{"id":586015,"date":"2025-11-22T03:57:14","date_gmt":"2025-11-22T03:57:14","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/586015\/"},"modified":"2025-11-22T03:57:14","modified_gmt":"2025-11-22T03:57:14","slug":"radiohead-make-epic-return-to-the-u-k-with-greatest-hits-set","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/586015\/","title":{"rendered":"Radiohead Make Epic Return to the U.K. With Greatest Hits Set"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBritish music has had such a banner year in 2025, that <a href=\"https:\/\/www.billboard.com\/artist\/radiohead\" target=\"_blank\" rel=\"noopener\">Radiohead\u2019s<\/a> return has flown a touch under the radar. With <a href=\"https:\/\/www.billboard.com\/artist\/Olivia-Rodrigo\" target=\"_blank\" rel=\"noopener\">Olivia Dean<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/yungblud\" target=\"_blank\" rel=\"noopener\">Yungblud<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/lola-young\" target=\"_blank\" rel=\"noopener\">Lola Young <\/a>and <a href=\"https:\/\/www.billboard.com\/artist\/raye\" target=\"_blank\" rel=\"noopener\">RAYE<\/a> all conquering the Billboard charts in the U.S., and <a href=\"https:\/\/www.billboard.com\/artist\/oasis\" target=\"_blank\" rel=\"noopener\">Oasis<\/a> putting on the <a href=\"https:\/\/www.billboard.com\/lists\/oasis-setlist-reunion-tour-night-1-cardiff-wales\/\" target=\"_blank\" rel=\"noopener\">biggest tour<\/a> of the year, the <a href=\"https:\/\/www.billboard.com\/lists\/radiohead-setlist-madrid-comeback-tour-night-one\/\" target=\"_blank\" rel=\"noopener\">return<\/a> of the art-rock fivepiece after an seven-year absence feels low-key in comparison. There is no new music to plug, simply a run of shows in major European cities, and an unpredictable setlist \u2013 this is as understated as an arena-headlining band could ever dream to be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat said, 2025 has still been notable for the group. Earlier this year they <a href=\"https:\/\/www.billboard.com\/music\/rock\/radiohead-hail-to-the-thief-live-recordings-2003-2009-album-1236042933\/\" target=\"_blank\" rel=\"noopener\">reassessed<\/a> their 2003 album Hail to The Thief and worked with the <a href=\"https:\/\/www.billboard.com\/music\/music-news\/radiohead-hail-to-the-thief-hamlet-1235783725\/\" target=\"_blank\" rel=\"noopener\">Royal Shakespeare Company for a new production<\/a> of Hamlet. Elsewhere \u201cLet Down,\u201d an album track from their 1997 opus OK Computer <a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/radiohead-let-down-hot-100-1236052951\/\" target=\"_blank\" rel=\"noopener\">went viral<\/a> and landed on the <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\/\" target=\"_blank\" rel=\"noopener\">Billboard Hot 100<\/a> for the first time. Their Spotify monthly listener count now tops 44m users, higher than other British rockers such as Oasis, The Rolling Stones and even The Beatles.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAll this comes despite a period of relative inactivity. The band\u2019s last LP A Moon Shaped Pool was released in 2016 and the group completed touring for it in 2018. Yorke told <a href=\"https:\/\/www.billboard.com\/music\/music-news\/thom-yorke-why-radiohead-stopped-touring-1236098000\/\" target=\"_blank\" rel=\"noopener\">The Times<\/a> in an exclusive interview that touring was paused for Radiohead because \u201cthe wheels came off a bit,\u201d but the fire has still burned. Since their hiatus, each member has embarked on solo projects, most prominently garage-rock side project The Smile featuring frontman Thon Yorke and guitarist Jonny Greenwood. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLast year, however, word of a comeback started to spread. Bassist Colin Greenwood let slip that the group had reconvened to rehearse their back catalogue, and rumours of a wider tour soon followed. A limited run of tour dates was announced in September, featuring 20 shows in Madrid, Spain; Bologna, Italy; London, England; Copenhagen, Denmark; and Berlin, Germany. 70 songs were touted as being in contention (the band have played 43 different tracks thus far) and the group announced they would be playing in the round for the first time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe shows thus far have been a triumph, a rare chance for the band to look back at their discography and perform live without the necessity of promoting new music. This is a comeback that has proved as mysterious and thrilling as their studio material thus far. As the tour hit the halfway mark, Billboard was on hand to see the band\u2019s first U.K. show in eight years. These were the best moments.<\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tRound We Go<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhile the in the round, amphitheater-style staging is nothing new (the ancient Greeks got there first) it still feels like an underutilized production for modern touring acts. Then again, few acts have five equally engrossing members who each contribute equally and deserve their moment in the spotlight. The 20,000-strong audience at London\u2019s O2 Arena were grateful for the opportunity to see the band up close and in a way they\u2019ve never played before. A dynamism to each song was added, particularly as Yorke stomped around stage during the ravier moments like \u201cIdioteque\u201d and \u201c15 Step.