{"id":6913,"date":"2025-04-10T05:48:08","date_gmt":"2025-04-10T05:48:08","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/6913\/"},"modified":"2025-04-10T05:48:08","modified_gmt":"2025-04-10T05:48:08","slug":"ne-zha-2-box-office-is-great-for-books","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/6913\/","title":{"rendered":"&#8216;Ne Zha 2&#8217; Box Office Is Great for Books"},"content":{"rendered":"<p id=\"teaser-text\">The animated extravaganza \u2018Ne Zha: The Past of the Three Realms\u2019 goes to new heights with consumers, rocketing the book to No. 1.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-208226\" class=\"wp-image-208226 size-full lazyload\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/710-iStock-1152415613-JIAN-YI-LIU-Chinese-cinema-in.jpg\" alt=\"\" width=\"710\" height=\"476\"\/><\/p>\n<p id=\"caption-attachment-208226\" class=\"wp-caption-text\"> A Chinese cinema at Wanda Plaza in Guangzhou, Guangdong Province. Image \u2013 Getty: Jian Li Liu<\/p>\n<p>By Porter Anderson, Editor-in-Chief | <a href=\"https:\/\/twitter.com\/porter_anderson\" target=\"_blank\" rel=\"noopener noreferrer\" shape=\"rect\">@Porter_Anderson<\/a><\/p>\n<p>\u2018Ne Zha 2\u2032 Blasts to No. 1\u2019<br \/>\nRegular readers of our exclusive China Bestsellers are familiar with the close market pr0ximity of film, television, and books on the mainland.<br \/>\n<img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-208223\" class=\"size-medium wp-image-208223 lazyload\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Ne-Zha-2-film-poster-lined-THIS-ONE-ftw-300x264.jpg\" alt=\"\" width=\"300\" height=\"264\"\/><\/p>\n<p id=\"caption-attachment-208223\" class=\"wp-caption-text\"> \u2018Ne Zha 2: The Past of the Three Realms\u2019, production poster<\/p>\n<p>The latest example of this provided by our associates at\u00a0<a href=\"https:\/\/publishingperspectives.com\/tag\/jiang-yanping\/\" target=\"_blank\" rel=\"noopener\">Jiang Yanping<\/a>\u2018s\u00a0<a href=\"https:\/\/publishingperspectives.com\/tag\/openbook\/\" target=\"_blank\" rel=\"noopener\">Beijing OpenBook<\/a> might have been turbo-charged by the fact that Ne Zha: The Past of the Three Realms arrived during Spring Festival.<\/p>\n<p>Directed and written by Jiaozi (Yu Yang) with Jing Wang and Wenzhang Liu producing, Ne Zha 2, as it\u2019s called, is a an opulent animated feature, a sequel to the original film Ne Zha\u00a0from 2019. (You will see some instances of the hero\u2019s name transliterated as one word at times, in English: Nezha.)<\/p>\n<p>At nearly three hours running time, the new sequel includes, as <a href=\"https:\/\/variety.com\/2025\/film\/reviews\/ne-zha-2-review-1236324922\/\" target=\"_blank\" rel=\"noopener\">Carlos Aguilar writes at Variety<\/a>, \u201cspells, curses, vendettas, a twist villain, giant dragons who turn into humanoid warriors and many other creatures populating the world of this gargantuan feat of eye-popping computer animation.\u201d<\/p>\n<p>Eventually, a major bump in the book\u2019s market performance might be connected to the deep level of lore-spinning that Aguilar writes may require multiple readings or viewings to understand. \u201cKeeping up with the intricate overload of lore at hand,\u201d he writes, \u201cis a task that may require multiple viewings and nonstop notetaking.\u201d<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-208224 lazyload\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/Ne-Zha-2-film-tie-in-cover-ftw-216x300.jpg\" alt=\"\" width=\"200\" height=\"278\"\/>And, of course, as\u00a0 new trade controversies and hostilities come into play in the decidedly non-fantasy world of current politics, there could be more to learn about how film and television rights and licensing will or won\u2019t come into play in the question of how non-Chinese properties like this one may fare in world markets.