{"id":345538,"date":"2025-08-15T03:33:13","date_gmt":"2025-08-15T03:33:13","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/345538\/"},"modified":"2025-08-15T03:33:13","modified_gmt":"2025-08-15T03:33:13","slug":"edinburgh-international-book-festival-fresh-words","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/345538\/","title":{"rendered":"Edinburgh International Book Festival &#8211; Fresh Words"},"content":{"rendered":"<p>It\u2019s rarely easy for new writers to get their work noticed. Mainstream publishers prefer to rely on established names \u2013 and increasingly, celebrities \u2013 to boost their sales figures, and indy publishers have far less cash to burn.<\/p>\n<p>To address the issues facing emerging authors, the Scottish Book Trust, Jenny Brown Associates, New Writing North and The Women\u2019s Prize Trust have each created awards offering financial support and mentoring. <\/p>\n<p>This August Edinburgh International Book Festival has partnered with some of these leading talent spotters to run <strong>Fresh Words,<\/strong> a special series in which award recipients will read their work in public.<\/p>\n<p>On Wednesday I attended one of the four sessions, to hear from new writers Susan Kemp, Margherita Still, Caroline Grebnell, Jade Mitchell and Robbie MacLeoid.<\/p>\n<p><strong>Susan Kemp<\/strong> is a Senior Lecturer in Film, Exhibition and Curation at the University of Edinburgh<strong>. Greenwash,<\/strong> her environmental thriller, inspired by her love of the outdoors and her experience of beating on a grouse moor, has been Highly Commended by Jenny Brown Associates in their 2025 Debut Writers Over 50 Award.<\/p>\n<p>Susan read a wonderfully evocative extract from her novel, in which a golden eagle is murdered in an Angus glen. As Jessie, a keeper\u2019s daughter, travels back to Glen Heughie to start a new job as a wildlife crime investigator, she remembers the bullying she suffered on the school bus, and the eagle that flew directly overhead, casting its magnificent shadow.<\/p>\n<p>Queer writer, songwriter and academic <strong>Robbie MacLeoid <\/strong>is an award-winning creative practitioner in Gaelic and English. One of his many talents is streaming video games into Gaelic, but he also teaches workshops, works as a translator and consultant and has performed at many festivals. His work explores queerness, anti-colonialism, feminism, and play. In 2023 he won a Scottish Book Trust Gaelic New Writer\u2019s Award.<\/p>\n<p>Robbie read some of his poems, in Gaelic and in English, though he warned us that the Gaelic version was sometimes better!<\/p>\n<blockquote>\n<p>\u2018I wear my Gaelic like my queerness\/You\u2019d never know it to look at me.\u2019<\/p>\n<\/blockquote>\n<p><strong>Caroline Grebnell<\/strong> is a Supervising Art Director in the film and TV industry. She has a Masters in Creative Writing (with Distinction) from Napier University and her stories have been shortlisted for many awards. Her novel <strong>Tromp l\u2019oeil,<\/strong> has been longlisted for the Jenny Brown Associates Debut Writers Over 50 Award. It follows a disparate collection of women in nineteenth century London as they concoct an elaborate sting to rid the confectioner\u2019s wife of her murderous, charlatan husband.<\/p>\n<p>Caroline read an intriguing extract, in which a woman dressed as a man arrives by carriage at a Whitechapel theatre. Some of her clothes \u2013 her boots, her beaver top hat \u2013 have come from a brothel. The stunning interior of the building, lit by chandeliers, impresses her, but she knows that \u2018this was art and this was science, it was not magic or witchcraft.\u2019<\/p>\n<p>Scots Italian <strong>Margherita Still<\/strong> works as an Education Consultant. She won the Napier University Medal for her Creative Writing Masters, and  recently started Edinburgh Sparks, an open mic for prose writers to share their fiction or nonfiction. Her stories have been published in Scottish Book Trust anthologies and elsewhere. Margherita\u2019s new novel has been shortlisted for the 2025 Jenny Brown Associates Debut Writers Over 50 Award.<\/p>\n<p><strong>Alex Anderson is Not Dead <\/strong>is about a dad who knows he is dying and wants to make sure his children won\u2019t lose their home. He asks his estranged brother for help to conceal his death so that the council won\u2019t repossess the house, leading to a very funny conversation about patios, freezers and gangsters. The inspiration for Alex Anderson in Not Dead came from Margherita\u2019s time teaching in Edinburgh and working with refugees and other challenged families. She says,<\/p>\n<blockquote>\n<p>\u2018If someone tells you they want to write, encourage them \u2013 because I\u2019ve been lucky to have nothing but encouragement all through.\u2019<\/p>\n<\/blockquote>\n<p><strong>Jade Mitchell, <\/strong>a Glasgow-based writer and poet, is the recipient of a New Writers Award from the Scottish Book Trust. She has an MLitt in Creative Writing from the University of Strathclyde, where she was awarded the Brian Hamill Common Breath Prize for her writing.