{"id":422397,"date":"2025-09-14T00:31:18","date_gmt":"2025-09-14T00:31:18","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/422397\/"},"modified":"2025-09-14T00:31:18","modified_gmt":"2025-09-14T00:31:18","slug":"community-space-for-neurodivergent-people-among-projects-from-cardiff-university","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/422397\/","title":{"rendered":"Community space for neurodivergent people among projects from Cardiff University"},"content":{"rendered":"<p><a href=\"https:\/\/www.dezeen.com\/schoolshows\/\" target=\"_blank\" rel=\"noopener\"><strong>Dezeen School Shows:<\/strong><\/a> a community space designed to support <a href=\"https:\/\/www.dezeen.com\/tag\/accessible-design\/\" target=\"_blank\" rel=\"noopener\">neurodivergent people<\/a> as they transition out of <a href=\"https:\/\/www.dezeen.com\/tag\/education-tag\/\" target=\"_blank\" rel=\"noopener\">education<\/a> is among the student projects from <a href=\"https:\/\/www.dezeen.com\/tag\/cardiff-university\/\" target=\"_blank\" rel=\"noopener\">Cardiff University<\/a>.<\/p>\n<p>Also included is a proposal featuring <a href=\"https:\/\/www.dezeen.com\/tag\/housing\/\" target=\"_blank\" rel=\"noopener\">housing<\/a> and offices in response to <a href=\"https:\/\/www.dezeen.com\/tag\/italy\/\" target=\"_blank\" rel=\"noopener\">Italy<\/a>&#8216;s migrant crisis and a reservoir created for river preservation.<\/p>\n<p style=\"text-align: left;\"><strong>Institution:<\/strong> <a href=\"https:\/\/www.cardiff.ac.uk\/\" target=\"_blank\" rel=\"noopener\">Cardiff University<\/a><br \/><strong>School:<\/strong> <a href=\"https:\/\/www.cardiff.ac.uk\/study\/undergraduate\/courses\/course\/architectural-studies-bsc\" target=\"_blank\" rel=\"noopener\">Welsh School of Architecture<\/a><br \/><strong>Courses:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Michael Corr, Will Beeston, Hugo Keane, Aled Davis, Tim Burton, Charles Chambers, Phillipa Smith, Benjamin Wells, Hannah Summers, Matt Hudspith, Hayden Thomas, Ross Hartland, Caitlin Mullard and Lui Tam<\/p>\n<p><strong>School statement:<\/strong><\/p>\n<p>&#8220;The BSc in Architectural Studies is a three-year undergraduate degree course Accredited by RIBA, ARB and LAM (Malaysia), the programme covers design, technology, history, theory, representation and professional practice dimensions of the architectural discipline.<\/p>\n<p>&#8220;Through studio projects, we encourage our students to take a holistic view of how buildings are designed, used, made and what their broader impacts are, whilst fostering an ethos of &#8216;grounded creativity&#8217;, exposing students to real world sites and live challenges as the basis for design projects.<\/p>\n<p>&#8220;These approaches are reflected in the range of our year three design units, each of which empowers students to explore and tackle pressing issues for architecture, cities and society.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245362\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_1-852x361.jpg\" alt=\"a series of three photographs of an architectural model\" width=\"2364\" height=\"1001\"  \/><\/p>\n<p><strong>A Factory in Flux\u00a0by\u00a0James Pike<\/strong><\/p>\n<p>&#8220;Set in the ancient seaside market town of Penzance, this unit addresses Cornwall&#8217;s severe deprivation by proposing a catalyst for sustainable economic growth to counter its low-wage and seasonal tourist economy.<\/p>\n<p>&#8220;In &#8216;A Factory in Flux&#8217;, a materials testing facility innovating seashell-based concrete springs to life on the headland, bringing with it vibrant public spaces.<\/p>\n<p>&#8220;A two-tiered facade of rammed-earth and tiles cloaks the skeletons of disused sheds.<\/p>\n<p>&#8220;Acknowledging the short lifespan of materials exposed to coastal weathering, the facade embraces the cycle of creation and decay, bringing together environmental and social sustainability through designing for a celebratory process of renewal.&#8221;<\/p>\n<p><strong>Student:<\/strong> James Pike<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutor:<\/strong> Will Beeston<br \/><strong>Email:<\/strong> pikej6[at]cardiff.ac.uk<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2245367 size-full\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_6-852x549.jpg\" alt=\"an image of a building in tones of brown and grey beside a pool\" width=\"2364\" height=\"1522\"  \/><\/p>\n<p><strong>Not Fighting Rivers with Rigidity\u00a0by\u00a0William Langton<\/strong><\/p>\n<p>&#8220;A river is a barometer of the health of a landscape. The River Taff has broken its banks at an excelled rate over the past 30 years, a clear indication of its deteriorating health.<\/p>\n<p>&#8220;Rapid urbanisation of rural farmland and increased rainfall across South Wales have made the Taff increasingly vulnerable to flooding.<\/p>\n<p>&#8220;To address this the project lowers floodplains and forms a reservoir, allowing the river to expand naturally and hold excess water during heavy rainfall periods.