Letitia Wright<\/a> (best known for Marvel\u2019s Black Panther), as Joyce and Erica, mother and daughter, who return to Guyana to scatter the ashes of Elaine, their mother and grandmother, who came to the UK in the 1980s and never returned.<\/p>\nThe early scenes crackle with energy and humour as the couple, who aren\u2019t really speaking, face the prospect of a long flight. They bond over wanting to watch Michael B Jordan in Sinners\u00a0(a neat in-joke about Wright\u2019s Black Panther co-star) and argue about Erica\u2019s perpetual tardiness. \u201cShe\u2019s not late because she\u2019s Black,\u201d says Joyce, with exasperation. \u201cShe\u2019s late because she\u2019s f**king inconsiderate.\u201d<\/p>\n
Linton\u2019s tight direction and the detail of the performances keep things fizzing along as the two hit the hotel bar and begin to go sightseeing, grappling with their different aspirations for the trip. Joyce is all down-to-earth, hard-drinking, no-nonsense, wanting to have fun and not think too hard; her daughter is \u201creassessing\u201d her relationship with alcohol, full of therapeutic learning about her relationship with her mother and a desire to offer libations to the grandmother she nursed through her final illness.<\/p>\n
![\"Letitia](\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/Not-Your-Superwoman-2.jpg\" "\\"Not")
Letitia Wright and Golda Rosheuvel in Not Your Superwoman, \u00a9 Richard Lakos<\/p>\n
Alex Berry\u2019s set is bare and flexible, with a few hard chairs doing duty for many rooms, and Gino Ricardo Green\u2019s video designs switching the scene from a street market to a London flat, to Guyana\u2019s magnificent Kaieteur Falls. Time is fluid, too. Both Rosheuvel and Wright embody Elaine, as memory floods in, and scenes unfold that begin to explain why each has become the woman she is.<\/p>\n
The themes are clear. Elaine has shaped the world her daughter and granddaughter live in. Both Elaine and Joyce have been single mothers and have coped differently with the upbringing of their offspring. Deprived of a university education by poverty and the need to work, Joyce has been determined that Erica will have the luxuries and the benefits she never had; yet Erica resents that decision to put work and money ahead of love and spending time together. Now she, too, is contemplating pregnancy and a future when she will have to decide how to bring up her own child.<\/p>\n
Rosheuvel and Wright magnificently convey the uncertainties of their relationship, sometimes literally dancing their feelings, always conscious of one another in the metaphorical dance of their lives. Both are intensely good at revealing the way deep emotion can be hidden under a casual remark, flinching when the other touches a nerve, longing for a warmth that is always withheld. Rosheuvel is extraordinarily funny as the straight-talking Joyce, trying to be tough but incredibly vulnerable; Wright makes Erica\u2019s reliance on her therapy mantras revelatory of the loneliness she feels.<\/p>\n
Yet the flashbacks to their respective lives are less convincing \u2013 Elaine\u2019s traumatic reasons for arriving in London are explained in an unsatisfactory rush \u2013 and the play loses its grip as it tries to cram in too many strands. It\u2019s thanks to the performances that it continues to resound.<\/p>\n","protected":false},"excerpt":{"rendered":"Letitia Wright and Golda Rosheuvel in Not Your Superwoman, \u00a9 Richard Lakos This play by Emma Dennis-Edwards marks…\n","protected":false},"author":2,"featured_media":424918,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[748,393,4884,257,16,15],"class_list":{"0":"post-424917","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-britain","9":"tag-england","10":"tag-great-britain","11":"tag-london","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115205383501379441","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/424917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=424917"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/424917\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/424918"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=424917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=424917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=424917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Letitia](\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/09\/Not-Your-Superwoman-1.jpg\" "\\"Not")
Letitia Wright and Golda Rosheuvel in Not Your Superwoman, \u00a9 Richard Lakos<\/p>\n