{"id":599994,"date":"2025-11-28T21:43:16","date_gmt":"2025-11-28T21:43:16","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/599994\/"},"modified":"2025-11-28T21:43:16","modified_gmt":"2025-11-28T21:43:16","slug":"my-bloody-valentine-live-review-embrace-the-volume","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/599994\/","title":{"rendered":"My Bloody Valentine Live Review: Embrace the Volume"},"content":{"rendered":"<p>That laboriously perfected album\u2014held responsible for Creation Records\u2019 bankruptcy, as well as at least one label staffer\u2019s nervous breakdown\u2014remains a marvel of art and science. What was amazing was not that a quixotic millionaire like Creation boss Alan McGee could be persuaded to invest staggering resources in an ambitious young band\u2019s dream. It was amazing that an album that cost so much and took so long could be so good.<\/p>\n<p>The last thing you want to give someone who takes a long time to make art is a reputation as a legendary perfectionist. Post-Loveless, the world would hold Shields to the same punishing standards to which he held himself. Dropped by Creation in the early \u201990s, MBV signed to <a data-offer-url=\"https:\/\/www.islandrecords.com\/\" class=\"external-link\" data-event-click=\"{&quot;element&quot;:&quot;ExternalLink&quot;,&quot;outgoingURL&quot;:&quot;https:\/\/www.islandrecords.com\/&quot;}\" href=\"https:\/\/www.islandrecords.com\/\" rel=\"nofollow noopener\" target=\"_blank\">Island<\/a>, built a studio with a faulty mixing desk, and took a year to replace it, whereupon Shields had a meltdown. As Britpop boomed, he was smoking a lot of weed and listening to jungle on pirate radio; unaccountably, he complained, none of the agonizingly complex melodies meandering through his head were turning into songs. Still, he seemed to revel in alluding to new music that was always just around the corner.<\/p>\n<p>The decades that passed without a follow-up earned the band plenty of lore and, for breaching their Island contract, at least one lawsuit. The masterpiece they finally <a href=\"https:\/\/pitchfork.com\/news\/49344-listen-to-the-new-my-bloody-valentine-album-now\/\" target=\"_blank\" rel=\"noopener\">released<\/a>\u2014in 2013, on a janky website that instantly crashed\u2014is likely the greatest rock album ever to underwhelm nearly everyone who heard it. Part of the thrill of seeing them live in 2025 is hearing <a href=\"https:\/\/pitchfork.com\/reviews\/albums\/17726-mbv\/\" target=\"_blank\" rel=\"noopener\">m b v<\/a>\u2019s seamless integration alongside the acknowledged classics.<\/p>\n<p>\u201cOnly Tomorrow\u201d is a case in point, even if they struggle to make it. \u201cIt\u2019s the age thing, you know?\u201d Shields, 62, sheepishly joked after two false starts. \u201cIt\u2019s like, wuh, what?!\u201d Wobbles aside, he seemed in the zone for the m b v highlight\u2014tremolo gliding in and out of the abyss, soloing incendiary, a rare instance of rock triumphalism\u2014until the rest of the band ended on a hard stop that a daydreamy Shields overshot. He riffed a quick mea culpa with an impromptu blast of \u201cBlitzkrieg Bop,\u201d before \u201cOnly Shallow\u201d and \u201cTo Here Knows When\u201d presented opposing pillars of the My Bloody Valentine experience. The former slingshots between harmony and hysteria; the latter petrifies its beauty under a haze of ashy gray powder. Both are equally extreme, made indelible by Butcher\u2019s suffering sighs.<\/p>\n","protected":false},"excerpt":{"rendered":"That laboriously perfected album\u2014held responsible for Creation Records\u2019 bankruptcy, as well as at least one label staffer\u2019s nervous&hellip;\n","protected":false},"author":2,"featured_media":599995,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[147654,4829,77,83328,16367,16,15,4715],"class_list":{"0":"post-599994","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"tag-_opinion","9":"tag-columns","10":"tag-entertainment","11":"tag-my-bloody-valentine","12":"tag-textbelowcenterfullbleed","13":"tag-uk","14":"tag-united-kingdom","15":"tag-web"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115629510351643622","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/599994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=599994"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/599994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/599995"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=599994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=599994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=599994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}