{"id":394408,"date":"2025-09-03T11:19:10","date_gmt":"2025-09-03T11:19:10","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/394408\/"},"modified":"2025-09-03T11:19:10","modified_gmt":"2025-09-03T11:19:10","slug":"on-swift-horses-review-jacob-elordi-and-daisy-edgar-jones-simmer-in-glossy-drama-of-sex-and-identity-movies","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/394408\/","title":{"rendered":"On Swift Horses review \u2013 Jacob Elordi and Daisy Edgar-Jones simmer in glossy drama of sex and identity | Movies"},"content":{"rendered":"<p class=\"dcr-130mj7b\">Making a bid for awards credibility \u2013 somewhat tentatively \u2013 is this absorbing, detailed melodrama, adapted by screenwriter Bryce Kass from Shannon Pufahl\u2019s 50s-set 2019 novel. Kass begins with a narrative feint: after some dutiful lovemaking with husband Lee (Will Poulter), young bride Muriel (Daisy Edgar-Jones) spies Lee\u2019s studly drifter brother Julius (Jacob Elordi) sprawling shirtless on a station wagon outside, the playing cards in his pocket signifying trouble. Things aren\u2019t as hetero as they appear, however: Muriel is drawn to Julius for what he represents rather than who he is, cueing an atypical love triangle where the protagonists are mostly prised apart, and where the optimal outcome may well be for all concerned to pursue their own paths.<\/p>\n<p class=\"dcr-130mj7b\">Pufahl\u2019s intention, boosted here by longtime Todd Haynes producer Christine Vachon, is to flag that this moment in American life wasn\u2019t entirely as staid as we\u2019ve been led to believe, that identities were shifting beneath the placid surface of postwar reconstruction. Waitress Muriel gambles on racing tips from her regulars, before trysting with a sapphically inclined neighbour (Sasha Calle). Julius sells his body to fellow cardsharps and becomes a professional peeper, prowling a casino\u2019s eaves to spot blackjack cheaters. (Even here, the rising heat obliges him to lose the shirt.) Only Poulter\u2019s Lee, upright in flannel, clings to an older, squarer design for life, installing his wife in a little box on a California hillside \u2013 yet he seems as destined for heartbreak as anyone.<\/p>\n<\/p>\n<p class=\"dcr-130mj7b\">With TV veteran director Daniel Minahan (Six Feet Under, Deadwood) keeping these lonely furrows premium-cable handsome, the film\u2019s own secret may be that it is a miniseries squeezed into a feature-film closet. (Lorded over by Don Swayze, the casino surely merits its own episode.) The minor-key romantic snafu, composed chiefly of undercurrents, remains a touch callow to generate the devotional passions of a Far from Heaven or Carol; these are just kids, arranged into attractive, affirmative poses to feel each another out. Yet Kass and Minahan combine old and new while rubbing suggestively against the grain: the familiar pleasures of watching charismatic young actors meet the novelty of seeing them plugged into situations our period dramas have historically overlooked.<\/p>\n<p class=\"dcr-130mj7b\"> On Swift Horses is in UK and Irish cinemas from 5 September.<\/p>\n","protected":false},"excerpt":{"rendered":"Making a bid for awards credibility \u2013 somewhat tentatively \u2013 is this absorbing, detailed melodrama, adapted by screenwriter&hellip;\n","protected":false},"author":2,"featured_media":394409,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3935],"tags":[77,3943,16,15],"class_list":{"0":"post-394408","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-entertainment","9":"tag-movies","10":"tag-uk","11":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115140097969628812","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/394408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=394408"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/394408\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/394409"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=394408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=394408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=394408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}