{"id":549296,"date":"2025-11-04T21:37:23","date_gmt":"2025-11-04T21:37:23","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/549296\/"},"modified":"2025-11-04T21:37:23","modified_gmt":"2025-11-04T21:37:23","slug":"new-exhibition-opening-at-whitespace-gallery-on-wednesday","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/549296\/","title":{"rendered":"New exhibition opening at Whitespace Gallery on Wednesday"},"content":{"rendered":"<p>Scottish artist Stuart McAlpine Miller is opening an exhibition of his latest work,  Reimagined, described as a \u201cbold new collection marking a powerful shift in direction\u201d for the artist best known for his supernatural realism and globally recognised figurative style.<\/p>\n<p>A graduate of the Glasgow School of Art, McAlpine Miller\u2019s distinctive, spectral approach has earned him worldwide recognition. His work is praised for its psychological depth and technical mastery and is featured in major collections including The Savoy Hotel, London, where there are eight of his paintings on display.<\/p>\n<p>From his early acclaim in Scotland to international exhibitions across London, New York and Hong Kong, the artist has become known for his ability to comment on society\u2019s fascination with celebrity, glamour, and perfection.\u00a0<\/p>\n<p>Reimagined\u00a0continues that narrative, but with a more thought-provoking intimate, human focus.<\/p>\n<p>Stuart said: \u201cThese new works represent a new direction in my thinking and my art. <\/p>\n<p>\u201cThe narrative follows a continued idea representing both family connections and the singular feeling of isolation. Looking at the differences between generations, I\u2019ve explored how we react to the pressures of today\u2019s society \u2013 from family expectations to the impact of social media.\u201d<\/p>\n<p>There are two distinct yet connected series. \u2018It\u2019s a Generation Thing\u2019 examines the complex relationship between parent and child, revealing the contrast between generational values and the struggle for acceptance in a rapidly changing world. The looser, more painterly technique reflects a sense of unease and emotional honesty \u2013 a deliberate move away from the tightly controlled compositions of McAlpine Miller\u2019s earlier works.<\/p>\n<p>The second series turn the lens inward, challenging society\u2019s obsession with accumulation and the illusion of success. Through themes of isolation, clutter, and digital dependency, Stuart highlights the insecurity and loneliness that often lie beneath modern life\u2019s polished surface.<\/p>\n<p>He explained: \u201cBoth series are connected by a common thread. They\u2019re about the human condition, what connects us, isolates us, and how we navigate the contradictions of life today.\u201d<\/p>\n<p>The\u00a0Reimagined\u00a0paintings range in size from 14 x 14 inches to 40 x 40 inches, with prices from \u00a37,000 to \u00a340,000. Each piece exemplifies McAlpine Miller\u2019s continued evolution \u2013 raw, reflective, and resolutely relevant.<\/p>\n<p>Over a career spanning more than three decades, McAlpine Miller\u2019s creative journey has included high-profile commissions such as Sir Paul McCartney\u2019s tour piano, collaborations with large companies such as Renault and Virgin, and collections inspired by cultural icons from Harry Potter to David Bowie and Marilyn Monroe. Yet with\u00a0Reimagined, he returns to the personal exploring connection, disconnection, and the emotional cost of modern existence.<\/p>\n<p>\u201cWe live in an increasingly throwaway society where everything is dictated by the media,\u201d McAlpine Miller said. \u201cMy work questions the value of such things, and what really matters in the world we\u2019re creating.\u201d<\/p>\n<p>Reimagined\u00a0is being unveiled on Wednesday 5 November at Whitespace Gallery, 76 East Crosscauseway on the south side\u00a0of Edinburgh before being rolled out across the UK.\u00a0 <\/p>\n<p>For art sales enquiries, please contact Stuart McAlpine Miller direct via\u00a0<a href=\"http:\/\/theedinburghreporter.co.uk\/cdn-cgi\/l\/email-protection#88fbfcfde9fafce5e1e4e4edfabbbbb9c8efe5e9e1e4a6ebe7e5\" target=\"_blank\" rel=\"noopener\">[email\u00a0protected]<\/a>\u00a0or\u00a0<a href=\"http:\/\/theedinburghreporter.co.uk\/cdn-cgi\/l\/email-protection#ea8b9f8e988f93aa80838d998b9d9a98c4898587\" target=\"_blank\" rel=\"noopener\">[email\u00a0protected]<\/a><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"683\" data-attachment-id=\"620973\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/high_res_mcalpinemiller_\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/HIGH_RES_McAlpineMiller_.jpg\/w=1200,h=800\" data-orig-size=\"1200,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;Canon EOS 5DS&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1502101549&quot;,&quot;copyright&quot;:&quot;Copyright Susie Lowe 2017. All Rights Reserved&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;400&quot;,&quot;shutter_speed&quot;:&quot;0.005&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"HIGH_RES_McAlpineMiller_\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/HIGH_RES_McAlpineMiller_.jpg\/w=300,h=200\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/HIGH_RES_McAlpineMiller_.jpg\/w=696,h=464\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/11\/1762292240_260_w=1024.jpeg\" alt=\"\" class=\"wp-image-620973\"  \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"1024\" data-attachment-id=\"620974\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/mcalpinemillernewwork\/\" data-orig-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/McAlpineMillernewwork.jpg\/w=1200,h=1205\" data-orig-size=\"1200,1205\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"McAlpineMillernewwork\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/McAlpineMillernewwork.jpg\/w=300,h=300,fit=crop\" data-large-file=\"https:\/\/imagedelivery.net\/F92qk9bnhVOT8KcXbWkWyg\/theedinburghreporter.co.uk\/2025\/11\/McAlpineMillernewwork.jpg\/w=696,h=699\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/11\/w=1020.jpeg\" alt=\"\" class=\"wp-image-620974\"  \/><\/p>\n<p><a class=\"m-a-box-avatar-url\" href=\"https:\/\/theedinburghreporter.co.uk\/author\/phyllis-stephen\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"100\" height=\"100\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/06\/Phyllis-Summer-2022-100x100.jpg\" class=\"attachment-100x100 size-100x100\" alt=\"\" itemprop=\"image\"   data-attachment-id=\"523819\" data-permalink=\"https:\/\/theedinburghreporter.co.uk\/phyllis-summer-2022\/\" data-orig-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-scaled.jpg\" data-orig-size=\"2315,3089\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;1.8&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;iPhone 11&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1652451720&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;4.25&quot;,&quot;iso&quot;:&quot;32&quot;,&quot;shutter_speed&quot;:&quot;0.0034364261168385&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Phyllis Summer 2022\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-225x300.jpg\" data-large-file=\"https:\/\/theedinburghreporter.co.uk\/wp-content\/uploads\/2024\/02\/Phyllis-Summer-2022-674x900.jpg\"\/><\/a><\/p>\n<p>Founding Editor of The Edinburgh Reporter.<br \/>Edinburgh-born multimedia journalist and iPhoneographer.<\/p>\n<p>Like this:<\/p>\n<p>Like Loading&#8230;<\/p>\n<p><a class=\"sd-link-color\"\/><\/p>\n<p>\n\tRelated<\/p>\n","protected":false},"excerpt":{"rendered":"Scottish artist Stuart McAlpine Miller is opening an exhibition of his latest work, Reimagined, described as a 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