{"id":66132,"date":"2025-05-01T16:35:09","date_gmt":"2025-05-01T16:35:09","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/66132\/"},"modified":"2025-05-01T16:35:09","modified_gmt":"2025-05-01T16:35:09","slug":"under-ruins-age-of-the-void-review","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/66132\/","title":{"rendered":"Under Ruins – Age of the Void Review"},"content":{"rendered":"

\"\"Some metal aficionados may remember German prog-power act Lanfear<\/strong>. They released some killer material in the mid-aughts, with The Art Effect and Another Golden Rage being especially tasty, and I stamped a mighty 4.0 on their 2012 effort, This Harmonic Consonance. It\u2019s been almost 11 years since they\u2019ve released anything, and it appears they are finished, but here comes Under Ruins<\/strong>, a new project made up of members of Lanfear<\/strong> and Them<\/strong>. On their Age of the Void debut, they offer prog-infused epic metal with an interesting blend of influences that run the gamut from Manowar<\/strong> to Fates Warning<\/strong>. This is an album full of large-scale set pieces loaded with power, poise, and emotion, all highly polished and classy as fook, delivered by talented vets with major chops. What could possibly go wrong with such a winning formula?<\/p>\n

As it turns out, very little. This is the kind of album that makes you wonder where these cats have been all your life. After a table-setting intro rife with anticipation, you\u2019re launched into the 7-plus minute epic \u201cEighteen Hundred and Froze to Death\u201d (ESL stumble?). It\u2019s a massive song that sounds like a collaboration between Evergrey<\/strong> and Tad Morose<\/strong>. It\u2019s powerful and gripping, and though the lyrics scream trve metal, everything is draped in deep melancholy and sadboi aesthetics. It\u2019s brilliant and beautiful, and the vocals by Lanfear<\/strong> frontman Nuno Miguel de Barros Fernandes hit you right in the feelz. This is grand, sweeping, epic doom-adjacent gold. \u201cLost Amidst the Unfathomable Abyss\u201d keeps the epic gravy flowing hot and juicy, maintaining a sense of sadness while striving for a strident bravado. Imagine if you can a sadboi Manowar<\/strong> recounting the emotional consequences of battle and conquest. Thundering war drums join fist-pumping, chest-thumping riffage as Nuno sings of grand deeds and the consequences thereof. It\u2019s rabble-rousing and cautionary, which is odd but brilliant. The big stuff keeps coming with \u201cMoonlit Requiem,\u201d which is like a prog-power mega-ballad borrowing from Fates Warning<\/strong> albums like No Exit and Perfect Symmetry and the best elements of Tad Morose<\/strong> and Lanfear<\/strong>. This is one of those songs you love immediately, and I\u2019m blown away by the songwriting prowess the band demonstrates so early into their existence. It\u2019s massive at nearly 8 minutes, and they use every second to get you invested and hanging on every note. The chorus is emotive and powerful, and the epic conclusion with Manowar<\/strong>-esque chanting and majestic soloing is stunning.<\/p>\n

All praise above notwithstanding, the best song here may be \u201cWhispered Curses, Woe Unleashed,\u201d which is like the perfect fusion of Lance King era Pyramaze<\/strong>, Manowar<\/strong>, and Visigoth<\/strong>. You get classic Manowar<\/strong> thundering and galloping, but with an ever-present sense of loss as Nuno tells of the horrific consequences that follow a senseless act. This is epic, trve metal done at a very high level and with a unique twist. Nuno again puts on a vocal clinic, squeezing every ounce of emotion from the listener as the song unspools. This stuff is just next level, and it has something special going on. Ginormous epic \u201cGreat Drowning of Men\u201d borrows from Atlantean Kodex<\/strong>, Evergrey<\/strong>, and Iron Maiden<\/strong> as it weaves a massive yarn that may or may not be about pirates. This ain\u2019t no Running Wild<\/strong> booty smacking shore excursion though, folks! This is huge, deadly serious stuff with more myth and fable than you can stuff in your trunk. At 45 minutes, Age of the Void is the ideal length. You get a handful of HUGE songs, but the pacing and track placement prevent the album from feeling overstuffed in that Senjutsu way. The production is big and bold, giving the drums the earth-shaking power this kind of music demands, and the guitars are given real weight and beef.<\/p>\n

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I loved Nuno\u2019s work with Lanfear<\/strong>, and after not hearing him on anything new for so long, it\u2019s great to find him in top form here. He\u2019s got the perfect voice for prog-power, and now he proves he can handle epic metal just as well. His smooth delivery and ability to project emotion carry these songs to a higher plane. Equally masterful is the guitar work by Achim Rauscher (ex-Lanfear<\/strong>) and Markus Ullrich (Them<\/strong>, ex-Lanfear<\/strong>). They bring a pornicopia of brawny, badass riffs and emotionally stirring solos to the table, traveling from Iced Earth<\/strong> beef to Evergre<\/strong>y sadboi as the material requires and delivering many memorable moments along the way. Special props go to Sascha de Lima Beul for his massive performance on the kit. He channels the spirit of the late great Scott Columbus of Manowar<\/strong> as he pounds the drums into the Earth\u2019s core and makes every song feel vibrant and forceful. The man is a monster.<\/p>\n

Age of the Void is the second album in a row that took me out back and kicked my Score Counter. This is an inspired and inspiring mega-dose of epic metal with balls, brains, and stained class. Under Ruins<\/strong> make a huge splash on their opening salvo, and you should hear it ASAP. I mean like today!<\/p>\n

\ufeff<\/p>\n

Rating:<\/strong> 4.0\/5.0
DR:<\/strong> 9 | Format Reviewed:<\/strong> 320 kbps mp3
Label:<\/strong> FHM Records<\/a>
Websites:<\/strong> facebook.com\/underruins<\/a> | instagram.com\/under.ruins<\/a>
Releases Worldwide:<\/strong> May 2nd, 2025<\/p>\n

\n\tGive in to Your Anger:\n<\/p>\n