{"id":419282,"date":"2025-09-12T20:08:17","date_gmt":"2025-09-12T20:08:17","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/419282\/"},"modified":"2025-09-12T20:08:17","modified_gmt":"2025-09-12T20:08:17","slug":"new-exhibition-celebrates-scottish-portraiture","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/419282\/","title":{"rendered":"New exhibition celebrates Scottish portraiture"},"content":{"rendered":"<p>At the City Art Centre a new exhibition celebrating Scottish portraiture opens on Saturday.<\/p>\n<p>Unmasked: Exploring Scottish Portraiture showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s Scottish art collection.<\/p>\n<p>The work of more than 30 different artists will feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone, John Kay, Sekai Machache, James Pittendrigh MacGillivray, Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay and Maud Sulter.<\/p>\n<p>Portraiture is an age-old artform with a simple purpose \u2013 to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.<\/p>\n<p>Unmasked: Exploring Scottish Portraiture examines the genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.<\/p>\n<p>Among the stand-out historical artworks are Allan Ramsay\u2019s celebrated portrait Katherine Hall of Dunglass (c.1736), James Cadenhead\u2019s sumptuous oil painting Lady with Japanese Screen and Goldfish (1886) and Scottish Colourist FCB Cadell\u2019s masterpiece The Black Hat (1914). Modern and contemporary highlights include Pat Douthwaite\u2019s vibrant homage to Amy Johnson Final Instructions Before Take-Off (1976), Maud Sulter\u2019s impactful self-portrait Calliope (1989) and Sekai Machache\u2019s exploration of symbolism and identity A Hint of Blue I and II (2021).<\/p>\n<p>Curator Dr Helen Scott said: \u201cPortraiture is such a compelling, multi-layered artform. Whether you\u2019re looking at portraits that have been commissioned to publicly commemorate peoples\u2019 lives and achievements, or private portrayals of friends and loved ones that give glimpses into personal relationships, there are so many stories to uncover.<\/p>\n<p>\u201cI\u2019m really looking forward to sharing new research findings with our visitors. We have, for example, recently discovered fresh information regarding a rare 18th century miniature portrait of Bonnie Prince Charlie. And we\u2019ll be displaying a number of new acquisitions for the first time, including artworks by Milein Cosman, David Eustace, George Jamesone, John Henry Lorimer and Flannery O\u2019kafka. The exhibition celebrates Scotland\u2019s rich tradition of portraiture, but it also demonstrates how absolutely relevant the genre remains today.<\/p>\n<p>Culture and Communities Convener Cllr Margaret Graham, said: \u201cI am delighted that \u201cUnmasked\u201d will be presented at the City Art Centre from this month. With both historic and contemporary works on display, \u2018Unmasked\u2019 highlights the enduring power of portraiture to tell personal, political and cultural stories. Showcasing the work of over 30 artists and spanning 400 years of artistic production including painting, drawing, sculpture, printmaking and photography, visitors will be able to view old favourites and discover new treasures and the fascinating stories behind the works.\u201d<\/p>\n<p>Unmasked: Exploring Scottish Portraiture opens on Saturday 13 September 2025, and continues until 31 May 2026. Admission is free.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614256\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;6.3&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 9&quot;,&quot;caption&quot;:&quot;Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite\\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757584146&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;145&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707691_964_w=1024.jpeg\" alt=\"\" class=\"wp-image-614256\"  \/>Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite<br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614255\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked_23\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_23.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;6.3&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 9&quot;,&quot;caption&quot;:&quot;Pictured: Work by David Eustace, Robbie Coltrane portrait and Antelope Canyon Portrait\\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757586126&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;92&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked_23\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Work by David Eustace, Robbie Coltrane portrait and Antelope Canyon Portrait&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_23.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_23.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707692_835_w=1024.jpeg\" alt=\"\" class=\"wp-image-614255\"  \/>Pictured: Work by David Eustace, Robbie Coltrane portrait and Antelope Canyon Portrait<br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614254\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked_18\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_18.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 9&quot;,&quot;caption&quot;:&quot;Pictured: Curator Helen Scott, Allan Ramsay, Katherine Hall of Dunglass, c.1736. City\\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757585483&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;21.5&quot;,&quot;iso&quot;:&quot;1250&quot;,&quot;shutter_speed&quot;:&quot;0.066666666666667&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked_18\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Curator Helen Scott, Allan Ramsay, Katherine Hall of Dunglass, c.1736. City&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_18.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_18.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707693_200_w=1024.jpeg\" alt=\"\" class=\"wp-image-614254\"  \/>Pictured: Curator Helen Scott, Allan Ramsay, Katherine Hall of Dunglass, c.1736. City<br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614253\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked_14\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_14.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;7.1&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 9&quot;,&quot;caption&quot;:&quot;Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite\\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757584622&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;160&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked_14\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_14.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_14.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707694_839_w=1024.jpeg\" alt=\"\" class=\"wp-image-614253\"  \/>Pictured: Curator Helen Scott, with Final Instructions Before Take-Off, Oil on Canvas by Pat Douthwaite<br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614252\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked_11\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_11.