{"id":479632,"date":"2025-10-07T04:48:33","date_gmt":"2025-10-07T04:48:33","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/479632\/"},"modified":"2025-10-07T04:48:33","modified_gmt":"2025-10-07T04:48:33","slug":"all-ranked-by-rob-sheffield","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/479632\/","title":{"rendered":"All Ranked by Rob Sheffield"},"content":{"rendered":"<p><a href=\"https:\/\/www.rollingstone.com\/artist\/taylor-swift\" target=\"_blank\" rel=\"noopener\">Taylor Swift<\/a> the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she\u2019ll be a songwriter long after she graduates from that racket. It\u2019s in her music where she\u2019s made her mark on history \u2014 as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg \u2014 and she hasn\u2019t exactly slowed down since then.<\/p>\n<p>So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let\u2019s celebrate the real Taylor \u2014 the songwriter she was born to be. Let\u2019s break it down: all 286 tunes, counted from the bottom to the top. The hits, the flops, the deep\u00a0 cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to Midnights and The Life of a Showgirl.<\/p>\n<p>Every fan would compile a different list\u2014that\u2019s the beauty of it. She\u2019s got at least 5 or 6 dozen songs that seem to belong in her Top Ten. But they\u2019re not ranked by popularity, sales or supposed celebrity quotient \u2014 just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat\u2019s nads who the songs are \u201creally\u201d about. All that matters is whether they\u2019re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I\u2019m probably not.)<\/p>\n<p>Since Taylor loves nothing more than causing chaos in our lives, she\u2019s re-recording her albums, including the outtakes she left in the vault before. (Reputation and her debut are the only ones she hasn\u2019t released\u00a0For the Taylor\u2019s Version remakes, both versions count as the same song. It\u2019s a tribute to her fierce creative energy \u2014 in the past couple years she\u2019s released an avalanche of new music, with more on the way. God help us all.<\/p>\n<p>Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that\u2019s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let\u2019s step back from the image and pay homage to her one-of-a-kind songbook \u2014 because the weirdest and most fascinating thing about Taylor Swift will always be her music.<\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t<strong>\u201cSnow On The Beach\u201d feat. Lana Del Rey<\/strong> (2022)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"taylor swift midnights\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-syntk.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Beth Garrabrant*\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWeird but fucking beautiful,\u201d indeed. \u201cSnow On The Beach\u201d is a duet with Lana Del Rey, although it sounds all the way Swiftian vocally, lyrically, and (especially) melodically. The most beguiling tune on Midnights, with pizzicato strings and lines about falling for a lover bright enough to burn out your periphery. That melody is damn near impossible to dislodge from the skull, especially that soft \u201cit\u2019s coming down, it\u2019s coming down\u201d at the end.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cLife is emotionally abusive.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cSeven\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES, CALIFORNIA - DECEMBER 12: (EDITORS NOTE: Image has been converted to black and white) Taylor Swift arrives at Billboard Women in Music 2019 presented by YouTube Music on December 12, 2019 in Los Angeles, California. (Photo by Emma McIntyre\/Getty Images for Billboard)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-songs.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Emma McIntyre\/Getty Images\t\t\t\t<\/p>\n<p>Two little girls in the Pennsylvania woods, trying and failing to understand each other. It\u2019s a lost childhood bond (maybe same one from \u201cIt\u2019s Nice to Have a Friend\u201d?), from the perspective of a kid too young to recognize that her friend\u2019s angry dad is the ghost in their family\u2019s haunted house. (The traumatizing fathers on Folklore are a plotline in themselves.) The little girls dream of escaping, running away to be pirate twins, but there\u2019s no resolution \u2014 just a mystery that gets more confusing she tries to live with it.<\/p>\n<p>Best line: \u201cPlease picture me in the weeds, before I learned civility.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cWe Are Never Ever Getting Back Together\u201d (2012)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - We Are Never Getting Back Together\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/WeAreNeverGettingBackTogether.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>Like, ever. Her funniest breakup jam, because it\u2019s her most self-mocking. She could have made the guy in this song a shady creep\u2014a cheater, a liar, a scarf-stealer, etc. But, no, he\u2019s just a needy little run-of-the-mill basket case, exactly like her, making the same complaints about her to his own bored friends, though his complaints can\u2019t be as catchy as this chorus. And the video is a gem, especially when she\u2019s wearing the <a href=\"https:\/\/www.youtube.com\/watch?v=WA4iX5D9Z64\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Tay Is Seriously Mad Now glasses<\/a>. Where is that indie-rock bar that still has a pay phone?<\/p>\n<p>Best line: \u201cAnd I\u2019m like, I mean, this is exhausting, OK?\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2YGlC8M%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cMy Tears Ricochet\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift performs a medley at the MTV Video Music Awards at the Prudential Center on Monday, Aug. 26, 2019, in Newark, N.J. (Photo by Matt Sayles\/Invision\/AP)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-my-tears.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Matt Sayles\/Invision\/AP\t\t\t\t<\/p>\n<p>What a ghostly scene: a spectre watches her funeral, haunting her enemies, friends, and lovers. \u201cI didn\u2019t have it in myself to go with grace\u201d \u2014 maybe not a huge surprise. One of her spookiest Goth Tay ballads, especially when she admits, \u201cI still talk to you,\u201d and the ghost choir adds, \u201cWhen I\u2019m screaming at the sky.