<\/p>\n<p>&#8220;To minimise landscape impact, the Watersports Centre floats atop a modular pontoon system, reducing concrete use and preventing harmful chemicals from entering the water. The pontoon uses recycled plastics in cages to provide buoyancy.<\/p>\n<p>&#8220;The centre includes boat storage, changing facilities and an event space by the water&#8217;s edge.&#8221;<\/p>\n<p><strong>Student:<\/strong> William Langton<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Hugo Keane and Aled Davis<br \/><strong>Email:<\/strong> w.langton393[at]gmail.com<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245363\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_2-852x852.jpg\" alt=\"an image of a building in tones of brown being constructed\" width=\"2364\" height=\"2364\"  \/><\/p>\n<p><strong>Re-Factory\u00a0by\u00a0Max Crowfoot<\/strong><\/p>\n<p>&#8220;Re-Factory is a design proposal for the disused Hoover factory in Merthyr Tydfil, creatively adapting the structure into a mixed-use commercial and public building that supports local businesses and serves the community.<\/p>\n<p>&#8220;The project is grounded in ecological responsibility and material honesty. It emerges as a critical response to the environmental failings of contemporary construction, embracing strategies of reuse, cradle-to-cradle circularity and site-specific material sourcing.<\/p>\n<p>&#8220;Each element, from structural design to insulation strategy, is shaped by a commitment to reducing embodied carbon and extending material life cycles.<\/p>\n<p>&#8220;The project reflects a stance against waste, in favour of transparent, regenerative architecture.&#8221;<\/p>\n<p><strong>Student:<\/strong> Max Crowfoot<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Benjamin Wells and Hannah Summers<br \/><strong>Email:<\/strong> maxcrowfoot[at]gmail.com<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245368\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_7-852x681.jpg\" alt=\"an image of a building in tones of brown and beige against a white backdrop\" width=\"2364\" height=\"1890\"  \/><\/p>\n<p><strong>Build Together: Affordable, Self-Build Housing\u00a0by\u00a0George Breckenridge<\/strong><\/p>\n<p>&#8220;Build Together offers a truly affordable response to the UK housing crisis and promotes a way of living, inspired by Walter Segal&#8217;s self-build schemes of the 1980s.<\/p>\n<p>&#8220;The aim around Build Together is to propose a housing model that rigorously simplifies construction methods to create an easy-to-build, adaptable method that facilitates residents to build their own homes.<\/p>\n<p>&#8220;Exposed materials and clear structural expression demystify the building process, while shared community spaces facilitate foster collaboration and future self-build initiatives.<\/p>\n<p>&#8220;It is not just housing; it is a movement towards collective agency and resilient neighbourhoods, encouraging participation, local ownership and long-term sustainability.&#8221;<\/p>\n<p><strong>Student:<\/strong> George Breckenridge<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Matt Hudspith and Hayden Thomas<br \/><strong>Email:<\/strong> breckenridge110[at]gmail.com<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245365\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_4-852x603.jpg\" alt=\"an image of a building in tones of grey and green, among a green lawn\" width=\"2364\" height=\"1672\"  \/><\/p>\n<p><strong>Reparation by Randa Ibrahim<\/strong><\/p>\n<p>&#8220;Reparation is not just about bringing existing buildings back to life, existing buildings, but about making amends to and repairing a damaged urban fabric.<\/p>\n<p>&#8220;&#8216;Kolana&#8217; (meaning together&#8217; in Arabic) is a critical response to the tolerated condition of Redcliffe today, a proposition to make amends through develop a community hub for asylum seekers and locals in Redcliffe, specifically women and children.<\/p>\n<p>&#8220;Combining short-term housing, childcare and education with play-based urban design, the project repairs heals social fractures that connect past and present.<\/p>\n<p>&#8220;Children&#8217;s innocence becomes a tool for to rewriting the site&#8217;s identity \u2013 using play as a universal language to foster belonging and reshaping Redcliffe into a place that serves its present and future, not just its past.<\/p>\n<p>&#8220;To repair is not to erase, but to amplify the whispers of Redcliffe&#8217;s past, so they may sing in its future.&#8221;<\/p>\n<p><strong>Student:<\/strong> Randa Ibrahim<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Ross Hartland and Caitlin Mullard<br \/><strong>Email:<\/strong> randahythum.ibrahim[at]gmail.com<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245364\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_3-852x657.jpg\" alt=\"a photograph of an architectural model in tones of brown and beige\" width=\"2364\" height=\"1822\"  \/><\/p>\n<p><strong>Neurodiversity Hub\u00a0by\u00a0Paige Goodall<\/strong><\/p>\n<p>&#8220;Neurodiversity Hub addresses some of the challenges neurodivergent young people face when transitioning out of education \u2013 a period marked by limited institutional support and funding for individuals and families.