<\/p>\n<p>The question of cultural transfer from and to the Chinese market is a vexing one. <a href=\"https:\/\/deadline.com\/2025\/03\/ne-zha-2-box-office-china-hollywood-analysis-1236324438\/\" target=\"_blank\" rel=\"noopener\">Nancy Tartaglione\u2019s commentary at Deadline<\/a> is especially good on this film\u2019s massive success and uncertainties surrounding the international trade.<\/p>\n<p>She writes, \u201cWhether\u00a0NZ2 generates newfound interest in Chinese movies outside of the home market remains to be seen. An opinion piece\u00a0in the\u00a0Global Times contended, \u2018To truly connect with international audiences, Chinese filmmakers must find ways to make their stories more universally relatable without losing their cultural essence.\u201d<\/p>\n<p>Currently, however, China\u2019s highest grossing animated film can be found on various platforms, and the new Ne Zha book from CITIC Publishing House has made a spectacular flight to the very top of the mainland February charts.<\/p>\n<p>Below, then, are OpenBook\u2019s overall lists from February 2025 of bestsellers in fiction, nonfiction, and children\u2019s books, followed by its lists of bestselling fiction and nonfiction in China by authors from outside the country.<\/p>\n<p>At the end of our article, as always, you\u2019ll find notes on how the lists are constructed.<\/p>\n<p>OpenBook\u2019s Fiction Bestsellers, February 2025<\/p>\n<tr>\n<td><strong>February 2025 Ranking<\/strong><\/td>\n<td><strong>ISBN<\/strong><\/td>\n<td><strong>Release Date<\/strong><\/td>\n<td><strong>Title (Translated)<\/strong><\/td>\n<td><strong>Author<\/strong><\/td>\n<td><strong>Chinese Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">1<\/td>\n<td style=\"min-width: 50px;\">9787521769555<\/td>\n<td style=\"min-width: 50px;\">202501<\/td>\n<td style=\"min-width: 50px;\">Nezha: The Past of the Three Realms<\/td>\n<td style=\"min-width: 50px;\">Coco Cartoon,Coloroom Picture<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">2<\/td>\n<td style=\"min-width: 50px;\">9787020002207<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Dream of the Red Chamber<\/td>\n<td style=\"min-width: 50px;\">Cao Xueqin<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">3<\/td>\n<td style=\"min-width: 50px;\">9787530221532<\/td>\n<td style=\"min-width: 50px;\">202110<\/td>\n<td style=\"min-width: 50px;\">To Live (2021 Edition)<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Beijing October Art &amp; Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">4<\/td>\n<td style=\"min-width: 50px;\">9787572608582<\/td>\n<td style=\"min-width: 50px;\">202210<\/td>\n<td style=\"min-width: 50px;\">The Litchi Road<\/td>\n<td style=\"min-width: 50px;\">Ma Boyong<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">5<\/td>\n<td style=\"min-width: 50px;\">9787201141527<\/td>\n<td style=\"min-width: 50px;\">201810<\/td>\n<td style=\"min-width: 50px;\">Strait is the Gate<\/td>\n<td style=\"min-width: 50px;\">Andre Gide<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">6<\/td>\n<td style=\"min-width: 50px;\">9787512517219<\/td>\n<td style=\"min-width: 50px;\">202411<\/td>\n<td style=\"min-width: 50px;\">Wait for Me Towards Light (vol.2)<\/td>\n<td style=\"min-width: 50px;\">Jiang Zi Bei<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">7<\/td>\n<td style=\"min-width: 50px;\">9787559481702<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Labyrinth City<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">8<\/td>\n<td style=\"min-width: 50px;\">9787020139590<\/td>\n<td style=\"min-width: 50px;\">201906<\/td>\n<td style=\"min-width: 50px;\">The Last Quarter of the Moon<\/td>\n<td style=\"min-width: 50px;\">Chi Zijian<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">9<\/td>\n<td style=\"min-width: 50px;\">9787536097261<\/td>\n<td style=\"min-width: 50px;\">202207<\/td>\n<td style=\"min-width: 50px;\">Someone To Talk To<\/td>\n<td style=\"min-width: 50px;\">Liu Zhenyun<\/td>\n<td style=\"min-width: 50px;\">Flower City Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">10<\/td>\n<td style=\"min-width: 50px;\">9787512516236<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">Wait for Me Towards Light (vol.1)<\/td>\n<td style=\"min-width: 50px;\">Jiang Zi Bei<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">11<\/td>\n<td style=\"min-width: 50px;\">9787544766500<\/td>\n<td style=\"min-width: 50px;\">201701<\/td>\n<td style=\"min-width: 50px;\">To Kill a Mockingbird<\/td>\n<td style=\"min-width: 50px;\">Harper Lee<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">12<\/td>\n<td style=\"min-width: 50px;\">9787559464606<\/td>\n<td style=\"min-width: 50px;\">202401<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Prison Cage<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">13<\/td>\n<td style=\"min-width: 50px;\">9787559485380<\/td>\n<td style=\"min-width: 50px;\">202406<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Unceasing<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">14<\/td>\n<td style=\"min-width: 50px;\">9787559484543<\/td>\n<td style=\"min-width: 50px;\">202407<\/td>\n<td style=\"min-width: 50px;\">I\u2019m as Timid as a Hare<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">15<\/td>\n<td style=\"min-width: 50px;\">9787020008735<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Journey to the West<\/td>\n<td style=\"min-width: 50px;\">Wu Cheng\u2019en<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">16<\/td>\n<td style=\"min-width: 50px;\">9787536692930<\/td>\n<td style=\"min-width: 50px;\">200801<\/td>\n<td style=\"min-width: 50px;\">The Three-Body Problem<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">17<\/td>\n<td style=\"min-width: 50px;\">9787229030933<\/td>\n<td style=\"min-width: 50px;\">201011<\/td>\n<td style=\"min-width: 50px;\">Death\u2019s End<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">18<\/td>\n<td style=\"min-width: 50px;\">9787572610912<\/td>\n<td style=\"min-width: 50px;\">202305<\/td>\n<td style=\"min-width: 50px;\">The Annoyance of the Gods<\/td>\n<td style=\"min-width: 50px;\">Ma Boyong<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">19<\/td>\n<td style=\"min-width: 50px;\">9787536693968<\/td>\n<td style=\"min-width: 50px;\">200805<\/td>\n<td style=\"min-width: 50px;\">The Dark Forest<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">20<\/td>\n<td style=\"min-width: 50px;\">9787530221396<\/td>\n<td style=\"min-width: 50px;\">202106<\/td>\n<td style=\"min-width: 50px;\">Ordinary Word (3 Volumes)(2021 Edition)<\/td>\n<td style=\"min-width: 50px;\">Lu Yao<\/td>\n<td style=\"min-width: 50px;\">Beijing October Art &amp; Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">21<\/td>\n<td style=\"min-width: 50px;\">9787201112695<\/td>\n<td style=\"min-width: 50px;\">201703<\/td>\n<td style=\"min-width: 50px;\">Siddhartha<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">22<\/td>\n<td style=\"min-width: 50px;\">9787559484581<\/td>\n<td style=\"min-width: 50px;\">202409<\/td>\n<td style=\"min-width: 50px;\">A Woman\u2019s Victory<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">23<\/td>\n<td style=\"min-width: 50px;\">9787506344791<\/td>\n<td style=\"min-width: 50px;\">200812<\/td>\n<td style=\"min-width: 50px;\">Street Wizards (Revised Edition)<\/td>\n<td style=\"min-width: 50px;\">Feng Jicai<\/td>\n<td style=\"min-width: 50px;\">The Writer\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">24<\/td>\n<td style=\"min-width: 50px;\">9787512518100<\/td>\n<td style=\"min-width: 50px;\">202502<\/td>\n<td style=\"min-width: 50px;\">Are You OK (2)<\/td>\n<td style=\"min-width: 50px;\">Ru Si Wo Wen<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">25<\/td>\n<td style=\"min-width: 50px;\">9787020008728<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Romance of the Three Kingdoms<\/td>\n<td style=\"min-width: 50px;\">Luo Guanzhong<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">26<\/td>\n<td