\u201d<\/p>\n<p>Best line: \u201cIf I\u2019m dead to you, why are you at the wake cursing my name?<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cOurs\u201d (2010)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Ours\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Ours.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>Like so many of her songs, \u201cOurs\u201d sounds like it could be channeling the 16-blue mojo of the Replacements\u2019 punk-rock bard Paul Westerberg. (Melodically, it evokes \u201cWhen It Began,\u201d though it feels more like \u201cI Will Dare.\u201d) Especially the best line, which is possibly the best-est \u201cbest line\u201d on this list, and which I sing to myself a mere dozen times a day.<\/p>\n<p>Best line: \u201cDon\u2019t you worry your pretty little mind\/People throw rocks at things that shine.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2E66lo4%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cConey Island\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"BEVERLY HILLS, CALIFORNIA - JANUARY 05: 77th ANNUAL GOLDEN GLOBE AWARDS -- Pictured: Taylor Swift arrives to the 77th Annual Golden Globe Awards held at the Beverly Hilton Hotel on January 5, 2020. -- (Photo by Trae Patton\/NBC\/NBCU Photo Bank via Getty Images)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/GettyImages-1191955342.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Trae Patton\/NBC\/NBCU Photo Bank\/Getty Images\t\t\t\t<\/p>\n<p>Twelve miles from Cornelia Street, but it feels a lifetime away. \u201cConey Island\u201d is her duet with the National, trading verses with singer Matt Berninger, for an Evermore highlight that picks up the story from Folklore. \u201cConey Island\u201d sounds like the \u201cAugust\u201d girl left her small town, forgot about James and Betty, moved to New York, found a hipster boy, figured everything would be different in the big old city, then found herself stuck in the same old story all over again. When you\u2019re a grown-up, they assume you know nothing.<\/p>\n<p>Best line: \u201cWe were like the mall before the Internet\/It was the one place to be\/The mischief, the gift-wrapped suburban dream.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201c<strong>Maroon\u201d<\/strong> (2022)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"taylor swift midnights rob sheffield tayke\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-rob-sheffield-tayke.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Beth Garrabrant*\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA New York romance where all the heartache she feared in \u201cCornelia Street\u201d comes true, leaving her haunted by a love that was burning red. At first, she\u2019s dancing barefoot, drinking on the roof, asking, \u201cHow\u2019d we end up on the floor anyway? \/ You say, \u2018Your roommate\u2019s cheap-ass screw-top ros\u00e9, that\u2019s how.\u2019\u201d The lovers celebrate having this big wide city all to themselves. But after it falls apart (in the usual way), she\u2019s surrounded by the wreckage. All the different shades of maroon appear in her dreams\u2014the wine stain on her t-shirt, the sunset, the funeral carnations, the lips she used to call home. \u201cMaroon\u201d has some of Taylor\u2019s most pained singing on Midnights, especially when she sighs,<strong> <\/strong>\u201cI awake with your memory over me \/ That\u2019s a real fucking legacy.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cWhen the morning came\/We were cleaning incense off your vinyl shelf.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018The Tortured Poets Department\u2019 (2024)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"taylor swift songs\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-ttpd.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Beth Garrabrant*\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHer most shameless urban-romance horror story, with two doomed lovers lost in a haze of pretentions and pheromones. They can\u2019t stop trying to decode each other\u2019s brains out, because that\u2019s all they have in common. As she sings, \u201cYou\u2019re not Dylan Thomas \/ I\u2019m not Patti Smith \/ This ain\u2019t the Chelsea Hotel \/ We\u2019re modern idiots.\u201d It\u2019s full of clever flashes, right from the way it kicks off with that Prince drum thwomp. (Straight from his 1987 \u201cIt.\u201d) As with all her love songs, except more so, it could not possibly matter less who she\u2019s \u201creally\u201d singing about, because the whole point is that neither of them can see past the mirror right now, which makes these modern idiots perfect for each other. Torture, poetry, self-sabotage, absolutely insufferable levels of narcissistic delusion\u2014now that\u2019s a real New York love story.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cAt dinner you take the ring off my middle finger\/And put it on the one people put wedding rings on \/ And that\u2019s the closest I\u2019ve come to my heart exploding.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201c\u2018Tis the Damn Season\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LONDON, ENGLAND - MAY 11: (EDITORS NOTE: Image has been converted to black and white.) Taylor Swift, winner of the Global Icon award poses in the media room during The BRIT Awards 2021 at The O2 Arena on May 11, 2021 in London, England. (Photo by JMEnternational\/JMEnternational for BRIT Awards\/Getty Images)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/GettyImages-1317590165.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: JMEnternational\/JMEnternational for BRIT Awards\/Getty Images\t\t\t\t<\/p>\n<p>A Hollywood girl who\u2019s too shiny for her tiny hometown \u2014 the loudest woman this town has ever seen \u2014 comes back for the holidays, staying with her parents, and falls right back into the arms of the boy she left behind. Dorothea realizes she doesn\u2019t really fit in either place, but she\u2019ll soon be heading back to her bitch-pack of fair-weather friends in L.A. The best U2-style guitar on a Swift song since \u201cState of Grace.\u201d On the Eras Tour, \u201c\u2019Tis the Damn Season\u201d kicks off the Evermore block, and it\u2019s an astoundingly great stadium-quaker.<\/p>\n<p>Best line: \u201cThe road not taken looks real good now\/Time flies, messy as the mud on your truck tires.