\u201d<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tFitter, Happier, More Productive<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe band utilised The O2\u2019s huge atrium entrance by hanging a banner featuring lyrics from 1997\u2019s \u201cFitter Happier,\u201d a dour shrug at the banality and shallowness of modern living. It set the tone for the performance that followed with five tracks from OK Computer making up the setlist. The LP\u2019s big three (\u201cParanoid Android\u201d, \u201cKarma Police\u201d and \u201cNo Surprises\u201d) all received airings, and their messages of processing reality amidst political tyranny and technological advances still resonates deeply with their deeply cynical Gen X and Millennial crowd.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\t\u201cWeird Fishes\u201d Wins the Night<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of Radiohead\u2019s greatest qualities is that they do not boast a signature tune. Sure, \u201cKarma Police\u201d and \u201cParanoid Android\u201d might have recognition, and \u201cCreep\u201d is technically their most successful song (though they have all but disavowed it), but it changes from fan to fan. \u201cWeird Fishes\/Arpeggi\u201d from 2007\u2019s In Rainbows could make a stirring case for being the band\u2019s complete song: gorgeously crafted, deeply emotional and beloved by the whole fanbase. So much so that fans trip over themselves to join in with guitarist Ed O\u2019Brien\u2019s yelping backing vocals over the song\u2019s spindly chorus. A truly sensational moment.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tEveryone is So Near<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t25 years on, KID A still confounds and enthrals in equal measure. The heel-turn after OK Computer\u2019s massive success to chase ambient electronica (\u201cTreefingers\u201d) and oblique lyrics (\u201cIdioteque\u201d) was daring, and created a schism in the fanbase and general public. Tonight\u2019s mid-section with three back-to-back songs from the album \u2013 \u201cIdioteque,\u201d \u201cEverything in Its Right Place\u201d, and \u201cThe National Anthem\u201d \u2013 showcased how risky it was for the band to turn its back on rock stardom, but a path well worth taking. Leftover confetti from previous shows at the venue fluttered down from the rafters during \u201cThe National Anthem\u201d, a jazzy, prog-rock beast of a song with no chorus. Go figure\u2026<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tHail to The Thief Has its Moment<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHail to the Thief, the band\u2019s sixth LP from 2003, has gone under somewhat of a reappraisal in recent years. Most notably from the band themselves who have revisited and retooled the songs, which fused both rock and electronica, and given them a chance to shine in fresh contexts. A recently-issued live album from the era and the aforementioned Hamlet production suggests the band felt there was something to revisit. Five tracks from the LP made appearances, with the freakier moments (\u201cSit Down. Stand Up.\u201d and \u201cThe Gloaming\u201d) and straight-forward anthems (\u201cThere There\u201d) both connecting with a patient and knowing crowd.<\/p>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<p>\tThe O2 Got The Bends<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe band\u2019s tour setlists in 2025 have struck the balance between fan appeasement and internal satisfaction. For every \u201cBloom\u201d from 2012\u2019s The Kings of Limbs \u2013 dark, knotty, impenetrable \u2013 they know how to give the crowd what they want, namely in the shape of the alt-rock bangers that made the crowd fall in love with them in the first place. \u201cFake Plastic Trees\u201d and \u201cJust\u201d from 1995\u2019s The Bends gave the encore a fittingly glorious finale on this special night.<\/p>\n<\/li>\n<\/ul>\n<p>\t<a class=\"c-logo lrv-a-unstyle-link u-display-inline-flex lrv-u-width-100p  u-max-width-100 u-height-26 u-max-width-130px@mobile-max u-margin-t-040@mobile-max\" href=\"https:\/\/www.billboard.com\/\" title=\"Billboard\" target=\"_blank\" rel=\"noopener\"><\/p>\n<p>\t<\/a><\/p>\n<p class=\"c-tagline  a-font-accent-l@desktop u-font-size-1205 a-font-accent-xs@mobile-max u-font-size-15@mobile-max u-line-height-22px@mobile-max lrv-u-text-align-center@mobile-max u-letter-spacing-0030@mobile-max lrv-u-padding-t-025 lrv-u-margin-a-00 u-padding-t-0125@mobile-max u-padding-b-0063@mobile-max\">Get weekly rundowns straight to your inbox<\/p>\n<p><a class=\"c-link  lrv-a-unstyle-button lrv-u-cursor-pointer lrv-u-display-inline-flex lrv-u-background-color-brand-primary lrv-u-background-color-black:hover lrv-u-color-black lrv-u-color-brand-primary:hover u-padding-lr-0.875 u-padding-tb-10 lrv-u-flex-shrink-0 u-align-items-center a-font-basic-fancy-xs u-margin-t-0.188 u-margin-b-0188 u-margin-b-040@mobile-max\" href=\"https:\/\/cloud.email.billboard.com\/signup\/\" rel=\"noopener noreferrer\" target=\"_blank\"><br \/>\n\tSign Up<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"British music has had such a banner year in 2025, that Radiohead\u2019s return has flown a touch under&hellip;\n","protected":false},"author":2,"featured_media":586016,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7757],"tags":[39110,748,30365,393,4884,257,16,65716,15],"class_list":{"0":"post-586015","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-london","8":"tag-billboard-uk","9":"tag-britain","10":"tag-concerts","11":"tag-england","12":"tag-great-britain","13":"tag-london","14":"tag-uk","15":"tag-uk-live","16":"tag-united-kingdom"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/586015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=586015"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/586015\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/586016"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=586015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=586015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=586015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}