{"id":43367,"date":"2025-04-23T08:33:11","date_gmt":"2025-04-23T08:33:11","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/43367\/"},"modified":"2025-04-23T08:33:11","modified_gmt":"2025-04-23T08:33:11","slug":"pauls-gallery-of-the-week-annely-juda","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/43367\/","title":{"rendered":"Paul\u2019s Gallery of the Week: Annely Juda"},"content":{"rendered":"

\"\"<\/a>Annely Juda\u2019s latest signing, announced last week, is Nicola Turner, seen here with her work in the Royal Academy courtyard last year. She will shortly present a 10-metre-high, site-specific installation at Art Basel\u2019s \u2018Unlimited\u2019<\/p>\n

Annely Juda Fine Art<\/strong>, 23 Dering Street, London W1S 1AW
www.annelyjudafineart.co.uk<\/a>\u00a0 \u00a0Instagram: @annelyjuda<\/a><\/p>\n

The German-born art dealer Annely Juda (1914 \u2013 2006) ran galleries in London from 1960, and opened Annely Juda Fine Art<\/a> with her son, David, in 1968. In 1990, the gallery moved to its current location in Mayfair, where David Juda remains at the helm under his mother\u2019s name. The space \u2013 on the 3rd and 4th floors \u2013 has spectacular glass-roof light on the upper level, with crane access that has made it possible to show monumentally heavy sculptures by Anthony Caro<\/a> in particular. Annely Juda became known for exhibiting works from Russian Constructivism, the Bauhaus and De Stijl movements, and continues to represent 10 artists from the historical Avant-garde alongside 40-odd contemporary artists and estates.\u00a0<\/p>\n

That includes an unusually strong Japanese cohort, influenced by David Juda\u2019s links to the country, including his marriage to the gallery artist Yuko Shiraishi. To take two from each category, I\u2019ve enjoyed shows with L\u00e1szl\u00f3 Moholy-Nagy<\/a> and Nuam Gabo; David Nash<\/a> and Sigrid Holmwood<\/a>; Fran\u00e7ois Morellet <\/a>and Roger Ackling; Rie Nakajima<\/a> and Tadashi Kawamata<\/a>. As that sample might suggest, expressive representation is a less likely than disciplined abstraction. Currently you can see shows of new work by Suzanne Treister (my current \u2018Interview of the Month\u2019<\/a> feature at Artlyst) and Tam\u00e1s Konok (1930-2020), a pioneer of Hungarian geometric and lyrical abstraction.\u00a0Another feature since 2017 has been the externally-curated annual shortlist show for the David and Yuko Juda Art Foundation<\/a> grant. That awards \u00a350,000 to a living artist, and it was good, for example, to see Kathy Prendergast, Amikam Toren<\/a> and Brain Dawn Chalkley getting that no-strings support.\u00a0<\/p>\n

London\u2019s gallery scene is varied, from small artist-run spaces to major institutions and everything in between. Each week, art writer and curator Paul Carey-Kent gives a personal view of a space worth visiting.<\/p>\n

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