{"id":520557,"date":"2025-10-22T21:28:15","date_gmt":"2025-10-22T21:28:15","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/520557\/"},"modified":"2025-10-22T21:28:15","modified_gmt":"2025-10-22T21:28:15","slug":"live-review-paradise-lost-the-garage-glasgow","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/520557\/","title":{"rendered":"LIVE REVIEW: Paradise Lost @ The Garage, Glasgow"},"content":{"rendered":"<p dir=\"ltr\">Goth metal founders\u00a0<strong>PARADISE LOST<\/strong>\u00a0return to<strong>\u00a0The Garage\u00a0<\/strong>in\u00a0Glasgow\u00a0to play another live show, following their last sighting in Scotland in 2022. The show tonight is completely sold out, a testament to the band\u2019s unwavering gothic legacy. Cleverly and selflessly, this tour curates a lineup that provides a catwalk for relevant younger acts to reach a fresh audience.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"219850\" data-permalink=\"https:\/\/distortedsoundmag.com\/live-review-paradise-lost-the-garage-glasgow\/high-parasite-2000px-7\/\" data-orig-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/High-Parasite-2000px-7.jpg\" data-orig-size=\"1333,2000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1760296115&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;33&quot;,&quot;iso&quot;:&quot;1600&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"High Parasite \u2013 2000px-7\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/High-Parasite-2000px-7-200x300.jpg\" data-large-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/High-Parasite-2000px-7-682x1024.jpg\" class=\"wp-image-219850\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/High-Parasite-2000px-7.jpg\" alt=\"High Parasite live @ The Garage, Glasgow. Photo Credit: Duncan McCall\" width=\"400\" height=\"600\"  \/>High Parasite live @ The Garage, Glasgow. Photo Credit: Duncan McCall<\/p>\n<p dir=\"ltr\">First on the stage is\u00a0<strong>HIGH PARASITE<\/strong>, the new collective by the very newly ex-<strong>MY DYING BRIDE<\/strong>\u00a0frontman<strong>\u00a0Aaron Stainthorpe<\/strong>. With such metal royalty, they\u2019ve leveraged a visibility boost that other new acts could only dream of; last year, they toured with\u00a0<strong>CRADLE OF FILTH<\/strong>, so they have already haunted the city and converted some fans.\u00a0While the group evocatively labels their music \u2018death pop\u2019, it\u2019s actually a well-worn gothic metal\/rock style.<\/p>\n<p dir=\"ltr\">Opening with\u00a0<strong>Parasite<\/strong>\u00a0from their debut\u00a0<a href=\"https:\/\/distortedsoundmag.com\/album-review-forever-we-burn-high-parasite\/\" target=\"_blank\" rel=\"noopener\"><strong>Forever We Burn<\/strong><\/a>, the Yorkshiremen proceed to play almost all of the album. The record is similar to mid-era\u00a0<strong>PARADISE LOST<\/strong>\u00a0efforts, with rain-drenched melodic guitar leads from<strong>\u00a0Jonny Hunter<\/strong>, punchy mid-paced 2000s-era goth rock rhythms along the lines of<strong>\u00a069 EYES<\/strong>\u00a0and\u00a0<strong>HIM<\/strong>, and\u00a0<strong>Stainthorpe<\/strong>\u2019s defiant clean vocals (don\u2019t expect the pained singing of his former band), baritone goth crooning and raspy death metal growls. All the members headbang, and\u00a0<strong>Stainthorpe<\/strong>, contrastingly bedecked entirely in white, gives a nimble and emotive performance, despite the cramped space on stage, thanks to<strong>\u00a0PARADISE LOST<\/strong>\u2019s drum kit. Songs such as the insistent\u00a0<strong>Wasn\u2019t Human<\/strong>, the scathing\u00a0<strong>Let It Fail<\/strong>\u00a0and the varied closer\u00a0<strong>Forever We Burn<\/strong>\u00a0are highlights of their set. Despite only hitting the stage ten minutes after the doors open, the venue is busy, and the crowd is positively reactive to the openers.<\/p>\n<p dir=\"ltr\"><strong>Rating: 8\/10<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"219853\" data-permalink=\"https:\/\/distortedsoundmag.com\/live-review-paradise-lost-the-garage-glasgow\/messa-2000px\/\" data-orig-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Messa-2000px.jpg\" data-orig-size=\"2000,1333\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;3.2&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1760295145&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;170&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Messa \u2013 2000px\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Messa-2000px-300x200.jpg\" data-large-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Messa-2000px-1024x682.jpg\" class=\"wp-image-219853 size-large\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Messa-2000px-1024x682.jpg\" alt=\"Messa