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018Opalite\u2019 (2025)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"'Opalite' (2025)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/TS-song-list-showgirl-1.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTaylor has always been madly in love with classic 1960s girl-group pop, but she really gives it up on \u201cOpalite,\u201d channeling Ronnie Spector\u2019s trademark \u201cwhoa oh oh oh\u201d from \u201cBe My Baby.\u201d (Not her first Ronettes tribute \u2014 \u201cHey Stephen\u201d has that famous \u201cBe My Baby\u201d drum hook.) But the emotional peak-after-peak of the geological chorus really rams it home. The clincher: that moment at the 3:39 point where she gasps, \u201cOh my LORD!\u201d Also her brother gets a great line, a first. A friend going through a divorce texted me the entire \u201cfailure brings you freedom\u201d bridge on release-day afternoon, and I didn\u2019t need to ask why.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cYou had to make your own sunshine, but now the sky is opalite.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t<strong>\u201cLabyrinth<\/strong>\u201d (2022)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-labyrinth.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Christopher Polk\/Variety\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNot the flashiest song on Midnights \u2014 there\u2019s no fancy metaphor, no razzle-dazzle wordplay, no plot, no clever twist. Just her most painfully gorgeous melody, massive in its simplicity. Taylor spends most of \u201cLabyrinth\u201d just sighing, \u201cUh oh, I\u2019m falling in love,\u201d over neon synths that flicker and splutter like the circuits are melting down. She doesn\u2019t lean on poetics here \u2014 the word \u201clabyrinth\u201d appears only once, when she sighs, \u201cLost in the labyrinth of my mind.\u201d It\u2019s one of Jack Antonoff\u2019s craftiest productions \u2014 loads of Brian Eno circa <a href=\"https:\/\/www.youtube.com\/watch?v=2Tqy6be0Juc\" rel=\"nofollow noopener\" target=\"_blank\">Another Green World<\/a>. Every \u201cuh oh\u201d and \u201coh no\u201d hits so hard\u2014she slides into each one from a different angle. If you\u2019re ever in the mood to forget about Taylor the songwriter and just savor her as one of pop\u2019s most brilliant vocalists, \u201cLabyrinth\u201d is one to cherish. It takes some nerve for her to use this Borgesian title for such a deceptively minimal tune, but this is a lavender labyrinth you can get happily lost in. A stealth classic.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cBreathe in, breathe through, breathe deep, breathe out.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cChampagne Problems\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"SPECIAL EDITION OF 20\/20 - ALL ACCESS NASHVILLE WITH KATIE COURIC - Katie Couric gives viewers an exclusive all-access pass into the homes and private lives of country music\u2019s biggest stars including Taylor Swift during &quot;A Special Edition of 20\/20,&quot; ALL ACCESS NASHVILLE WITH KATIE COURIC, airing FRIDAY OCT. 26 (9-10PM, ET) on the Disney General Entertainment Content via Getty Images Television Network.   (Photo by Jon Lemay\/Disney General Entertainment Content via Getty Images)   KATIE COURIC, TAYLOR SWIFT\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/GettyImages-154284110.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Jon Lemay\/Disney General Entertainment Content\/Getty Images\t\t\t\t<\/p>\n<p>In the Swiftian universe, girls have fathers \u2014 and extremely heavy relationships with them \u2014 but boys rarely have mothers. The guy in this song has a mom and a sister \u2014 you have to go back to the scarf in Maggie Gyllenhall\u2019s closet to find a guy with either one, let alone both. The sister in \u201cChampagne Problems\u201d gets only one line, but she\u2019s the one with the actual champagne. (What can it mean that \u201cOur Song,\u201d one of her first hits, still has her scariest boyfriend\u2019s-mama character?) So it\u2019s fitting Taylor echoes the \u201cAll Too Well\u201d piano chords for this tale, where a woman responds to her college boyfriend\u2019s marriage proposal by blowing up her life along with his. She sees herself through the eyes of his family, their dorm friends, his hometown skeptics \u2014 but she realizes she can\u2019t see herself in this picture at all.<\/p>\n<p>Best line: \u201cShe would have made such a lovely bride\/What a shame she\u2019s fucked in the head.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cThe Archer\u201d (2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - The Archer\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/TheArcher.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Chelsea Lauren\/Shutterstock\t\t\t\t<\/p>\n<p>\u201cThe Archer\u201d is the ultimate Goth Tay powerhouse: obsessed with revenge and guilt, shooting poison arrows into her own heart, still trying to settle the score after the battle\u2019s over. She\u2019s an emotional Arya Stark who never gets to cross any names off her list, because she always needs to get in one more stab. (Taylor would be wiping the blood off her sword saying, \u201cOh, and another thing.\u201d That\u2019s why we relate, right?) One of the most hair-raising moments in her music: when she switches from \u201cthey see right through me\u201d to \u201cI see right through me!\u201d<\/p>\n<p>Best line: \u201cAll of my heroes die all alone \/ Help me hold on to you.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F35keam4%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cThe Great War\u201d (2022)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"US singer Taylor Swift attends &quot;In Conversation With... Taylor Swift&quot; during the 2022 Toronto International Film Festival at TIFF Bell Lightbox on September 09, 2022 in Toronto, Ontario, Canada. (Photo by VALERIE MACON \/ AFP) (Photo by VALERIE MACON\/AFP via Getty Images)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-bejeweled.