style=\"min-width: 50px;\">9787544774635<\/td>\n<td style=\"min-width: 50px;\">201901<\/td>\n<td style=\"min-width: 50px;\">How the Steel Was Tempered (New Edition)<\/td>\n<td style=\"min-width: 50px;\">Nikolai Alexeevich Ostrovsky<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">27<\/td>\n<td style=\"min-width: 50px;\">9787506365666<\/td>\n<td style=\"min-width: 50px;\">201212<\/td>\n<td style=\"min-width: 50px;\">Timid As A Mouse<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">The Writer\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">28<\/td>\n<td style=\"min-width: 50px;\">9787541161834<\/td>\n<td style=\"min-width: 50px;\">202207<\/td>\n<td style=\"min-width: 50px;\">Notebook of a Grave Robber (1)<\/td>\n<td style=\"min-width: 50px;\">Nanpai Sanshu<\/td>\n<td style=\"min-width: 50px;\">Sichuan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">29<\/td>\n<td style=\"min-width: 50px;\">9787020008742<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Water Margin<\/td>\n<td style=\"min-width: 50px;\">Shi Nai\u2019an,Luo Guanzhong<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">30<\/td>\n<td style=\"min-width: 50px;\">9787201142708<\/td>\n<td style=\"min-width: 50px;\">201812<\/td>\n<td style=\"min-width: 50px;\">Klingsor\u2019s Last Summer<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<\/tr>\n<p>OpenBook\u2019s Nonfiction Bestsellers, February 2025<\/p>\n<tr>\n<td style=\"min-width: 50px;\"><strong>February 2025 Ranking<\/strong><\/td>\n<td style=\"min-width: 50px;\"><strong>ISBN<\/strong><\/td>\n<td style=\"min-width: 50px;\"><strong>Release Date<\/strong><\/td>\n<td style=\"min-width: 50px;\"><strong>Title (Translated)<\/strong><\/td>\n<td style=\"min-width: 50px;\"><strong>Author<\/strong><\/td>\n<td style=\"min-width: 50px;\"><strong>Chinese Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">1<\/td>\n<td style=\"min-width: 50px;\">9787557033989<\/td>\n<td style=\"min-width: 50px;\">202502<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: Qing Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">2<\/td>\n<td style=\"min-width: 50px;\">9787557033118<\/td>\n<td style=\"min-width: 50px;\">202406<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: The Late Ming Dynasty and the Early Qing Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">3<\/td>\n<td style=\"min-width: 50px;\">9787122450791<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">Comic The Yellow Emperor\u2019s Classic of Internal Medicine<\/td>\n<td style=\"min-width: 50px;\">Zhang Jiaming,Wang Jing<\/td>\n<td style=\"min-width: 50px;\">Chemical Industry Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">4<\/td>\n<td style=\"min-width: 50px;\">9787547750407<\/td>\n<td style=\"min-width: 50px;\">202411<\/td>\n<td style=\"min-width: 50px;\">Unbowed by the Strong Wind<\/td>\n<td style=\"min-width: 50px;\">Mo Yan<\/td>\n<td style=\"min-width: 50px;\">Beijing daily publishing house<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">5<\/td>\n<td style=\"min-width: 50px;\">9787020084357<\/td>\n<td style=\"min-width: 50px;\">201104<\/td>\n<td style=\"min-width: 50px;\">I and the Temple of Earth<\/td>\n<td style=\"min-width: 50px;\">Shi Tiesheng<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">6<\/td>\n<td style=\"min-width: 50px;\">9787505752405<\/td>\n<td style=\"min-width: 50px;\">202108<\/td>\n<td style=\"min-width: 50px;\">Grassroots Women<\/td>\n<td style=\"min-width: 50px;\">Wang Huiling<\/td>\n<td style=\"min-width: 50px;\">China Friendship Publishing Company<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">7<\/td>\n<td style=\"min-width: 50px;\">9787111495482<\/td>\n<td style=\"min-width: 50px;\">201504<\/td>\n<td style=\"min-width: 50px;\">The Courage to Be Disliked<\/td>\n<td style=\"min-width: 50px;\">Ichiro Kishimi,Fumitake Koga<\/td>\n<td style=\"min-width: 50px;\">China Machine Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">8<\/td>\n<td style=\"min-width: 