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<\/p>\n21\/08\/2025 – Certain European countries support the release of their films in Spain, as well as special promotion in their autonomous communities, says Avalon<\/p>\n
<\/p>\n
The End by Joshua Oppenheimer, one of the films distributed in Spain by Avalon<\/p>\n
To find out about current trends in independent film distribution in Spain, we met with one of the country’s leading companies, Avalon<\/a>, which has been doing so for over a quarter of a century, specialising in auteur films.<\/p>\n Marketing and communications director Manuel Palos<\/strong> stressed, \u201cSome countries support film distribution in other European nations: to help films from their countries gain greater reach, they support local distributors in these destination countries.\u201d Stefan Schmitz<\/strong> confirmed this: \u201cFilm institutes in France, Germany, Italy and Scandinavia allocate funds to supporting the release of their films in other countries, such as Denmark with The End<\/a>\u00a0[+see also: Thanks to this financial support for independent distribution, today it is easier, more accessible, and less risky to release European films in Spain than it is on other continents. \u201cIn addition, we independent distributors receive subsidies from the ICAA for the films we have released, both European and Spanish or Latin American ones. European cinema is also subsidised by the Creative Europe – MEDIA<\/a> programme, so for us, buying a German, French or Danish film is very different from buying a Korean, American or Angolan film,” said Palos. Schmitz also pointed out, \u201cSales agents know exactly which subsidies come from each country.” Many sellers remind the potential distributor of this: even if a film is shot in Taiwan, for example, the team may be from Europe.<\/p>\n However, not all countries take part in this exchange of backing: the ICAA, for example, will not subsidise a German distributor to release a Spanish film over there. This works to the detriment of other films industries. \u201cI started watching American independent films, which now hardly ever reach Spanish cinemas,\u201d recalled Palos, who mentioned another interesting issue: the special promotion or attention given by distributors to certain films in the different regions of Spain.<\/p>\n This territorial identification plays an important role. \u201cWhen you have a film of this kind, you seriously consider it. We have known about this for ten years, and we concentrate our budget on the region where people are genuinely going to engage,\u201d stressed Palos. \u201cWhen budgets are limited, we appeal to the potential audience that will be interested, through local media, with the copies we launch or using our advertising expenditure, a large part of which we will invest in that region where people get engaged. It is better to have a good impact on a few than a bad impact on many,\u201d he explained. Film festivals also cultivate a special public sensitivity in certain population groups. “For some of our films, 60% or 70% of the revenue comes from the regions where they were shot, such as Akelarre<\/a>\u00a0[+see also: Another tendency in Spain that complements all this – and which avoids centralism – is to hold events with the film crew, with discussions with the public after the screenings: some films, such as On the Go<\/a>\u00a0[+see also: (Translated from Spanish)<\/p>\n","protected":false},"excerpt":{"rendered":"21\/08\/2025 – Certain European countries support the release of their films in Spain, as well as special promotion…\n","protected":false},"author":2,"featured_media":361691,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5312],"tags":[2000,299,104],"class_list":{"0":"post-361690","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-spain","8":"tag-eu","9":"tag-europe","10":"tag-spain"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115065988295717874","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/361690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=361690"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/361690\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/361691"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=361690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=361690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=361690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
film\u00a0review<\/a>
trailer<\/a>
interview: Joshua Oppenheimer<\/a>
film\u00a0profile<\/a>], by Joshua Oppenheimer<\/strong>, which we distributed. The ICAA<\/a> here in Spain does not do this yet, but it is under consideration, because there is a desire to do this among both producers and sales agents.\u201d<\/p>\n
film\u00a0review<\/a>
trailer<\/a>
interview: Pablo Ag\u00fcero<\/a>
film\u00a0profile<\/a>] in the Basque Country, Matria<\/a>\u00a0[+see also:
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interview: \u00c1lvaro Gago<\/a>
film\u00a0profile<\/a>] in Galicia, and Alcarr\u00e0s<\/a>\u00a0[+see also:
film\u00a0review<\/a>
trailer<\/a>
interview: Carla Sim\u00f3n<\/a>
interview: Carla Sim\u00f3n<\/a>
interview: Giovanni Pompili<\/a>
film\u00a0profile<\/a>] and Summer 1993<\/a>\u00a0[+see also:
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interview: Carla Sim\u00f3n<\/a>
film\u00a0profile<\/a>] in CatCatalonia,” concluded Manu Palos.<\/p>\n
film\u00a0review<\/a>
trailer<\/a>
interview: Mar\u00eda Gis\u00e8le Royo, Julia de\u2026<\/a>
film\u00a0profile<\/a>], were enthusiastically promoted in this way by their directors Julia de Castro<\/strong> and Mar\u00eda Gis\u00e8le Royo<\/strong> through many towns across Spain.<\/p>\n