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Valerie Macon\/AFP\/Getty Images\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the stellar Aaron Dessner collaborations tucked away on the Midnights 3 A.M. Edition. \u201cThe Great War\u201d comes clean about the side of Taylor who only wants love if it\u2019s torture, going into the question of how emotional battles happen and how to end them, especially when you realize you\u2019re the one firing the cannons. It\u2019s a dilemma she\u2019s written about honestly her whole career, from her teen ballad \u201cCold As You\u201d (\u201cI start a fight because I need to feel something\u201d) to \u201cAfterglow.\u201d The World War One imagery and martial drums are fitting for a song about how easy it is for two hearts to dig themselves into trenches. But\u00a0 \u201cThe Great War\u201d also doubles as a tribute to the type of lover who can help rescue you from your own destructive instincts, the kind you want on your side.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cMy knuckles were bruised like violets\/Sucker-punching walls\/Cursed you as I sleep-talked.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cThis Is Me Trying\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift, winner of the artist of the decade award, performs a medley at the American Music Awards on Sunday, Nov. 24, 2019, at the Microsoft Theater in Los Angeles. (Photo by Chris Pizzello\/Invision\/AP)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-songs-this-is-me.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Chris Pizzello\/Invision\/AP\t\t\t\t<\/p>\n<p>How rude of Ms. Swift to write a song so full of lines I need to get carved on my tombstone \u2014 except it would take three or four tombstones to hold them all. The easiest Folklore song to underrate, because it seems so deceptively straight-ahead. But as in \u201cMirrorball,\u201d the album\u2019s other try-try-try song (also the other \u201cI want you to know\u201d song), her vocal goes right to the heart. Love the deadpan way she shrugs \u201cI have a lot of regrets about that,\u201d plus her very on-brand decision to sing the song in somebody\u2019s doorway. \u201cI was so ahead of the curve, the curve became a sphere\u201d \u2014 what a math flex. Fact: Taylor could have invented geometry, but Euclid couldn\u2019t have written this song.<\/p>\n<p>Best line: \u201cThey told me all of my cages were mental\/So I got wasted like all my potential.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018Eldest Daughter\u2019 (2025)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"INDIANAPOLIS, INDIANA - NOVEMBER 01: EDITORIAL USE ONLY. NO STANDALONE PUBLICATION USE (NO SPECIAL INTEREST OR SINGLE ARTIST PUBLICATION USE; NO BOOK USE).  Taylor Swift performs onstage during &quot;Taylor Swift | The Eras Tour&quot; at Lucas Oil Stadium on November 01, 2024 in Indianapolis, Indiana. (Photo by Kevin Mazur\/TAS24\/Getty Images for TAS Rights Management)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/TS-song-list-showgirl-10.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Kevin Mazur\/TAS24\/Getty Images\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere\u2019s no sequins or glitter in this song, but it goes right to the heart of The Life of a Showgirl. \u201cEldest Daughter\u201d is a powerful piano ballad in the mode of \u201cChampagne Problems\u201d or \u201cCornelia Street,\u201d as she tries to figure out why she\u2019s so obsessed with the try-try-try perfectionism of the oldest child. (Her characters rarely have siblings, but on Showgirl, both she and Ophelia confide in their brothers.) It\u2019s the tale of a hyper-vigilant, hyper-cautious control freak, the quintessential Careless Man\u2019s Careful Daughter, trying hard to learn how to stop worrying and let good things happen to her. But she stumbles through the story as she tells it, with that gigantic melody to carry her. Now that\u2019s a Track 5.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cEvery eldest daughter was the first lamb to the slaughter.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cClean\u201d (2014)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Clean\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Clean.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Christopher Polk\/Getty Images\t\t\t\t<\/p>\n<p>Love is the drug. \u201cClean\u201d is the stark synth-folk ballad of an infatuation junkie struggling through some kind of detox, with a big assist from Imogen Heap. An intense finale for the all-killer homestretch of 1989.<\/p>\n<p>Best line: \u201cTen months sober, I must admit\/Just because you\u2019re clean don\u2019t mean you don\u2019t miss it.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F36niRvB%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cThe Last Great American Dynasty\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"taylor swift last great american\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-last-great-american-dynasty.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Beth Garrabrant*\t\t\t\t<\/p>\n<p>There goes the loudest woman this town has ever seen. So many heroic witches, widows, crones, and madwomen on Folklore, but this one steals the show. \u201cThe Last Great American Dynasty\u201d initially seemed more a gimmick than a song, with a clever twist that would wear off fast. But the intricate details just grow over time \u2014 melodically, production-wise, most of all vocally. Taylor\u2019s in a haunted house where Rebekah is just one of the madwomen in the attic, and the ghosts make her feel right at home. Imagine singing \u201cmarvelous\u201d in one song in 2012, tucking the word in your back pocket for the revenge sequel, then waiting eight years for the right moment to play that ace. Dali or no Dali, this woman will never lose a card-game bet in her damn life.<\/p>\n<p>Best line: \u201cI had a marvelous time ruining everything.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cEnchanted\u201d (2010)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Enchanted\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Enchanted.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Larry Busacca\/Getty Images\t\t\t\t<\/p>\n<p>The moment where this bittersweet symphony leaps from a nine to a 10 comes at the 4:25 point, when it feels like the song has reached its logical conclusion, until the Interior Monologue Voice-Over Taylor beams in to whisper: \u201cPlease don\u2019t be in love with someone else\/Please don\u2019t have somebody waiting on you.\u201d In the final seconds, for the coup de grace, she duets with herself.<\/p>\n<p>Best line: \u201cThe lingering question kept me up\/ 2 a.m, who do you love?