50px;\">9787201161693<\/td>\n<td style=\"min-width: 50px;\">202008<\/td>\n<td style=\"min-width: 50px;\">Counselling for Toads: A Psychological Adventure<\/td>\n<td style=\"min-width: 50px;\">Robert de Board<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">9<\/td>\n<td style=\"min-width: 50px;\">9787544276986<\/td>\n<td style=\"min-width: 50px;\">201910<\/td>\n<td style=\"min-width: 50px;\">Educated: A Memoir<\/td>\n<td style=\"min-width: 50px;\">Tara Westover<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">10<\/td>\n<td style=\"min-width: 50px;\">9787558590672<\/td>\n<td style=\"min-width: 50px;\">202502<\/td>\n<td style=\"min-width: 50px;\">Smart Strategies for Entrepreneurship and Profit<\/td>\n<td style=\"min-width: 50px;\">Sun Yuzhong<\/td>\n<td style=\"min-width: 50px;\">The North China Women&amp;Children\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">11<\/td>\n<td style=\"min-width: 50px;\">9787550207448<\/td>\n<td style=\"min-width: 50px;\">201206<\/td>\n<td style=\"min-width: 50px;\">Illustrate the World: National Geography of China<\/td>\n<td style=\"min-width: 50px;\">Editing Group of This Book<\/td>\n<td style=\"min-width: 50px;\">Beijing Union Publishing Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">12<\/td>\n<td style=\"min-width: 50px;\">9787540483432<\/td>\n<td style=\"min-width: 50px;\">201711<\/td>\n<td style=\"min-width: 50px;\">Jottings in Sickbed (Commemorative Edition 2021)<\/td>\n<td style=\"min-width: 50px;\">Shi Tiesheng<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">13<\/td>\n<td style=\"min-width: 50px;\">9787576715255<\/td>\n<td style=\"min-width: 50px;\">202411<\/td>\n<td style=\"min-width: 50px;\">Career<\/td>\n<td style=\"min-width: 50px;\">Luo Yu<\/td>\n<td style=\"min-width: 50px;\">Harbin Institute of Technology Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">14<\/td>\n<td style=\"min-width: 50px;\">9787115543424<\/td>\n<td style=\"min-width: 50px;\">202009<\/td>\n<td style=\"min-width: 50px;\">Cognitive Awakening: The Driving Force Behind Self-Change<\/td>\n<td style=\"min-width: 50px;\">Zhou Ling<\/td>\n<td style=\"min-width: 50px;\">Posts &amp; Telecommunications Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">15<\/td>\n<td style=\"min-width: 50px;\">9787557031589<\/td>\n<td style=\"min-width: 50px;\">202311<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: The Ming Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">16<\/td>\n<td style=\"min-width: 50px;\">9787536094352<\/td>\n<td style=\"min-width: 50px;\">202109<\/td>\n<td style=\"min-width: 50px;\">My Altay<\/td>\n<td style=\"min-width: 50px;\">Li Juan<\/td>\n<td style=\"min-width: 50px;\">Flower City Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">17<\/td>\n<td style=\"min-width: 50px;\">9787557030162<\/td>\n<td style=\"min-width: 50px;\">202305<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: Late Yuan and Early Ming Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">18<\/td>\n<td style=\"min-width: 50px;\">9787020135639<\/td>\n<td style=\"min-width: 50px;\">201803<\/td>\n<td style=\"min-width: 50px;\">I and the Temple of Earth<\/td>\n<td style=\"min-width: 50px;\">Shi Tiesheng<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">19<\/td>\n<td style=\"min-width: 50px;\">9787550207479<\/td>\n<td style=\"min-width: 50px;\">201206<\/td>\n<td style=\"min-width: 50px;\">Illustrate the World: 100 Most Beautiful Places in China<\/td>\n<td style=\"min-width: 50px;\">Editing Group of This Book<\/td>\n<td style=\"min-width: 50px;\">Beijing Union Publishing Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">20<\/td>\n<td style=\"min-width: 50px;\">9787575403467<\/td>\n<td style=\"min-width: 50px;\">202409<\/td>\n<td style=\"min-width: 50px;\">1000 Questions on Chinese Culture<\/td>\n<td style=\"min-width: 50px;\">Bright Culture Research Center<\/td>\n<td style=\"min-width: 50px;\">Hunan Education Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">21<\/td>\n<td