{"id":353781,"date":"2025-08-18T08:56:10","date_gmt":"2025-08-18T08:56:10","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/353781\/"},"modified":"2025-08-18T08:56:10","modified_gmt":"2025-08-18T08:56:10","slug":"camden-fringe-2025-net-cafe-refugee-camden-peoples-theatre-london","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/353781\/","title":{"rendered":"Camden Fringe 2025: Net Caf\u00e9 Refugee \u2013 Camden People\u2019s Theatre, London"},"content":{"rendered":"<p><strong>Writer: Yuya Sato<\/strong><\/p>\n<p><strong>Director:<\/strong> <strong>Ami Nagano<\/strong><\/p>\n<p>Yuya Sato\u2019s Net Caf\u00e9 Refugee centres around three oddball misfits living a precarious life in adjacent cubicles in an internet caf\u00e9 in Tokyo. The Japanese version of the concept features showers, futons, vending machines, a canteen, and a relaxed policy towards people living on the premises.<\/p>\n<p>Stuttering rich kid Keita (Yuya Sato also writes) has absconded from his posh college for dim kids and now spends his days online playing Call of Duty, pondering suicide, and fantasising over the girl in the neighbouring booth, Noa (Mia Sumida, ethereal and other-worldly). She is a sex worker who uses a soundproof room at the venue to service her clients. Whatever money she makes goes on visits to an expensive \u201cMen\u2019s Concept Caf\u00e9\u201d, where young women go to fawn over aspiring male models or actors. A third booth is occupied by Nobu (Nobuo Otsuka), a dropout salaryman with questionable hygiene who has lived at the venue for 6 months and gets by on a series of part-time jobs.<\/p>\n<p>One might suppose tourists would give the place a wide berth, but by happenstance, aspiring British YouTuber Mr Tea (an ebullient Jack Bolton says \u201cmate\u201d a lot) is blogging about odd caf\u00e9s around the world. He checks into the venue, camera in hand, and starts recording. A complication arises when a spy camera is discovered in the soundproof room. Accusations fly, and Mr Tea is ready to blog about them. Dark consequences threaten at least one of the characters.<\/p>\n<p>Director Ami Nagano intercuts scenes with fantasy dance sequences. It is a device that effectively evokes the oddness (at least to those with UK cultural lenses) of the milieu and the alienation of the characters. There is, however, a credibility gap here. One wonders whether these three Japanese misfits would really speak such idiomatic English, or indeed whether Mr Tea\u2019s gauche attempt at interviewing would yield the suggested results. The culture clash promises drama, but the result feels just a little too far-fetched.<\/p>\n<p><strong>Runs until 24 August 2025<\/strong><\/p>\n<p><strong>Camden Fringe runs until 24 August 2025<\/strong><\/p>\n<p>\t\t\tThe Reviews Hub Star Rating<\/p>\n","protected":false},"excerpt":{"rendered":"Writer: Yuya Sato Director: Ami Nagano Yuya Sato\u2019s Net Caf\u00e9 Refugee centres around three oddball misfits living a&hellip;\n","protected":false},"author":2,"featured_media":353782,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[124870,748,115142,124871,393,4884,124872,257,124873,124874,6080,124875,2764,16,15,124876],"class_list":{"0":"post-353781","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-ami-nagano","9":"tag-britain","10":"tag-camden-fringe-2025","11":"tag-camden-peoples-theatre","12":"tag-england","13":"tag-great-britain","14":"tag-jack-bolton","15":"tag-london","16":"tag-mia-sumida","17":"tag-nobuo-otsuka","18":"tag-review","19":"tag-the-net-cafe-refugee","20":"tag-theatre","21":"tag-uk","22":"tag-united-kingdom","23":"tag-yuya-sato"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115048938601284283","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/353781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=353781"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/353781\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/353782"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=353781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=353781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=353781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}