\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2rtrRk6%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cHoly Ground\u201d (2012)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Holy Ground\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/HolyGround.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Ken McKay\/Thames\/Shutterstock\t\t\t\t<\/p>\n<p>Nobody does zero-to-60 emotional peel outs like our girl, and \u201cHoly Ground\u201d is her equivalent of Evel Knievel jumping the Snake River Canyon. Note the sly brilliance of how she steals that Eighties guitar riff from none other than Billy Idol, making this her \u201cWhite Wedding\u201d as well as her \u201cRebel Yell.\u201d (Though the lyrics are about dancing with herself.) A highlight on the Red tour, showcasing Tay\u2019s drum-solo skills.<\/p>\n<p>Best line: \u201cHey, you skip the conversation when you already know.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F34b3GnL%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018Elizabeth Taylor\u2019 (2025)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"'Elizabeth Taylor' (2025)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/TS-song-list-showgirl-7.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: TAS Rights Management*\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA majestic orchestral torch ballad, mourning the tears of a showgirl, as she cries her eyes violet. Taylor has always been obsessed with Liz Taylor \u2014 another cat lady on a hot tin roof, making her name, chasing that fame, living a life of public scandal. But she goes deep into Lizlore here, celebrating her metal-as-hell romance with Richard Burton. (Their first marriage lasted a decade, their second lasted a year, when they were the most notorious couple of their time.) But she turns it into her own story for an emotional bombshell of a song, yearning for love but on her own fiercely independent terms.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cWe hit the best booth at Musso and Franks\/They say I\u2019m bad news, I just say thanks.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cFifteen\u201d (2008)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Fifteen\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Fifteen.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>\u201cIn your life you\u2019ll do things greater than dating the boy on the football team \/ I didn\u2019t know that at 15.\u201d Still south of her twenties, she sings her compassionate, sisterly yet hard-ass advice to her fellow teenage girls. (Spoiler: boys are always lying about everything.) Childhood pal Abigail Anderson will always be her coolest BFF of all time; Taylor was a bridesmaid in her wedding just a few years ago.<\/p>\n<p>Best line: \u201cWe both cried.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2YOIN0J%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018The Prophecy\u2019<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES, CALIFORNIA - FEBRUARY 04: Taylor Swift attends the 66th GRAMMY Awards at Crypto.com Arena on February 04, 2024 in Los Angeles, California. (Photo by Neilson Barnard\/Getty Images for The Recording Academy)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-the-prophecy.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Neilson Barnard\/Getty Images\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe bombshell buried halfway through The Anthology. \u201cThe Prophecy\u201d is the confession of a woman who\u2019s spent too many years praying for a dream that didn\u2019t come true\u2014until the wait makes her furious and dangerous. She rages on her knees, in one of her fiercest vocal performances. If you want to savor Swift the singer-as-singer, focus on the details of her compressed anger in the witchy climax: \u201cA greater woman stays cool\/But I howl like a wolf at the moon \/ And I look unstable\/Gathered with the coven \u2018round the sorceress\u2019 table.\u201d Listen to the way she stumbles over \u201cunsssstable\u201d \u2014 a terrifyingly casual detail. Swift never raises her voice, but she\u2019s as spooky as Springsteen in \u201cState Trooper,\u201d Leonard Cohen in \u201cAvalanche,\u201d Patti Smith in \u201cBirdland.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNote: Eras Tour acoustic mash-ups obviously aren\u2019t on this list, but her \u201cThis Love\u201d\/\u201cThe Prophecy\u201d medley in Indianapolis is forever woven into the history of this song. Thoughts and prayers to everyone who heard her sing \u201cThis love changed the prophecy.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201cI guess a lesser woman would have lost hope \/ A greater woman wouldn\u2019t beg.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cRight Where You Left Me\u201d (2021)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES - MARCH 14: Taylor Swift at THE 63rd ANNUAL GRAMMY\u00ae AWARDS, broadcast live from the STAPLES Center in Los Angeles, Sunday, March 14, 2021 (8:00-11:30 PM, live ET\/5:00-8:30 PM, live PT) on the CBS Television Network and Paramount+.  (Photo by Francis Specker\/CBS via Getty Images)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/GettyImages-1231723466.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: CBS via Getty Images\t\t\t\t<\/p>\n<p>Okay, so we already know Taylor gets a kick out of leaving great songs off the album \u2014 but this is ridiculous. Maybe even criminal. Yet perhaps \u201cRight Where You Left Me\u201d had to be a bonus track on Evermore, because hearing this song once means putting it on repeat and shutting down the flow of the album. A decade after Taylor was feelin\u2019 22, she gets trapped in 23, reliving the moment she got her heart broken, still sitting in that restaurant. (The same one where they had their first date in \u201cBegin Again\u201d?) Every time she gulps \u201cyou left me noooo,\u201d it sounds more desperate, riding Aaron Dessner\u2019s obsessive banjo hook. She feels paralyzed in the past, but his banjo keeps urging her to get running while she can. \u201cRight Where You Left Me\u201d is the only Swift song with an actual cry for help \u2014 twice \u2014 and it\u2019s a startling sound. Repeat: she left this off the album.<\/p>\n<p>Best line: \u201cDid you ever hear about the girl who got frozen?\/Time went on for everybody else, she won\u2019t know it\/She\u2019s still 23, inside her fantasy, how it was supposed to be.