style=\"min-width: 50px;\">9787557030599<\/td>\n<td style=\"min-width: 50px;\">202306<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: Xia, Shang and Western Zhou Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">22<\/td>\n<td style=\"min-width: 50px;\">9787519203146<\/td>\n<td style=\"min-width: 50px;\">201603<\/td>\n<td style=\"min-width: 50px;\">Red Wall Illustrated: Mao Zedong (2 volumes)<\/td>\n<td style=\"min-width: 50px;\">Du Xiuxian,Gu Baozi<\/td>\n<td style=\"min-width: 50px;\">World Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">23<\/td>\n<td style=\"min-width: 50px;\">9787511067449<\/td>\n<td style=\"min-width: 50px;\">202402<\/td>\n<td style=\"min-width: 50px;\">Tricks for Replying<\/td>\n<td style=\"min-width: 50px;\">Yue Shan Research Center<\/td>\n<td style=\"min-width: 50px;\">Dolphin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">24<\/td>\n<td style=\"min-width: 50px;\">9787201151656<\/td>\n<td style=\"min-width: 50px;\">201910<\/td>\n<td style=\"min-width: 50px;\">A Room of One\u2019s Own<\/td>\n<td style=\"min-width: 50px;\">Virginia Woolf<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">25<\/td>\n<td style=\"min-width: 50px;\">9787559601551<\/td>\n<td style=\"min-width: 50px;\">201706<\/td>\n<td style=\"min-width: 50px;\">Facts of Ming Dynasty (Enlarged Edition) (1)<\/td>\n<td style=\"min-width: 50px;\">Dang Nian Ming Yue<\/td>\n<td style=\"min-width: 50px;\">Beijing Union Publishing Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">26<\/td>\n<td style=\"min-width: 50px;\">9787513357685<\/td>\n<td style=\"min-width: 50px;\">202410<\/td>\n<td style=\"min-width: 50px;\">Real Demands<\/td>\n<td style=\"min-width: 50px;\">Liang Ning<\/td>\n<td style=\"min-width: 50px;\">New Star Press Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">27<\/td>\n<td style=\"min-width: 50px;\">9787115653543<\/td>\n<td style=\"min-width: 50px;\">202410<\/td>\n<td style=\"min-width: 50px;\">Strength and Dominance<\/td>\n<td style=\"min-width: 50px;\">Deng Fuqiang<\/td>\n<td style=\"min-width: 50px;\">Posts &amp; Telecommunications Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">28<\/td>\n<td style=\"min-width: 50px;\">9787557028657<\/td>\n<td style=\"min-width: 50px;\">202210<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: Southern Song, Jin and Yuan Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">29<\/td>\n<td style=\"min-width: 50px;\">9787557030582<\/td>\n<td style=\"min-width: 50px;\">202306<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: The Spring-autumn and Warring State Period<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">30<\/td>\n<td style=\"min-width: 50px;\">9787557017477<\/td>\n<td style=\"min-width: 50px;\">201902<\/td>\n<td style=\"min-width: 50px;\">If History were a Group of Cats: Qin, Chu, Western Han and Eastern Han Dynasty<\/td>\n<td style=\"min-width: 50px;\">Fei Zhi<\/td>\n<td style=\"min-width: 50px;\">Guangdong Tourism Publishing House<\/td>\n<\/tr>\n<p>OpenBook\u2019s Children\u2019s Bestsellers, February 2025<\/p>\n<tr>\n<td><strong>February 2025 Ranking<\/strong><\/td>\n<td><strong>ISBN<\/strong><\/td>\n<td><strong>Release Date<\/strong><\/td>\n<td><strong>Title (Translated)<\/strong><\/td>\n<td><strong>Author<\/strong><\/td>\n<td><strong>Chinese Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">1<\/td>\n<td style=\"min-width: 50px;\">9787521769555<\/td>\n<td style=\"min-width: 50px;\">202501<\/td>\n<td style=\"min-width: 50px;\">Nezha: The Past of the Three Realms<\/td>\n<td style=\"min-width: 50px;\">Coco Cartoon,Coloroom Picture<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">2<\/td>\n<td style=\"min-width: 50px;\">9787020002207<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Dream of the Red Chamber<\/td>\n<td style=\"min-width: 50px;\">Cao Xueqin<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">3<\/td>\n<td style=\"min-width: 50px;\">9787530221532<\/td>\n<td