{"id":574780,"date":"2025-11-16T20:24:17","date_gmt":"2025-11-16T20:24:17","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/574780\/"},"modified":"2025-11-16T20:24:17","modified_gmt":"2025-11-16T20:24:17","slug":"now-you-see-me-running-man-one-battle-demon-slayer-box-office","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/574780\/","title":{"rendered":"Now You See Me Running Man One Battle Demon Slayer Box Office"},"content":{"rendered":"

\n\tRefresh for latest\u2026:<\/strong> Lionsgate\u2019s third outing with the Four Horsemen conjured a $75.5M<\/strong> global opening this weekend. Of that, $54.2M<\/strong> was in 64 international box office<\/a> markets.\u00a0<\/p>\n

\n\tThe magic extended to No. 1s in 40 of those offshore hubs, including a surprisingly solid China start of $21.7M, according to Maoyan, where Leomus handles. Next best was CIS (Pasatiempo) at $6.4M (and, yes, Lionsgate still third-party releases movies in Russia via its longstanding output deals).<\/p>\n

\n\tI\u2019m told that Latin America grossed $5.5M as a region (awaiting a breakdown). Korea, via Lotte did $3.9M, France (SND) $3.5M and UK (Lionsgate UK) $3.2M.<\/p>\n

\n\tThe other major opener, Paramount\u2019s The Running Man<\/a>, got off to an $11.2M<\/strong> start overseas in 58 markets (including previews). The global debut was $28.2M<\/strong>.\u00a0<\/p>\n

\n\tThis opening frame of the Glen Powell-starrer reps 65% of international. France, Brazil and Spain release next week, followed by Korea on December 4, China December 5 and Japan on January 30.<\/p>\n

\n\tThe top opener was the UK<\/strong> at No. 2 with $3.3M, then Germany<\/strong> at No. 3 with $1.1M, Australia<\/strong> (No. 2\/$1M), Mexico<\/strong> (No. 3\/$659K) and the UAE<\/strong> (No. 1\/$391K).\u00a0<\/p>\n

\n\tLast week\u2019s champ, 20th\/Disney\u2019s Predator: Badlands<\/a>, added $16.1M<\/strong> overseas to bring the international box office cume to $70M<\/strong>. Globally, the total is now $136.3M<\/strong> to make it the 3rd biggest of the franchise at current rates and excluding Russia.<\/p>\n

\n\tOffshore, it\u2019s the 2nd best of the series. The international drop was 54% excluding China where it nevertheless held well during the midweek.\u00a0<\/p>\n

\n\tThe Top 5 markets to date are: China<\/strong> ($12.7M), UK<\/strong> ($5.6M), Mexico<\/strong> ($4M), France<\/strong> ($3.7M) and Japan<\/strong> ($3.3M).<\/p>\n

\n\tMeanwhile, Demon Slayer: Kimetsu no Yaiba Infinity Castle<\/a> was finally unleashed in China where it grossed 373 RMB ($52.5M), per Maoyan.<\/p>\n

\n\tIn the market, the Imax cume was $12.3M, good for 24% of the nationwide total. Distributed by Maoyan locally, the Japanese anime juggernaut delivered the highest Imax opening weekend box office gross, attendance and indexing ever for a Japanese title in China. It also notched the second biggest Imax debut for an animated film ever in China, behind only Ne Zha 2.<\/p>\n

\n\tOverall, Demon Slayer. has a Sony cume of\u00a0$349.5M<\/strong>\u00a0worldwide.<\/p>\n

\n\tMISC UPDATED CUMES\/NOTABLE<\/strong>
Regretting You<\/strong> (PAR): $3.1M intl weekend (57 markets); $37.5M intl cume\/$82.5M global
Jujutsu Kaisen: Execution<\/strong> (SNY): $2.6M (7 SPRI markets); $10M global cume
Chainsaw Man \u2013 The Movie: Reze Arc<\/strong> (SNY): $2.1M intl weekend (63 markets); $69M SNY intl cume\/$168.3M global
Bugonia<\/strong> (UNI): $2.1M intl weekend (57 markets); $14.8M intl cume\/$30.4M global
Black Phone 2<\/strong> (UNI): $1.7M intl weekend (78 markets); $53.1M intl cume\/$127.7M global
One Battle After Another<\/strong> (WB): $1.4M intl weekend (67 markets); $130.1M intl cume\/$200.3M global
Gabby\u2019s Dollhouse: The Movie<\/strong> (UNI): $936K intl weekend (76 markets); $46.8M intl cume\/$78.8M global<\/p>\n","protected":false},"excerpt":{"rendered":"Refresh for latest\u2026: Lionsgate\u2019s third outing with the Four Horsemen conjured a $75.5M global opening this weekend. Of…\n","protected":false},"author":2,"featured_media":574781,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[144980,77,1615,175683,24581,163261,16,15],"class_list":{"0":"post-574780","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-demon-slayer-kimetsu-no-yaiba-infinity-castle","9":"tag-entertainment","10":"tag-international-box-office","11":"tag-now-you-see-me-now-you-dont","12":"tag-predator-badlands","13":"tag-the-running-man","14":"tag-uk","15":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115561251804429422","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/574780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=574780"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/574780\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/574781"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=574780"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=574780"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=574780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}