live @ The Garage, Glasgow. Photo Credit: Duncan McCall\" width=\"800\" height=\"533\"  \/>Messa live @ The Garage, Glasgow. Photo Credit: Duncan McCall<\/p>\n<p dir=\"ltr\">Next up is Italian metallers\u00a0<strong>MESSA<\/strong>, who have been quietly garnering attention in underground circles with their devilishly stylish compositions. Their music spans a wealth of genres, including heavy metal, gothic metal, blues rock, doom metal, progressive rock and more. Their show begins with<strong>\u00a0Fire on the Roof<\/strong>, from their new album\u00a0<a href=\"https:\/\/distortedsoundmag.com\/album-review-the-spin-messa\/\" target=\"_blank\" rel=\"noopener\"><strong>The Spin<\/strong><\/a>, but the sound fails to serve the quartet, especially vocalist\u00a0<strong>Sara Bianchin<\/strong>. It takes a few tracks for the sound engineer to remedy this and the end result is commendable. Almost all of the set originates from\u00a0<strong>The Spin<\/strong>.\u00a0<strong>At Race\u00a0<\/strong>strikes with a nocturnal goth rock temperament, while\u00a0<strong>Immolation\u00a0<\/strong>is a tender vocal-led ballad that explodes with a heavy metal climax, and<strong>\u00a0Reveal<\/strong>\u2019s country-inspired start morphs into a bluesy strut, with bursts of furious double bass drumming and tremolo picking.<\/p>\n<p dir=\"ltr\">While the music is fascinating and well-delivered, the only downside after the sound is clarified is that\u00a0<strong>Bianchin<\/strong>\u2019s stage presence is mostly static; she stands in the same place for the whole set, in contrast to\u00a0<strong>Stainthorpe<\/strong>,\u00a0and she looks like she\u2019s unsure of what to do during instrumental sections. This violently contrasts with the rigorous headbanging of guitarist<strong>\u00a0Alberto Piccolo<\/strong>\u00a0next to her. That said, this is something that\u00a0<strong>Bianchin\u00a0<\/strong>can easily learn to overcome and doesn\u2019t pull too much from their show. Final song<strong>\u00a0Thicker Blood<\/strong>\u00a0contains some quiet passages that annoyingly fall victim to people in the crowd chatting over the music. Still, the reaction that\u00a0<strong>MESSA\u00a0<\/strong>receives proves that the lion\u2019s share of the attendees appreciated their non-conforming yet cohesive take on fusing popular genres together.<\/p>\n<p dir=\"ltr\"><strong>Rating: 8\/10<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"219866\" data-permalink=\"https:\/\/distortedsoundmag.com\/live-review-paradise-lost-the-garage-glasgow\/paradise-lost-2000px-2\/\" data-orig-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-2.jpg\" data-orig-size=\"2000,1333\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1760299821&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;142&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Paradise Lost \u2013 2000px-2\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-2-300x200.jpg\" data-large-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-2-1024x682.jpg\" class=\"wp-image-219866 size-large\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-2-1024x682.jpg\" alt=\"Paradise Lost live @ The Garage, Glasgow. Photo Credit: Duncan McCall\" width=\"800\" height=\"533\"  \/>Paradise Lost live @ The Garage, Glasgow. Photo Credit: Duncan McCall<\/p>\n<p dir=\"ltr\">Finally, headliners\u00a0<strong>PARADISE LOST\u00a0<\/strong>grace the sold-out venue to cries of unbridled adulation. The five-piece kickstart the gloaming with\u00a0<strong>Serpent on the Cross<\/strong>\u00a0from the new album\u00a0<a href=\"https:\/\/distortedsoundmag.com\/album-review-ascension-paradise-lost\/\" target=\"_blank\" rel=\"noopener\"><strong>Ascension<\/strong><\/a>. Armed with a deadly catchy guitar lead from\u00a0<strong>Greg\u00a0Mackintosh<\/strong>, it\u2019s clear to see why this song opens the full-length and their set. While reviews of the goths\u2019 17th album are mixed, this is certainly one of the best songs on the release, featuring vocalist\u00a0<strong>Nick Holmes<\/strong>\u2019\u00a0beloved death metal growls and a boisterous tempo set by drummer<strong>\u00a0Jeff Singer<\/strong>. The sound engineer\u2019s labour immediately hits the mark, providing a voluminous yet detailed result. Impressively, all but\u00a0<strong>Singer\u00a0<\/strong>have shared all of<strong>\u00a0PARADISE LOST<\/strong>\u2019s victories and defeats since its inception in 1988. Being in their mid-fifties, the lineup is highly energetic and fully devoted and engaged in the live show. That\u2019s certainly not something you can say for many bands that formed in that hedonistic decade.