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cCruel Summer\u201d (2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Cruel Summer\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/CruelSummer.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Emma McIntyre\/AMA2019\/Getty Images\t\t\t\t<\/p>\n<p>For the first 98 seconds, \u201cCruel Summer\u201d is merely a perfect Taylor Swift song. Then for the bridge, she takes off into a deranged greatest-hits album\u2019s worth of choruses from brilliant songs she hasn\u2019t written yet. You could write a whole dissertation on the erotics of windows in Taylor\u2019s songs \u2014 no poet since Keats has been so obsessed with the kind of desire that doesn\u2019t dare use the door. \u201cCruel Summer\u201d is about sneaking around and feeling ashamed of her secrets, but also feeling proud of how ashamed she is, until she finally yells her dirtiest secret out loud: \u201cI love you \u2014 ain\u2019t that the worst thing you ever heard?\u201d But make no mistake, she loves her secrets more than she\u2019ll ever love this paramour.<\/p>\n<p>Best line: \u201cI snuck in through the garden gate \/ Every night that summer just to seal my fate.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F35i6pgr%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cDear John\u201d (2010)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Dear John\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/DearJohn.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Matt Sayles\/AP\/Shutterstock\t\t\t\t<\/p>\n<p>A slow-burning, methodical, precise, savage dissection of a failed quasi-relationship, with no happy ending, no moral, no solution, not even a lesson learned \u2013 just a bad memory filed away. \u201cDear John\u201d might sound like she\u2019s spontaneously pouring her heart out, but it takes one devious operator to make a song this intricate feel that way. (\u201cYou are an expert at sorry and keeping lines blurry and never impressed by me acing your tests\u201d \u2013 she makes all that seem like one gulp of breath.) Every line stings, right down to the end when she switches from \u201cI should have known\u201d to \u201cYou should have known.\u201d<\/p>\n<p>Best line: \u201cI\u2019m shining like fireworks over your sad empty town.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2RHAP7V%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u2018The Fate of Ophelia\u2019 (2025)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"'The Fate of Ophelia' (2025)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/TS-song-list-showgirl-3.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: TAS Rights Management*\t\t\t\t<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA Swiftspearean drama \u2014 Taylor rewrites Hamlet the same way she once rewrote Romeo and Juliet, rescuing a tragic young heroine and breathing new life into her. She gives Ophelia a top-notch song, too, with Depeche Mode synth burbles, a Motown hand-clap groove, the Fleetwood Mac \u201cDreams\u201d drum intro (which recurs all over this album) and football imagery (which fortunately doesn\u2019t). \u201cThe eldest daughter of a nobleman\/Ophelia lived in fantasy\u201d\u2014just like the Taylor of \u201cRight Where You Left Me,\u201d the tale of another Ophelia left alone to go mad and drown in her own delusion, dreaming of how it was supposed to be. But the whole song builds up to the surge in her voice when she reaches up above the land, the sea, the sky. Can\u2019t wait to hear Taylor\u2019s song about Cordelia.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBest line: \u201c\u2019Tis locked inside my memory\/And only you possess the key.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cMarjorie\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"166\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/9-marjorie.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>The centerpiece of Evermore, an album full of haunted houses and eloquent ghosts. Taylor sings about her late grandmother Marjorie Finlay, an opera singer who used to play the San Juan supper clubs, with the key line, \u201cIf I didn\u2019t know better\/I\u2019d think you were singing to me now.\u201d Her hushed voice tells the story over pulsing vintage synths, in the minimalist mode of Steve Reich\u2019s Music for 18 Musicians. At the end, she samples Marjorie\u2019s soprano voice. A song about getting to know your loved ones better after they\u2019re gone, giving them a home in your memory, turning their lives into folklore and passing them on like folk songs.<\/p>\n<p>Best line: \u201cNever be so kind you forget to be clever\/Never be so clever you forget to be kind.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cBlank Space\u201d (2014)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Blank Space\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/BlankSpace.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>A double-venti celebration of serial monogamy for Starbucks lovers everywhere, as Tay zooms through the whole cycle \u2013 the high, the pain, the players, the game, magic, madness, heaven, sin. Every second of \u201cBlank Space\u201d is perfect, from the pen clicks to the \u201cnasss-taaaay-scarrr\u201d at the end. The high might not be worth the pain, but this song is.<\/p>\n<p>Best line: \u201cDarling, I\u2019m a nightmare dressed like a daydream.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F38vXutK%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cLover\u201d (2019)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Lover\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Lover.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>Ladies and gentlemen, will you please stand? This bombshell is the kind of twangy guitar ballad people thought she didn\u2019t feel like writing anymore, except she\u2019s celebrating the kind of adult passion people assumed wasn\u2019t melodramatic enough for her to bother singing about. But when she hits those high notes in the chorus, it\u2019s like the sensation at the top of the roller coaster when you realize you\u2019re zooming all the way down. \u201cLover\u201d sounds like a sequel to \u201cLast Kiss,\u201d but with a decade\u2019s worth more soul going into it. She reclaims the cringiest noun in the language and makes it credible for the first time since Prince sang, \u201cI Wanna Be Your Lover.