{"id":502675,"date":"2025-10-15T23:21:13","date_gmt":"2025-10-15T23:21:13","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/502675\/"},"modified":"2025-10-15T23:21:13","modified_gmt":"2025-10-15T23:21:13","slug":"the-pink-floyd-album-david-gilmour-will-always-massively-regret","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/502675\/","title":{"rendered":"The Pink Floyd album David Gilmour will always massively regret"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/David-Gilmour-2024-Anton_Corbijn-Far-Out-Magazine-F-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"David Gilmour - 2024 - Anton_Corbijn\" layout=\"fill\"  style=\"object-position: 50% 50%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>(Credits: Far Out \/ Anton_Corbijn)<\/p>\n<p> Wed 15 October 2025 22:00, UK <\/p>\n<p>Artists are often their own worst critics, and <a href=\"https:\/\/faroutmagazine.co.uk\/tags\/david-gilmour\/\" target=\"_blank\" rel=\"noopener\" title=\"\">David Gilmour<\/a> is no exception. Although there are those who will have you convinced that Pink Floyd\u2019s extensive discography never set a foot wrong, there are certain moments from the band\u2019s tenure that are still soaked in regret in the mind of the guitarist. <\/p>\n<p>Great bands come and go in the fast-moving dog-eat-dog world of the music industry, but Pink Floyd were always a special case. Subverting the sounds of the swinging sixties with their vast <a href=\"https:\/\/faroutmagazine.co.uk\/pink-floyd-the-piper-at-the-gates-of-dawn-album-review\/\" target=\"_blank\" rel=\"noopener\" title=\"\">psychedelic experiments<\/a> under the leadership of Syd Barrett back in the 1960s, and exploring the cosmos with legendary records like The Dark Side of the Moon years later, Pink Floyd seemed to succeed where virtually everyone else failed: balancing profound artistic innovation with widespread commercial success, which has lasted well over half a century at this point. <\/p>\n<p>Still, that is not to say that the band was always a harmonious place to be \u2013 quite the contrary, in fact. Going back to the time when Barrett was unceremoniously booted from the band, the group were routinely characterised by intense conflicts and consistent in-fighting, typically resulting from the butting of heads of David Gilmour and Roger Waters, which has never really subsided. <\/p>\n<p>As such, Gilmour doesn\u2019t view some of the earlier Waters-led Floyd projects with much sympathy \u2013 1970\u2019s Atom Heart Mother, for instance, he <a href=\"https:\/\/faroutmagazine.co.uk\/three-pink-floyd-albums-david-gilmour-regret\/\" target=\"_blank\" rel=\"noopener\" title=\"\">once dubbed \u201cdreadful\u201d<\/a>, \u201cshit\u201d, and \u201cour lowest point artistically\u201d during a 2001 chat with Mojo. To his credit, though, Gilmour is also capable of highlighting the band\u2019s mistakes and mis-hits from the post-Waters age, following the songwriter\u2019s unamicable departure back in 1985.<\/p>\n<p>Notably, the band\u2019s first album without Waters, 1987\u2019s A Momentary Lapse of Reason, has been a constant source of regret and disappointment for the songwriter since its initial release \u2013 a feeling he shares with vast swathes of Pink Floyd\u2019s unwavering fanbase. The reasons for its lacklustre reception are myriad, but Gilmour himself tends to pin it down to the rapidly outdated synthesiser sound which dominated much of the tracklisting.\u00a0<\/p>\n<p>\u201cIn the Eighties, there was a mass of new technology \u2013 new keyboards, synthesisers \u2013 and we were keen to make a record of its time,\u201d the songwriter explained on the podcast The Lost Art of Conversation. \u201cWe embraced this technology with massive enthusiasm.\u201d <\/p>\n<p>Adding, \u201cBut it was a fashion and fashions go out of fashion.\u201d\u00a0<\/p>\n<p>In contrast, Pink Floyd boast an impressive collection of albums which haven\u2019t really aged since their release. The Dark Side of the Moon, for instance, still sounds like a snapshot of some far-out future today, over half a century on from its release. \u201cIn years after the album [A Momentary Lapse of Reason], there were moments when I thought that we hadn\u2019t followed the timeless template that perhaps we should have done.\u201d<\/p>\n<p>It is easy to see why Gilmour regrets that particular record, but it must be said that the reasons for its failure weren\u2019t entirely down to the mid-1980s synthesiser sounds. After all, the production was plagued by stress, what with Roger Waters engaging the band in lengthy legal battles, and Gilmour\u2019s songwriting certainly suffered when he was out there on his own, without his arch-nemesis bandmate helping him along. <\/p>\n<p>Regardless of the exact reasons why A Momentary Lapse of Reason didn\u2019t hold a candle to the band\u2019s previous successes, though, it is fair to say that it forms a lasting and unshakable sense of regret in the mind of David Gilmour. <\/p>\n<\/p>\n<p>Related Topics<\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Anton_Corbijn) Wed 15 October 2025 22:00, UK Artists are often their own worst critics,&hellip;\n","protected":false},"author":2,"featured_media":494787,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[44623,77,269,26420,16,15],"class_list":{"0":"post-502675","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-david-gilmour","9":"tag-entertainment","10":"tag-music","11":"tag-pink-floyd","12":"tag-uk","13":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115380753843324039","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/502675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=502675"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/502675\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/494787"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=502675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=502675"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=502675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}