<\/p>\n<p>&#8220;The building fosters community and knowledge through shared resources, mutual support and collective voice, aiming to reduce household reliance on underfunded government systems and improve wellbeing.<\/p>\n<p>&#8220;Inside, plywood structures define spaces for education, community, advocacy and respite.<\/p>\n<p>&#8220;Open areas empower users to shape the environment around their needs with a network of internal and external windows enhancing visual connections, offering low-stimulus views to create a comfortable, accessible environment.&#8221;<\/p>\n<p><strong>Student:<\/strong> Paige Goodall<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Michael Corr and Lui Tam<br \/><strong>Email:<\/strong> goodallp[at]cardiff.ac.uk<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245361\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_0-852x655.jpg\" alt=\"an illustration of a building in tones of white and black\" width=\"2364\" height=\"1818\"  \/><\/p>\n<p><strong>Facilitating the Right to Swim by Harry Durant<\/strong><\/p>\n<p>&#8220;Unit 7 tasked us to create access to the River Taff, to reinstate the community&#8217;s connection to the it.<\/p>\n<p>&#8220;This proposal entices people across the river by offering a cafe overlooking a series of river-fed swimming pools and a sauna complex.<\/p>\n<p>&#8220;Built from the same stone used in the existing 19th-century canals that are still standing, and using timber frame elevated above the flood water level, the pavilions are designed to survive withstand repeat flooding.<\/p>\n<p>&#8220;The swimming pools aim to improve river water quality by creating a human consequence to pollution \u2013 discouraging for the actions of the water companies, stopping them from releasing wastewater into the river.&#8221;<\/p>\n<p><strong>Student:<\/strong> Harry Durant<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Aled Davies and Hugo Keene<br \/><strong>Email:<\/strong> harry.durant[at]outlook.com<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2245366\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/cardiff-university-dezeen-schoolshows_dezeen_2364_col_5-852x603.jpg\" alt=\"an image of a building in tones of grey and beige against a blue sky\" width=\"2364\" height=\"1672\"  \/><\/p>\n<p><strong>Via di Mezzo\u00a0by\u00a0Sara Allinson Agharokh<\/strong><\/p>\n<p>&#8220;&#8216;Via di Mezzo&#8217;, meaning &#8216;a middle ground&#8217;, responds to Italy&#8217;s migrant crisis and inadequate asylum process through a civic development beside Florence&#8217;s medieval city walls.<\/p>\n<p>&#8220;The proposal responds to the challenge of designing a civic tribunal in that restores trust in public institutions while addressing contemporary legal and social issues.<\/p>\n<p>&#8220;It centres on a courthouse and migrant housing, supported by community spaces, offices and a public forum.<\/p>\n<p>&#8220;Privacy screens and wind towers define the formality and openness of each space, shaped by the surrounding walls.<\/p>\n<p>&#8220;The project promotes access to justice, fosters community integration and reclaims the city&#8217;s historic threshold.&#8221;<\/p>\n<p><strong>Student:<\/strong> Sara Allinson Agharokh<br \/><strong>Course:<\/strong> Architectural Studies (BSc)<br \/><strong>Tutors:<\/strong> Tim Burton, Charles Chambers and Phillipa Smith<br \/><strong>Email:<\/strong> allinsonagharokhs[at]cardiff.ac.uk<\/p>\n<p><strong>Partnership content<\/strong><\/p>\n<p>This school show is a partnership between Dezeen and <a href=\"https:\/\/www.dezeen.com\/tag\/cardiff-university\/\" target=\"_blank\" rel=\"noopener\">Cardiff University<\/a>. Find out more about Dezeen partnership content <a href=\"https:\/\/www.dezeen.com\/partnerships\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"Dezeen School Shows: a community space designed to support neurodivergent people as they transition out of education is&hellip;\n","protected":false},"author":2,"featured_media":422398,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3939],"tags":[4021,4020,28952,4022,77,83856,126129,144380,144379,16,15],"class_list":{"0":"post-422397","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-cardiff-university","11":"tag-design","12":"tag-entertainment","13":"tag-graduates","14":"tag-sectionall","15":"tag-sectionschool-shows","16":"tag-student-projects","17":"tag-uk","18":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115199836352592651","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/422397","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=422397"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/422397\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/422398"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=422397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=422397"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=422397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}