{"id":36191,"date":"2025-04-20T17:54:08","date_gmt":"2025-04-20T17:54:08","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/36191\/"},"modified":"2025-04-20T17:54:08","modified_gmt":"2025-04-20T17:54:08","slug":"the-infernal-deceit-the-true-harmful-black-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/36191\/","title":{"rendered":"The Infernal Deceit &#8211; The True Harmful Black Review"},"content":{"rendered":"<p style=\"text-align: justify;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft wp-image-215358 size-medium\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/485868-350x346.jpg\" alt=\"\" width=\"350\" height=\"346\"   data-eio=\"p\"\/> In a year that already looks to be filled with heady pomp and artistry, there\u2019s something to be appreciated about some straightforwardness in back-to-basics. You don\u2019t always need the ultra highbrow and thought-provoking violence \u2013 sometimes you just want to throw on an album and veg out. Such wants prompted my newest scourings of the promo pit for something more immediate, something to get fists pumping and bootie shaking with blackened frowns to be had by all. Answering this call is German duo <strong>The Infernal Deceit, <\/strong>a self-described black\/death hybrid outfit who are dropping their sophomore effort The True Harmful Black this month. Sporting some admittedly cool artwork and an uncommonly legible logo, I dove in to see what harms await in the promised black.<\/p>\n<p style=\"text-align: justify;\">When <strong>The Infernal Deceit<\/strong> put their best foot forward, what results is a fun, riff-centric album with bounce and groove to be found in fair measure. The True Harmful Black slings some congenial black metal of the punky, catchy stylings ala <strong>Spectral Wound <\/strong>or <strong>Hulder<\/strong> with production pulled straight from the book of modern death metal. This gives moments like the \u201ceverybody clap your hands\u201d buildup of \u201cThe Great Seducer, The Greatest Deceiver (Dethroned)\u201d and the sprawling melodies of \u201cThe Primordial Maze and The Crawling Chaos\u201d some real bop-to-the-nose force without losing the requisite trebly underpinnings. Songs wrapped around neck bobbing hooks demand attention and imply greatness ahead, with no genuine surprises to be found, instead opting for a handful of rote but well-implemented ingredients.<\/p>\n<p>\ufeff<a href=\"https:\/\/theinfernaldeceit.bandcamp.com\/album\/the-true-harmful-black\" target=\"_blank\" rel=\"noopener\">The True Harmful Black by The Infernal Deceit<\/a><\/p>\n<p style=\"text-align: justify;\">Instead of targeting for all rage all day, The True Harmful Black opts for a melancholy approach as much as a riff-centric one. Vocalist \u201cR\u201d has a suitably gruff bark, straddling the overlap between a blackened shriek and a deathly growl without neatly falling into either category. His somewhat monotone delivery helps the musical presentation, as he sounds at home whether the music blasts or crawls. Multi-instrumentalist \u201cC\u201d offers up a platter of songs which alternate between the expected bpm pushing swipes at <strong>Necrophobic<\/strong> melodies while frequently bringing the tempo to a much more somber, mood-drenched drawl. This saves the album from becoming too homogenous despite a bit of an overly familiar palate of riffs and lead stylings. Clean acoustics also litter the album, both as extra instrumentation as well as interlude and closer, offering up a nice flow and easy listening.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-215359 size-medium\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/592940-350x347.jpg\" alt=\"\" width=\"350\" height=\"347\"   data-eio=\"p\"\/><strong>The Infernal Deceit<\/strong> peddle an enjoyable sound, but the album doesn\u2019t seek to be much more than that. The constant changing of tempo eventually works against the band, particularly in the back half of the album. The True Harmful Black is at its strongest when bringing the pain (\u201cIn the Wilderness of Pernicious Black\u201d), but its quest for atmospheric theatrics robs the riffs of much of their staying power. The clean acoustics are pretty when implemented as instrumental flourishes, but focusing on them robs the album of momentum. Combining that with the aforementioned frequent brake pumping leads to an album that doesn\u2019t flow as much as it stutters. This is a bit disappointing because individual moments hint at some truly good stuff waiting to be unearthed; solos in particular rip and shred with delightful melodic prowess. An album with a filthier mix, more consistent strength in riffs, or some more extremity in the disparaging tempos would create a <strong>Deceit <\/strong>that could be <strong>Infernal<\/strong> indeed.<\/p>\n<p style=\"text-align: justify;\">The True Harmful Black is a pleasant album, just not a remarkable one. There\u2019s nothing wrong with that; not every album needs to be an earth-heaving, forest-felling, giant slaying leviathan of artistic intent. <strong>The Infernal Deceit<\/strong> are a competent pair who can craft solid moments and good melodies, but are still on the prowl for that x factor which will launch them further to stand shoulder to shoulder with their peers. I believe they have better in them, and will certainly check out what their next offering holds for us.  For the moment, while certainly not challenging for any end-of-year placements, listeners on the quest for a quick black metal fix could do far worse, and might find some select moments of real harm waiting for them in the depicted black maze above.<\/p>\n<p style=\"text-align: center;\"><strong>Rating: <\/strong>2.5\/5.0<br \/><strong>DR: <\/strong>8 | <strong>Format Reviewed:<\/strong> 320 kbps mp3<br \/><strong>Label: <\/strong><a href=\"https:\/\/www.personal-records.com\/\" target=\"_blank\" rel=\"noopener\">Personal Records<\/a><strong><br \/><\/strong><strong>Websites: <\/strong><a href=\"https:\/\/theinfernaldeceit.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Official Bandcamp<\/a><strong> | <\/strong><a href=\"https:\/\/www.facebook.com\/theinfernaldeceitband\" target=\"_blank\" rel=\"noopener\">Official Facebook<br \/><\/a> <strong>Releases Worldwide: <\/strong>April 11th, 2025<\/p>\n<p>\n\tGive in to Your Anger:<\/p>\n","protected":false},"excerpt":{"rendered":"In a year that already looks to be filled with heady pomp and artistry, there\u2019s something to be&hellip;\n","protected":false},"author":2,"featured_media":36192,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[20843,743,10269,11463,12936,77,20844,20845,269,20846,20847,6080,6082,20848,20849,20850,16,15],"class_list":{"0":"post-36191","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-2-5","9":"tag-743","10":"tag-apr25","11":"tag-black-metal","12":"tag-death-metal","13":"tag-entertainment","14":"tag-german-metal","15":"tag-hulder","16":"tag-music","17":"tag-necrophobic","18":"tag-personal-records","19":"tag-review","20":"tag-reviews","21":"tag-spectral-wound","22":"tag-the-infernal-deceit","23":"tag-the-true-harmful-black","24":"tag-uk","25":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114371576956082977","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/36191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=36191"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/36191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/36192"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=36191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=36191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=36191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}