{"id":376400,"date":"2025-08-27T01:37:14","date_gmt":"2025-08-27T01:37:14","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/376400\/"},"modified":"2025-08-27T01:37:14","modified_gmt":"2025-08-27T01:37:14","slug":"the-warehouse-project-preview-unmissable-moments-of-this-years-season","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/376400\/","title":{"rendered":"The Warehouse Project preview: Unmissable moments of this year’s season"},"content":{"rendered":"

Every year, The Warehouse Project takes over Depot Mayfield for twelve weekends of genre-spanning nights. This year, the music will be just as exhilarating and the line-ups just as exciting, and changes have been introduced to optimise the experience for attendees. With proper toilets being installed for the first time and a new policy encouraging less filming from the crowd, WHP25 is sure to be one to remember.<\/p>\n

For Warehouse Project\u2019s opening weekend, Annie Mac<\/strong> will bring her Before Midnight series to the depot\u2019s concourse, after an appearance at Albert Hall in November of last year. As this is due to be one of the concourse-only shows of WHP25, featuring a smaller line-up and finishing (as suggested by its title) before midnight, it is safe to assume that a no-phones policy will be enforced as the Dublin radio DJ kicks the season off.<\/p>\n

Just a fortnight later, world-renowned Australian tech house producer FISHER<\/strong> is due to bring an all-star line-up to The Warehouse Project, featuring Patrick Topping, Enzo is Burning, Murphy\u2019s Law<\/strong> and many more. The unmissable moment here, however, comes courtesy of Manchester\u2019s own Morgan Seatree<\/strong>, who is slated for a sub-headline slot. His homecoming set follows his declaration that \u201cdreams can come true\u201d<\/a> while on-stage at Parklife Festival<\/a> this summer: that set saw him bring out his grandma, so who knows what will go down at the depot.<\/p>\n

\"\"Credit: The Warehouse Project<\/p>\n

The poster face of Sheffield\u2019s swiftly rising electronic scene, Silva Bumpa<\/strong>, will provide another unmissable moment, if not multiple, as he takes to the stage as part of a line-up curated by Sammy Virji<\/strong>. With speed garage bangers such as \u2018Automatic\u2019, \u2018I Don\u2019t Want U\u2019 and \u2018Feel Da Same\u2019 under his belt, alongside collaborations and remixes with the likes of Confidence Man, Diffrent<\/strong> and Capo Lee<\/strong>, he\u2019s guaranteed to perform a set to rival any headliner.<\/p>\n

If hearing Silva Bumpa\u2019s remix of Confidence Man\u2019s \u2018All My People\u2019 isn\u2019t enough, the Australian indie-electro group themselves are due to stage a takeover of Warehouse Project during the penultimate weekend of October. Fronted by duo Janet Planet<\/strong> and Sugar Bones<\/strong>, Confidence Man never fail to put on an engaging show, as evidenced by recent sets at Parklife Festival and BBC Radio One\u2019s Big Weekend<\/a> which followed two sold-out headline dates at Manchester Academy<\/a> last November. The line-up for the night has been curated by the group themselves, and includes Romy<\/strong> of The XX<\/strong>, Manchester\u2019s own Antony Szmierek, Sofia Kourtesis<\/strong>, and both live and DJ appearances from the headline act.<\/p>\n

\"\"Credit: The Warehouse Project<\/p>\n

The whole month of October looks stacked at The Warehouse Project: Confidence Man\u2019s curated night follows Overmono<\/strong> with a line-up featuring Interplanetary Criminal, Skin on Skin<\/strong>, and a debut appearance from Japanese icon \u00a5\u00d8U$UK\u20ac \u00a5UK1MAT$<\/strong>, preceding a Halloweekend for the history books.<\/p>\n

After a mid-week performance from Manchester rapper Aitch<\/strong>, Warehouse Project are bringing a star-studded Halloween line-up including Leftfield, Ewan McVicar, The Blessed Madonna, Salute<\/strong>, and Notion<\/strong>, to name a few. The following day will see a line-up curated by Marlon Hoffstadt<\/strong>, which is rightfully labelled \u201cParty of the Year\u201d as huge names such as horsegiirL<\/strong> and Malugi<\/strong> return to the city.<\/p>\n

Following the release of Loner, which is a contender for 2025\u2019s album of the year, Barry Can\u2019t Swim<\/strong> will headline The Warehouse Project with a live performance and DJ set towards the end of November. Marie Davidson<\/strong> live, a back-to-back set from Chlo\u00e9 Caillet<\/strong> and DJ<\/strong> Seinfeld, and a DJ set from specialist of euphoria and escapism<\/a> Kelly Lee Owens<\/strong>, are stand-outs from this line-up. The following day will see Primal Scream<\/strong> take to the stage for a Hacienda takeover<\/a>.<\/p>\n

\"\"Credit: The Warehouse Project<\/p>\n

It cannot be denied that The Warehouse Project have truly outdone themselves this year, with multitudes of impressive line-ups and hundreds of unmissable moments.<\/p>\n

With an unannounced line-up for Homobloc, a night of LGBTQ+ celebration, Nia Archives<\/strong>\u2018 newly-expanded day and night Up Ya Archives party, and the annual New Year\u2019s Eve event, there\u2019s still more to come which will undoubtedly make choosing between the WHP25 events even more difficult: it really is a shame they don\u2019t offer season passes.<\/p>\n","protected":false},"excerpt":{"rendered":"Every year, The Warehouse Project takes over Depot Mayfield for twelve weekends of genre-spanning nights. This year, the…\n","protected":false},"author":2,"featured_media":376401,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8813],"tags":[748,393,4884,2465,16,15],"class_list":{"0":"post-376400","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-manchester","8":"tag-britain","9":"tag-england","10":"tag-great-britain","11":"tag-manchester","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115098173118969646","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/376400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=376400"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/376400\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/376401"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=376400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=376400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=376400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}