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;6.3&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 8&quot;,&quot;caption&quot;:&quot;Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache \\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757587097&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;41&quot;,&quot;iso&quot;:&quot;1250&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked_11\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_11.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_11.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707695_145_w=1024.jpeg\" alt=\"\" class=\"wp-image-614252\"  \/>Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache <br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"614248\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/cac-unmasked_5\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_5.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;Ian Georgeson Photography&quot;,&quot;camera&quot;:&quot;NIKON Z 8&quot;,&quot;caption&quot;:&quot;Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache \\nEdinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\\u2019s renowned collection of Scottish art.\\u00a0\\nOver 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\\u00a0Flannery O\\u2019kafka, Henry Raeburn, Allan Ramsay\\u00a0and Maud Sulter.\\u00a0\\nPortraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \\u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\\u00a0\\nUnmasked: Exploring Scottish Portraiture\\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\\u00a0\\nAmong the stand-out historical artworks are Allan Ramsay\\u2019s\\u00a0celebrated portrait Katherine Hall of Dunglass\\u00a0(c.1736), James Cadenhead\\u2019s\\u00a0sumptuous oil painting\\u00a0Lady with Japanese Screen and Goldfish\\u00a0(1886) and Scottish Colourist FCB Cadell\\u2019s\\u00a0masterpiece The Black Hat\\u00a0(1914). Modern and contemporary highlights include\\u00a0Pat Douthwaite\\u2019s\\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\\u00a0(1976), Maud Sulter\\u2019s\\u00a0impactful self-portrait Calliope\\u00a0(1989) and\\u00a0Sekai Machache\\u2019s\\u00a0exploration of symbolism and identity\\u00a0A Hint of Blue I and II\\u00a0(2021).&quot;,&quot;created_timestamp&quot;:&quot;1757586877&quot;,&quot;copyright&quot;:&quot;Ian Georgeson&quot;,&quot;focal_length&quot;:&quot;32&quot;,&quot;iso&quot;:&quot;800&quot;,&quot;shutter_speed&quot;:&quot;0.004&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CAC Unmasked_5\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache&lt;br \/&gt;&#10;Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0showcases a rich selection of historic and contemporary portraits from the City Art Centre\u2019s renowned collection of Scottish art.\u00a0&lt;br \/&gt;&#10;Over 30 different artists feature in the exhibition, including: FCB Cadell, Victoria Crowe, Pat Douthwaite, Joan Eardley, David Eustace, George Jamesone, Dorothy Johnstone,\u00a0John Kay, Sekai Machache, James Pittendrigh MacGillivray,\u00a0Flannery O\u2019kafka, Henry Raeburn, Allan Ramsay\u00a0and Maud Sulter.\u00a0&lt;br \/&gt;&#10;Portraiture is an age-old artform with a seemingly simple purpose: to record the likeness of a human subject. Yet the enduring appeal of portraiture lies in its complexity. Behind every portrait is a series of stories \u2013 interwoven narratives about the sitter, the artist, and the circumstances that brought them together.\u00a0&lt;br \/&gt;&#10;Unmasked: Exploring Scottish Portraiture\u00a0examines this fascinating genre in depth, with a series of highlights from the City Art Centre\u2019s collection. The exhibition spans almost 400 years of artistic production, with examples of painting, drawing, sculpture, printmaking and photography.\u00a0&lt;br \/&gt;&#10;Among the stand-out historical artworks are Allan Ramsay\u2019s\u00a0celebrated portrait Katherine Hall of Dunglass\u00a0(c.1736), James Cadenhead\u2019s\u00a0sumptuous oil painting\u00a0Lady with Japanese Screen and Goldfish\u00a0(1886) and Scottish Colourist FCB Cadell\u2019s\u00a0masterpiece The Black Hat\u00a0(1914). Modern and contemporary highlights include\u00a0Pat Douthwaite\u2019s\u00a0vibrant homage to Amy Johnson Final Instructions Before Take-Off\u00a0(1976), Maud Sulter\u2019s\u00a0impactful self-portrait Calliope\u00a0(1989) and\u00a0Sekai Machache\u2019s\u00a0exploration of symbolism and identity\u00a0A Hint of Blue I and II\u00a0(2021).&lt;\/p&gt;&#10;\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_5.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/09\/CAC-Unmasked_5.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/1757707696_236_w=1024.jpeg\" alt=\"\" class=\"wp-image-614248\"  \/>Pictured: Curator Helen Scott, with A Hint of Blue I and II Digital Photographic Print by Sekai Machache <br \/>Edinburgh City Art Centre, Unmasked: Exploring Scottish Portraiture\u00a0<\/p>\n<p><a class=\"m-a-box-avatar-url\" href=\"https:\/\/theedinburghreporter.co.uk\/author\/phyllis-stephen\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/06\/Phyllis-Summer-2022-100x100.jpg\" class=\"attachment-100x100 size-100x100\" alt=\"\" itemprop=\"image\"   data-attachment-id=\"523819\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/phyllis-summer-2022\/\" data-orig-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-scaled.jpg\" data-orig-size=\"2315,3089\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 11&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1652451720&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.25&quot;,&quot;iso&quot;:&quot;32&quot;,&quot;shutter_speed&quot;:&quot;0.0034364261168385&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Phyllis Summer 2022\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-225x300.jpg\" data-large-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-674x900.jpg\"\/><\/a><\/p>\n<p>Founding Editor of The Edinburgh Reporter.<br \/>Edinburgh-born multimedia journalist and iPhoneographer.<\/p>\n<p>Like this:<\/p>\n<p>Like Loading&#8230;<\/p>\n<p><a class=\"sd-link-color\"\/><\/p>\n<p>\n\tRelated<\/p>\n","protected":false},"excerpt":{"rendered":"At the City Art Centre a new exhibition celebrating Scottish portraiture opens on Saturday. Unmasked: Exploring Scottish Portraiture&hellip;\n","protected":false},"author":2,"featured_media":419283,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8816],"tags":[748,143573,1102,4154,4155,4884,712,16,15],"class_list":{"0":"post-419282","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-edinburgh","8":"tag-britain","9":"tag-city-art-centre","10":"tag-edinburgh","11":"tag-edinburgh-local-news","12":"tag-edinburgh-news","13":"tag-great-britain","14":"tag-scotland","15":"tag-uk","16":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115193138806704081","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/419282","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=419282"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/419282\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/419283"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=419282"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=419282"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=419282"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}