\u201d Great video too, especially when she goes into Sad Blue Violin Pluck mode. Imagine ending your twenties with a song this masterful. Imagine heading into your thirties the same way.<\/p>\n<p>Best line: \u201cWith every guitar-string scar on my hand.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2PfTBSo%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<p>\u00a0<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cLong Live\u201d (2010)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Long Live\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/LongLive.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Owen Sweeney\/Shutterstock\t\t\t\t<\/p>\n<p>This is her \u201cCommon People,\u201d her \u201cBorn to Run,\u201d her \u201cWe Are the Champions.\u201d An arena-slaying rock anthem to cap off Speak Now, for an ordinary girl who suddenly gets to feel like she rules the world for a minute or two. \u201cLong Live\u201d could be a gang of friends, a teen couple at the prom, a singer addressing her audience. But like so many songs on Speak Now, her secret prog album,\u00a0it reaches the four-minute point where it feels like it\u2019s over and she\u2019s bringing it in for a landing \u2013 except that\u2019s when the song gets twice as great.\u00a0In the final verse, she makes a gigantic mess. (Actual lyric: \u201cPromise me this\/That you\u2019ll stand by me forever.\u201d WTF, girl, you were doing so well there.) Yet that\u2019s the moment that puts \u201cLong Live\u201d over the top \u2013 a song nobody else could have written, as she rides those power chords home. That\u2019s Taylor: always overdoing it, never having one feeling where six would do. Long live.<\/p>\n<p>Best line: \u201cI had the time of my life fighting dragons with you.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2YDgJ00%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cAugust\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"FILE - In this Aug. 22, 2019, file photo, singer Taylor Swift performs on ABC's &quot;Good Morning America&quot; at Rumsey Playfield\/SummerStage in Central Park, in New York. The pop star is set to take the stage at the 2019 American Music Awards show on Sunday, Nov. 24. Swift could make history at the AMAs if she surpasses Michael Jackson's record for most wins. (Photo by Evan Agostini\/Invision\/AP, File)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-august.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Evan Agostini\/Invision\/AP\t\t\t\t<\/p>\n<p>\u201cAugust\u201d feels like such a simple tune, yet it\u2019s one of the craftiest creations in the Swiftian Multiverse. She mourns a summer fling that slipped away like a bottle of wine, over Nineties soft-rock guitars, full of Mazzy Star\/Cranberries \u201clate afternoon set at Lilith Fair\u201d energy. (Also, that \u201cdo you remember?\u201d at the end seems to beam in straight from LFO\u2019s \u2018Summer Girls\u201d \u2014 the mark of a truly obsessive pop music scholar.) She tries to kid herself it\u2019s enough to live for the hope of it all, but she keeps running over her same memory again and again, trying to make it add up to something different. It all explodes in the giddy moment at the end, when you think the song is over, and you think she\u2019s finally going to drive away with her head held high, but she circles back for one more \u201cget in the car!\u201d She might sit there alone behind the mall all night, waiting for a lover she knows won\u2019t show up, but she makes it sound like the most romantic possible place to be.<\/p>\n<p>Best line: \u201cSo much for summer love and saying \u2018us\u2019\/Because you weren\u2019t mine to lose.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cDelicate\u201d (2017)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - Delicate\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Delicate.jpg\" data-lazy- data-lazy-\/>\t\t\t\t\t<\/p>\n<p>\u201cIs it cool that I said all that?\u201d A little late for that question, Tay. But \u201cDelicate\u201d is her triumph, a whispery vocoder rush that sums up everything she\u2019s about. She steals away for a late-night hoodie-shrouded rendezvous at her local dive bar, trying to play jaded and cool. But because she\u2019s Taylor, she can\u2019t stop constantly pointing out how chill she\u2019s being, elbowing you in the ribs with those \u201cisn\u2019t it? isn\u2019t it?\u201d chants. (I count 24 \u201cisn\u2019t it\u201d\u2018s in this song and I am feeling every one of them.) She spends \u201cDelicate\u201d talking herself out of that midnight confession, but when it spills out \u2014 \u201cI pretend you\u2019re mine all the damn time\u201d \u2013 the moment feels cataclysmic. As ever, the girl sets strict emotional rules for herself and then trashes them all. Let\u2019s face it, Tay will always fail spectacularly at playing it cool, because she will never be able to resist saying way too much of All That. Yet as \u201cDelicate\u201d proves, All That is what she was born to say. Isn\u2019t it?<\/p>\n<p>Best line: \u201cIs it chill that you\u2019re in my head?\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2PzYfJQ%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cMirrorball\u201d (2020)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift performed at the 2019 Tmall Singles' Day Gala at Mercedes-Benz Arena in Shanghai, China, 10 November 2019.  (Imaginechina via AP Images)\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/taylor-swift-mirrorball.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Imaginechina\/AP\t\t\t\t<\/p>\n<p>Taylor shines like the disco ball gazing down on the dance floor, wondering why everybody else looks so confident and imagining how that feels. A seething ballad about a loner feeling a little too loud and a little too bright, afraid everyone\u2019s staring at her flaws yet feeling invisible anyway. \u201cMirrorball\u201d revisits the party vibe of \u201cNew Romantics\u201d from another angle, with Taylor twirling on high heels, spinning like a girl in a brand new dress, hating herself for being so desperate to sparkle for strangers. This is the kind of vulnerable teen sensibility that got her started writing songs in the first place (i.e. most of her debut album). But in classic Swift style, she decides exactly what she\u2019s going to allow herself to feel, then wonders why she feels the exact opposite. She\u2019s the same girl in the swing from \u201cSeven,\u201d grown up yet still feeling like she\u2019s dangling in mid-air, never touching ground. Who else has a songwriting mind like this? Queen of Concept.