<\/p>\n<p dir=\"ltr\">Of course, such a continuous active career means that picking setlists must be a challenge to placate all of their dedicated fanbase. Tonight, songs come from thirteen of their albums, a very broad representation of their discography, despite excluding their early death\/doom metal days:\u00a0<strong>Tragic Idol<\/strong>\u00a0showcases the gritty, aggressive side of the band with a\u00a0<strong>TYPE O NEGATIVE<\/strong>\u00a0influence, as does new song<strong>\u00a0Tyrant\u2019s Serenade<\/strong>.\u00a0<strong>One Second\u00a0<\/strong>shows off their foray into electronic-infusion. The muscular\u00a0<strong>Faith Divides Us \u2013 Death Unites Us\u00a0<\/strong>roars through\u00a0<strong>The Garage<\/strong>, while the divisive\u00a0<strong>DEPECHE MODE<\/strong>-coloured\u00a0<strong>Nothing Sacred<\/strong>\u00a0seeps through the venue. Despite the band\u2019s age, the songs beautifully match their recorded counterparts, including\u00a0<strong>Holmes<\/strong>\u2019 versatile growls, thrashy shouts, and lower-pitched vocals. The music never loses its grip on the desolate, spectral or brooding.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"219865\" data-permalink=\"https:\/\/distortedsoundmag.com\/live-review-paradise-lost-the-garage-glasgow\/paradise-lost-2000px\/\" data-orig-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px.jpg\" data-orig-size=\"2000,1333\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;4.5&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1760299477&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;200&quot;,&quot;iso&quot;:&quot;2000&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Paradise Lost \u2013 2000px\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/distortedsoundmag.com\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-300x200.jpg\" data-large-file=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-1024x682.jpg\" class=\"wp-image-219865 size-large\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/10\/Paradise-Lost-2000px-1024x682.jpg\" alt=\"Paradise Lost live @ The Garage, Glasgow. Photo Credit: Duncan McCall\" width=\"800\" height=\"533\"  \/>Paradise Lost live @ The Garage, Glasgow. Photo Credit: Duncan McCall<\/p>\n<p dir=\"ltr\">Fan favourite\u00a0<strong>Say Just Words<\/strong>\u00a0unfurls before allowing the Yorkshire lads to leave the stage. Of course, an encore is expected, and this consists of the bleak\u00a0<strong>No Celebration<\/strong>, the<strong>\u00a0SISTERS OF MERCY<\/strong>-tinged\u00a0<strong>Ghost\u00a0<\/strong>and wraps up with new song<strong>\u00a0Silence Like the Grave<\/strong>\u00a0(although the headliners would have harnessed a stronger impact if they\u2019d swapped this one with the track before it). Unlike most shows, the audience doesn\u2019t thin out at the back as people leave early to get a headstart on their journey home. With a set that lingers for an hour and a half,<strong>\u00a0PARADISE LOST\u00a0<\/strong>have once again cemented their position in the pantheon of goth metal icons. This night of unbridled dark romanticism leaves a deep impression on the fans, brimming with the highest accolades as they shuffle on to Glasgow\u2019s autumn streets.<\/p>\n<p dir=\"ltr\"><strong>Rating: 8\/10<\/strong><\/p>\n<p dir=\"ltr\"><strong>Check out our photo gallery of the night\u2019s action in Glasgow from Duncan McCall here:\u00a0<\/strong><\/p>\n<p dir=\"ltr\"><strong>Like PARADISE LOST on\u00a0<a href=\"https:\/\/www.facebook.com\/paradiselostofficial\" target=\"_blank\" rel=\"noopener\">Facebook<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Goth metal founders\u00a0PARADISE LOST\u00a0return to\u00a0The Garage\u00a0in\u00a0Glasgow\u00a0to play another live show, following their last sighting in Scotland in 2022.&hellip;\n","protected":false},"author":2,"featured_media":520558,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7826],"tags":[748,918,4884,169309,32836,96027,712,169310,16,15],"class_list":{"0":"post-520557","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-glasgow","8":"tag-britain","9":"tag-glasgow","10":"tag-great-britain","11":"tag-high-parasite","12":"tag-messa","13":"tag-paradise-lost","14":"tag-scotland","15":"tag-the-garage-glasgow","16":"tag-uk","17":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115419946202649704","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/520557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=520557"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/520557\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/520558"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=520557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=520557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=520557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}