style=\"min-width: 50px;\">202110<\/td>\n<td style=\"min-width: 50px;\">To Live (2021 Edition)<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Beijing October Art &amp; Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">4<\/td>\n<td style=\"min-width: 50px;\">9787572608582<\/td>\n<td style=\"min-width: 50px;\">202210<\/td>\n<td style=\"min-width: 50px;\">The Litchi Road<\/td>\n<td style=\"min-width: 50px;\">Ma Boyong<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">5<\/td>\n<td style=\"min-width: 50px;\">9787201141527<\/td>\n<td style=\"min-width: 50px;\">201810<\/td>\n<td style=\"min-width: 50px;\">Strait is the Gate<\/td>\n<td style=\"min-width: 50px;\">Andre Gide<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">6<\/td>\n<td style=\"min-width: 50px;\">9787512517219<\/td>\n<td style=\"min-width: 50px;\">202411<\/td>\n<td style=\"min-width: 50px;\">Wait for Me Towards Light (vol.2)<\/td>\n<td style=\"min-width: 50px;\">Jiang Zi Bei<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">7<\/td>\n<td style=\"min-width: 50px;\">9787559481702<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Labyrinth City<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">8<\/td>\n<td style=\"min-width: 50px;\">9787020139590<\/td>\n<td style=\"min-width: 50px;\">201906<\/td>\n<td style=\"min-width: 50px;\">The Last Quarter of the Moon<\/td>\n<td style=\"min-width: 50px;\">Chi Zijian<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">9<\/td>\n<td style=\"min-width: 50px;\">9787536097261<\/td>\n<td style=\"min-width: 50px;\">202207<\/td>\n<td style=\"min-width: 50px;\">Someone To Talk To<\/td>\n<td style=\"min-width: 50px;\">Liu Zhenyun<\/td>\n<td style=\"min-width: 50px;\">Flower City Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">10<\/td>\n<td style=\"min-width: 50px;\">9787512516236<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">Wait for Me Towards Light (vol.1)<\/td>\n<td style=\"min-width: 50px;\">Jiang Zi Bei<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">11<\/td>\n<td style=\"min-width: 50px;\">9787544766500<\/td>\n<td style=\"min-width: 50px;\">201701<\/td>\n<td style=\"min-width: 50px;\">To Kill a Mockingbird<\/td>\n<td style=\"min-width: 50px;\">Harper Lee<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">12<\/td>\n<td style=\"min-width: 50px;\">9787559464606<\/td>\n<td style=\"min-width: 50px;\">202401<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Prison Cage<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">13<\/td>\n<td style=\"min-width: 50px;\">9787559485380<\/td>\n<td style=\"min-width: 50px;\">202406<\/td>\n<td style=\"min-width: 50px;\">End on the Tenth Day \u2013 The Unceasing<\/td>\n<td style=\"min-width: 50px;\">Sha Chong Dui Dui Yuan<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">14<\/td>\n<td style=\"min-width: 50px;\">9787559484543<\/td>\n<td style=\"min-width: 50px;\">202407<\/td>\n<td style=\"min-width: 50px;\">I\u2019m as Timid as a Hare<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">15<\/td>\n<td style=\"min-width: 50px;\">9787020008735<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Journey to the West<\/td>\n<td style=\"min-width: 50px;\">Wu Cheng\u2019en<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">16<\/td>\n<td style=\"min-width: 50px;\">9787536692930<\/td>\n<td style=\"min-width: 50px;\">200801<\/td>\n<td style=\"min-width: 50px;\">The Three-Body Problem<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">17<\/td>\n<td style=\"min-width: 50px;\">9787229030933<\/td>\n<td style=\"min-width: 50px;\">201011<\/td>\n<td style=\"min-width: 50px;\">Death\u2019s End<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">18<\/td>\n<td style=\"min-width: 50px;\">9787572610912<\/td>\n<td style=\"min-width: 50px;\">202305<\/td>\n<td style=\"min-width: 50px;\">The Annoyance of the Gods<\/td>\n<td style=\"min-width: 50px;\">Ma Boyong<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">19<\/td>\n<td