<\/p>\n<p>Best line: \u201cI\u2019m still a believer but I don\u2019t know why \/ I\u2019ve never been a natural, all I do is try, try, try.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cNew Romantics\u201d (2014)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - New Romantics\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/NewRomantics.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Charles Sykes\/Invision\/AP\/Shutterstock\t\t\t\t<\/p>\n<p>The way Taylor exhales at the end of the line \u201cI\u2019m about to play my ace-aaah\u201d is perhaps the finest moment in the history of human lungs. \u201cNew Romantics\u201d is where she takes the Eighties synth-pop concept of 1989 to the bank, with a mirror-ball epiphany that leaves tears of mascara all over the dance floor. She tips her cap to the arty poseurs of the 1980s New Romantic scene \u2013 Duran Duran, Adam Ant, the Human League, etc. \u2013 yet sounds exactly like her own preposterously emotional self. (One of my weirdest moments of recent years: explaining this song\u2019s existence to the guys in Duran Duran.) \u201cNew Romantics\u201d is hardly the first time she\u2019s sung about crying in the bathroom, but it\u2019s the one that makes crying in the bathroom sound like a bold spiritual quest, which (when she sings about it) it is. The punch line: Having written this work of genius, exceeding even the wildest hopes any fan could have dreamed, she left it off the damn album, a very New Romantic thing to do.<\/p>\n<p>Best line: \u201cWe show off our different scarlet letters\/Trust me, mine is better.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F2t92TH7%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cAll Too Well\u201d (2012-2021)<\/p>\n<p>\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"169\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Taylor Swift - All Too Well\" data-lazy-src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/AllTooWell.jpg\" data-lazy- data-lazy-\/><br \/>\n\t\t\t\t\tImage Credit: Kevork Djansezian\/Getty Images\t\t\t\t<\/p>\n<p>So casually cruel in the name of being awesome. This towering ballad is Swift\u2019s zenith, building to peak after peak. For \u201cAll Too Well,\u201d she teams up with her songwriting sensei Liz Rose to spin a tragic tale of doomed love and scarves and autumn leaves and maple lattes. And her greatest song just got even greater in the definitive 10-minute version, with Taylor digging up her lost verses, to bring it to a whole new level of All Too Unwell. What kind of artist takes her own masterpiece and tears it all up? This one. Only this one. Result: an even bolder masterpiece.<\/p>\n<p>Every version of \u201cAll Too Well\u201d tells a different story. There\u2019s the \u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/taylor-swift-all-too-well-sad-girl-autumn-version-song-1259380\/\" target=\"_blank\" rel=\"noopener\">Sad Girl Autumn<\/a>\u201d version from Long Pond Studio, with Aaron Dessner on piano. The acoustic-guitar solo version from the theater premiere for her <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/taylor-swift-all-too-well-short-film-favoritre-moments-1257506\/\" target=\"_blank\" rel=\"noopener\">short film<\/a>. But each version feels like it\u2019s all her, because this isn\u2019t really a song about a boy \u2014 never was. It\u2019s about a girl, her piano, her memory, and her refusal to surrender her most painful secrets, even when it\u2019s tempting to forget.<\/p>\n<p><strong>\u00a0<\/strong>It\u2019s full of killer moments: the way she sings \u201crefrigerator,\u201d the way she spits out the consonants of \u201ccrumpled-up piece of paper,\u201d the way she chews up three \u201call\u201d\u2019s in a row. No other song does such a stellar job of showing off her ability to blow up a trivial little detail into a legendary heartache. That scarf should be in the Rock &amp; Roll Hall of Fame, though in a way it already is. You can schaeden your freude all over the celebrity she reputedly sings about, but on the best day of your life you will never inspire a song as great as \u201cAll Too Well.\u201d Or write one.<\/p>\n<p>Best line: \u201cMaybe we got lost in translation\/Maybe I asked for too much\/Maybe this thing was a masterpiece till you tore it all up\/Running scared, I was there, I remember it all too well.\u201d <a href=\"https:\/\/clicks.trx-hub.com\/xid\/pmc_0aaa4_rollingstone?q=https%3A%2F%2Famzn.to%2F38wGvaC%3Fasc_source%3Dweb%26asc_campaign%3Dweb%26asc_refurl%3Dhttps%253A%252F%252Fwww.rollingstone.com%252Fmusic%252Fmusic-lists%252Ftaylor-swift-songs-ranked-rob-sheffield-201800%252F&amp;p=https%3A%2F%2Fwww.rollingstone.com%2Fmusic%2Fmusic-lists%2Ftaylor-swift-songs-ranked-rob-sheffield-201800%2F&amp;ref=pmcTrackonomicsReferrer&amp;event_type=click\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Listen here<\/a>.<\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist.&hellip;\n","protected":false},"author":2,"featured_media":479633,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8817],"tags":[159169,159170,159171,748,4094,10582,393,159172,4884,109845,73274,159173,1620,8733,159174,90646,16,15],"class_list":{"0":"post-479632","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-sheffield","8":"tag-aaron-dessner","9":"tag-bon-iver","10":"tag-brendon-urie","11":"tag-britain","12":"tag-country","13":"tag-ed-sheeran","14":"tag-england","15":"tag-fall-out-boy","16":"tag-great-britain","17":"tag-hayley-williams","18":"tag-john-mayer","19":"tag-rob-sheffield","20":"tag-sheffield","21":"tag-taylor-swift","22":"tag-the-chicks","23":"tag-tim-mcgraw","24":"tag-uk","25":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115331080337039698","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/479632","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=479632"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/479632\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/479633"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=479632"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=479632"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=479632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}