<strong> <\/strong>Her poetry can be found in online publications, she performs at festivals, and wrote her first poetry film The Door in collaboration with Moot Point Collective. Jade is now working on her first short story collection; her reading for Fresh Words certainly made us all think. Here, I think, is the gist,<\/p>\n<p>Jessica is attending a meeting. It\u2019s a meeting of the Lovers to Worms Alliance. Transformations have been taking place, and one of them was Jessica\u2019s wife Bethany. Now Bethany lives in a terrarium. Jessica\u2019s not the only one whose partner has somewhat changed; we meet Christopher, who\u2019s lost his boyfriend David in the garden (\u2018Did a seagull take him?\u2019), and an older lady who finds life much more peaceful without her pre-transformation husband. \u00a0<\/p>\n<p>And if that doesn\u2019t pique your interest, I\u2019m not sure what will.<\/p>\n<p>Fresh Words continues on Tuesday 19 August with new writers <strong>Henry Bell, Sarah Forbes Stewart, Debora Mait\u00e9, Julie Rea, <\/strong>and <strong>Sophie Underwood, <\/strong>and on Friday 22 August, when <strong>Lorna Elcock, Rukky Brume,\u00a0Rue Baldry. Taylor Dyson\u00a0<\/strong>and\u00a0<strong>Nasim Rebecca Asl <\/strong>will read from their work.<\/p>\n<p>The Fresh Words sessions are <strong>free<\/strong> to attend, and you are invited to bring along your lunch \u2013<strong> <\/strong>but<strong> you do need a ticket,<\/strong> so book one <a href=\"https:\/\/www.edbookfest.co.uk\/the-festival\/whats-on\/fresh-words-a-writing-chance\" target=\"_blank\" rel=\"noopener\">here<\/a> for 19 August and <a href=\"https:\/\/www.edbookfest.co.uk\/the-festival\/whats-on\/fresh-words-women-s-prize-trust-discoveries\" target=\"_blank\" rel=\"noopener\">here <\/a>for 22 August.<\/p>\n<p>Edinburgh International Book Festival runs until 24 August at Edinburgh Futures Institute, Lauriston Place, McEwan Hall, Teviot Place and Elliott\u2019s Studio, 21 Sciennes Road. <\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" width=\"1200\" height=\"800\" data-attachment-id=\"566868\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/2024-martin-mcadam-243\/\" data-orig-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/TER-Book-Festival_A7R371820240818.jpg\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5.6&quot;,&quot;credit&quot;:&quot;Martin McAdam&quot;,&quot;camera&quot;:&quot;ILCE-7RM4A&quot;,&quot;caption&quot;:&quot;\\u00a9 2024 Martin McAdam&quot;,&quot;created_timestamp&quot;:&quot;1723996346&quot;,&quot;copyright&quot;:&quot;\\u00a9 2024 Martin McAdam&quot;,&quot;focal_length&quot;:&quot;24&quot;,&quot;iso&quot;:&quot;100&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;\\u00a9 2024 Martin McAdam&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\u00a9 2024 Martin McAdam\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;\u00a9 2024 Martin McAdam&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/08\/TER-Book-Festival_A7R371820240818-300x200.jpg\" data-large-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/TER-Book-Festival_A7R371820240818.jpg\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/TER-Book-Festival_A7R371820240818.jpg\" alt=\"\" class=\"wp-image-566868\"  \/>\u00a9 2024 Martin McAdam<\/p>\n<p><a class=\"m-a-box-avatar-url\" href=\"https:\/\/theedinburghreporter.co.uk\/author\/rosemary-kaye\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/08\/1755228793_957_73b9377013d51fb1fbb4a3baa89a05d6d0f751f1e4f990c096b9eb685d99f63f\"  class=\"avatar avatar-100 photo\" height=\"100\" width=\"100\" itemprop=\"image\"\/><\/a>Like this:<\/p>\n<p>Like Loading&#8230;<\/p>\n<p><a class=\"sd-link-color\"\/><\/p>\n<p>\n\tRelated<\/p>\n","protected":false},"excerpt":{"rendered":"It\u2019s rarely easy for new writers to get their work noticed. Mainstream publishers prefer to rely on established&hellip;\n","protected":false},"author":2,"featured_media":345539,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8816],"tags":[748,1102,122650,4155,4884,122651,712,122652,16,15],"class_list":{"0":"post-345538","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-edinburgh","8":"tag-britain","9":"tag-edinburgh","10":"tag-edinburgh-international-book-festival-2025","11":"tag-edinburgh-news","12":"tag-great-britain","13":"tag-jenny-brown-associates","14":"tag-scotland","15":"tag-scottish-book-trust","16":"tag-uk","17":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115030681618767271","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/345538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=345538"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/345538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/345539"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=345538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=345538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=345538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}