own; once ribald and crude sex workers, they are here fleshed out into three-dimensional women, with traces of Steinbeckian themes of working-class hope.\u00a0Throughout the course of the play, the audience joins the characters on their decision-making: should they leave \u2018Happy\u00a0Ending\u00a0Street\u2019, or kill the \u2018Hen Catcher\u2019 before he kills them?\u00a0\u00a0<\/p>\n<p>The chemistry between the three makes for a light, appealing, and humorous watch: Sturrock\u2019s Frances fulfils a maternal, sensible, and god-fearing stereotype, Stones\u2019 Bonnie is rebellious, lustful and ambitious, while Ireland\u2019s Pearl is feisty, ditzy, and surprisingly vulnerable.\u00a0Fulfilling character stereotypes (respectively as sensible, aspirational, and na\u00efve), their performances flourish throughout and allow for an extended exploration of working-class women, normally forgotten in history (although little was given to clarify or utilise this time period).\u00a0\u00a0<\/p>\n<p>The actors skilfully swerve in and out of the audience, using all venue space (the bar, staircase, and aisle in the middle of the audience), to really welcome and immerse us into the actuality of the women\u2019s living space. A particular standout performance belongs to Lucia Ireland: after beginning the show with a powerful, soulful song, she embodies every aspect of the play\u2019s lewd humour, accurately over-the-top at just the right moments, all whilst subtly building to an emotional denouement. Nonetheless, the script could have gone even further, more profoundly and uniquely characterising each woman, and more obviously breaking away from stereotypes.\u00a0\u00a0<\/p>\n<p>Amidst the ongoing boisterous arguments between the women, sections of the play border on brash; perhaps earlier inclusions of more varied or calmer emotions, could have sustained the play\u2019s pace. Equally, this might have created a greater escalation to the\u00a0serious arguments, differentiating childish squabbles from serious concerns for Pearl\u2019s health.\u00a0\u00a0<\/p>\n<p>Happy\u00a0Ending\u00a0Street\u00a0gives a humorous yet heartfelt voice to three captivating female characters, complex beyond usual creations of their ilk, but whose complexity could have been further explored.\u00a0Compelling, hilarious and enthusiastic, Ireland and Stones make a very successful start to their recently founded DollsnRags, that bubbles with potential.\u00a0\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1440\" height=\"885\" data-attachment-id=\"30433\" data-permalink=\"https:\/\/corrblimey.uk\/2025\/08\/14\/review-edinburgh-festival-fringe-2025-happy-ending-street\/502381179_17862860043407688_7884296749984168069_n\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/502381179_17862860043407688_7884296749984168069_n-e1755169780197.jpg?fit=1440%2C885&amp;ssl=1\" data-orig-size=\"1440,885\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"502381179_17862860043407688_7884296749984168069_n\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/502381179_17862860043407688_7884296749984168069_n-e1755169780197.jpg?fit=300%2C184&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/502381179_17862860043407688_7884296749984168069_n-e1755169780197.jpg?fit=620%2C381&amp;ssl=1\" alt=\"\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/502381179_17862860043407688_7884296749984168069_n-e1755169780197.jpg\" style=\"object-position:56% 60%;\" class=\"wp-image-30433 size-full\"  \/><\/p>\n<p class=\"has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-041ed9111e36728721889c0c05b596d5\"><strong>Bubbles with Potential <\/strong><\/p>\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-4a0f34e1b9695c5376ff4da23d8241b0\"><strong>Happy Ending Street ran at Leith Arches<\/strong><br \/><strong>Running time: Sixty minutes without interval <\/strong><\/p>\n<p class=\"has-vivid-red-color has-text-color has-link-color wp-elements-c9b905594a84cd29089750dc8e6272dc\"><strong>Review by Aislinn McSharry (contact@corrblimey.uk)<\/strong><\/p>\n<p>Aislinn McSharry has just completed her second year studying German and English Literature at The University of Edinburgh. Whilst she has loved participating in Theatre at the University, her most recent role has been as Theatre Editor for The Student Newspaper. Her theatrical taste spans from old-school gritty musicals (Cabaret, Fiddler on the Roof) to exciting dramas (anything Oscar Wilde, but specifically Lady Windermere\u2019s Fan), and she can\u2019t wait to see what this year\u2019s Fringe has in store!\u00a0<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"718\" data-attachment-id=\"30190\" data-permalink=\"https:\/\/corrblimey.uk\/our-team-2\/aislinn\/#main\" data-orig-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/Aislinn.png?fit=1356%2C1570&amp;ssl=1\" data-orig-size=\"1356,1570\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Aislinn\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/Aislinn.png?fit=259%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/corrblimey.uk\/wp-content\/uploads\/2025\/08\/Aislinn.png?fit=620%2C718&amp;ssl=1\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/Aislinn.png\" alt=\"A smiling young woman with long blonde hair is sitting at a table, holding a cocktail decorated with mint leaves and a slice of lime, wearing a pink top. The background features string lights and other patrons in a lively outdoor setting.\" class=\"wp-image-30190\" style=\"aspect-ratio:1;object-fit:cover\"  \/><\/p>\n<p>\t\t\tLike this:<\/p>\n<p>Like Loading&#8230;<\/p>\n<p><a class=\"sd-link-color\"\/>\t\t\t\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"Written by Jenna Stones Songs by Lucia Ireland Review by Aislinn McSharry Leith Arches \u2b50\u2b50\u2b50 Rating: 3 out&hellip;\n","protected":false},"author":2,"featured_media":345370,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8816],"tags":[748,1102,4884,712,16,15],"class_list":{"0":"post-345369","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-edinburgh","8":"tag-britain","9":"tag-edinburgh","10":"tag-great-britain","11":"tag-scotland","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115030323764401226","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/345369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=345369"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/345369\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/345370"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=345369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=345369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=345369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}