{"id":61655,"date":"2025-04-30T01:20:08","date_gmt":"2025-04-30T01:20:08","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/61655\/"},"modified":"2025-04-30T01:20:08","modified_gmt":"2025-04-30T01:20:08","slug":"what-is-the-rolling-stones-most-stunning-lyric","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/61655\/","title":{"rendered":"What is The Rolling Stones&#8217; most stunning lyric?"},"content":{"rendered":"<p> <img width=\"1140\" height=\"855\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/The-Rolling-Stones-1965-Frame-Bent-Rej-Far-Out-Magazine-F-1140x855.jpg\" class=\"attachment-single-feature size-single-feature wp-post-image\" alt=\"The Rolling Stones in 1965 by Bent Rej\" layout=\"fill\"  style=\"object-position: 50% 50%\" loading=\"eager\" fetchpriority=\"high\" decoding=\"async\" \/><\/p>\n<p>(Credits: Far Out \/ Bent Rej)<\/p>\n<p> Tue 29 April 2025 23:00, UK <\/p>\n<p>By 1965, the UK establishment knew a cultural youthquake had struck the nation. Beatlemania had conquered America and flashed an irreverence to authority and the class system unseen in popular music, the contraceptive pill had heralded a new dawn in sexual liberation, <a target=\"_blank\" href=\"https:\/\/faroutmagazine.co.uk\/tags\/LSD\/\" rel=\"noreferrer noopener\">LSD<\/a>\u2018s legal availability influenced the eye-popping fashionable takeover of London\u2019s Carnaby Street, and the simple act of men outgrowing the hair became an act of defiance against the stuffy old order that represented the country\u2019s post-war austerity.<\/p>\n<p>Yet, it took The Rolling Stones\u2019 mammoth hit and first US Billboard Hot 100 number one to attack the status quo with such subversive excoriation. Released in June as a stand-alone single\u2014and included on the American version of Out of Our Heads\u2014\u2018(I Can\u2019t Get No) Satisfaction\u2019 threw a grenade into a pop arena that had pushed the boundaries of hedonism and individual expression, but hadn\u2019t quite savaged the commercial demands of the corporate world with such upending threat.<\/p>\n<p>Aiming for the advertising world as much as flicking a sexually provocative lyrical Vs at the era\u2019s buttoned-up elders, The Rolling Stones challenged the imposed insecurities on a population eager to keep them consuming.<\/p>\n<p>Allegedly, its immortal riff was written while dreaming. Guitarist <a href=\"https:\/\/faroutmagazine.co.uk\/the-rolling-stones-song-keith-richards-delete-from-history\/\" target=\"_blank\" rel=\"noreferrer noopener\">Keith Richards<\/a> reports that during his sleep, he recorded around two minutes of acoustic strumming on his Philips cassette player before taping 40 minutes of snoring. Having the song\u2019s basics fleshed out, frontman Mick Jagger jotted down the lyrics by the poolside in Florida\u2019s Clearwater. Originally envisioned as featuring a horn section, Richards played out \u2018Satisfaction\u2019s main riff with a heavily sustained Maestro fuzzbox disruption pedal as a scratch track for the desired brass blasts. It sounded good, though, and with a band and management outvote, the riff was kept in as is.<\/p>\n<p>While Richards\u2019 god-given riff is eternally celebrated, the Jagger-Richards songbook doesn\u2019t often enjoy the same plaudits as their contemporaries. The pair are fantastic writers, however, spiking their numbers with danger, rebellion, and at times a poetic romanticism that can go unacknowledged.<\/p>\n<p>\u2018Satisfaction\u2019 is grade-A \u2018Glimmer Twin\u2019 lyricism, subverting gender norms and encouraging \u2018the kids\u2019 to forge an identity and purpose well away from the pernicious bludgeoning of commercial vampirism: \u201cWhen I\u2019m watchin\u2019 my TV \/ And a man comes on and tells me \/ How white my shirts can be \/ But he can\u2019t be a man \u2019cause he doesn\u2019t smoke \/ The same cigarettes as me\u201d.<\/p>\n<p>At its drop nearly 60 years ago, the allusions to sexual frustrations may have caused more immediate shock and horror, but as time passes, \u2018Satisfaction\u2019s rejection of the corporate world stings with greater prescience. It\u2019s the same unacceptable sin to capital as it was all those years ago: \u201cIf the populace discovers self-worth and robust identity outside the social moulds we impose, when will they buy our products?!\u201d<\/p>\n<p>In an age of manufactured testosterone anxiety, joyless \u201cgrindset\u201d videos, and a slew of interminably dull podcast bros, <a href=\"https:\/\/faroutmagazine.co.uk\/two-songs-keith-richards-brutal-mick-jagger\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Rolling Stones<\/a>\u2018 contempt for the elite mouthpieces who think they can dictate what masculinity is will be undermined by \u2018Satisfaction\u2019s eternal riposte, forever encouraging young men to break free from commercial brainwashing and set a template of masculinity infinitely more interesting than the stiffs can ever dare to imagine.<\/p>\n<\/p>\n<p>Related Topics<\/p>\n<p>Subscribe To The Far Out Newsletter  <\/p>\n","protected":false},"excerpt":{"rendered":"(Credits: Far Out \/ Bent Rej) Tue 29 April 2025 23:00, UK By 1965, the UK establishment knew&hellip;\n","protected":false},"author":2,"featured_media":61656,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3936],"tags":[77,31828,9941,269,9942,16,15],"class_list":{"0":"post-61655","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-entertainment","9":"tag-keith-richards","10":"tag-mick-jagger","11":"tag-music","12":"tag-the-rolling-stones","13":"tag-uk","14":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114424291183109373","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/61655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=61655"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/61655\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/61656"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=61655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=61655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=61655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}