style=\"min-width: 50px;\">9787536693968<\/td>\n<td style=\"min-width: 50px;\">200805<\/td>\n<td style=\"min-width: 50px;\">The Dark Forest<\/td>\n<td style=\"min-width: 50px;\">Liu Cixin<\/td>\n<td style=\"min-width: 50px;\">Chongqing Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">20<\/td>\n<td style=\"min-width: 50px;\">9787530221396<\/td>\n<td style=\"min-width: 50px;\">202106<\/td>\n<td style=\"min-width: 50px;\">Ordinary Word (3 Volumes)(2021 Edition)<\/td>\n<td style=\"min-width: 50px;\">Lu Yao<\/td>\n<td style=\"min-width: 50px;\">Beijing October Art &amp; Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">21<\/td>\n<td style=\"min-width: 50px;\">9787201112695<\/td>\n<td style=\"min-width: 50px;\">201703<\/td>\n<td style=\"min-width: 50px;\">Siddhartha<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">22<\/td>\n<td style=\"min-width: 50px;\">9787559484581<\/td>\n<td style=\"min-width: 50px;\">202409<\/td>\n<td style=\"min-width: 50px;\">A Woman\u2019s Victory<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">Jiangsu Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">23<\/td>\n<td style=\"min-width: 50px;\">9787506344791<\/td>\n<td style=\"min-width: 50px;\">200812<\/td>\n<td style=\"min-width: 50px;\">Street Wizards (Revised Edition)<\/td>\n<td style=\"min-width: 50px;\">Feng Jicai<\/td>\n<td style=\"min-width: 50px;\">The Writer\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">24<\/td>\n<td style=\"min-width: 50px;\">9787512518100<\/td>\n<td style=\"min-width: 50px;\">202502<\/td>\n<td style=\"min-width: 50px;\">Are You OK (2)<\/td>\n<td style=\"min-width: 50px;\">Ru Si Wo Wen<\/td>\n<td style=\"min-width: 50px;\">International Culture Publishing Corporation<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">25<\/td>\n<td style=\"min-width: 50px;\">9787020008728<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Romance of the Three Kingdoms<\/td>\n<td style=\"min-width: 50px;\">Luo Guanzhong<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">26<\/td>\n<td style=\"min-width: 50px;\">9787544774635<\/td>\n<td style=\"min-width: 50px;\">201901<\/td>\n<td style=\"min-width: 50px;\">How the Steel Was Tempered (New Edition)<\/td>\n<td style=\"min-width: 50px;\">Nikolai Alexeevich Ostrovsky<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">27<\/td>\n<td style=\"min-width: 50px;\">9787506365666<\/td>\n<td style=\"min-width: 50px;\">201212<\/td>\n<td style=\"min-width: 50px;\">Timid As A Mouse<\/td>\n<td style=\"min-width: 50px;\">Yu Hua<\/td>\n<td style=\"min-width: 50px;\">The Writer\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">28<\/td>\n<td style=\"min-width: 50px;\">9787541161834<\/td>\n<td style=\"min-width: 50px;\">202207<\/td>\n<td style=\"min-width: 50px;\">Notebook of a Grave Robber (1)<\/td>\n<td style=\"min-width: 50px;\">Nanpai Sanshu<\/td>\n<td style=\"min-width: 50px;\">Sichuan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">29<\/td>\n<td style=\"min-width: 50px;\">9787020008742<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">Water Margin<\/td>\n<td style=\"min-width: 50px;\">Shi Nai\u2019an,Luo Guanzhong<\/td>\n<td style=\"min-width: 50px;\">People\u2019s Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">30<\/td>\n<td style=\"min-width: 50px;\">9787201142708<\/td>\n<td style=\"min-width: 50px;\">201812<\/td>\n<td style=\"min-width: 50px;\">Klingsor\u2019s Last Summer<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\"\/>\n<td style=\"min-width: 50px;\"\/>\n<\/tr>\n<p>Foreign Author Fiction Bestsellers, February 2025<\/p>\n<tr>\n<td><strong>February 2025 Ranking<\/strong><\/td>\n<td><strong>ISBN<\/strong><\/td>\n<td><strong>Release Date<\/strong><\/td>\n<td><strong>Title (Translated)<\/strong><\/td>\n<td><strong>Author<\/strong><\/td>\n<td><strong>Author nationality<\/strong><\/td>\n<td><strong>Chinese Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">1<\/td>\n<td style=\"min-width: 50px;\">9787201141527<\/td>\n<td style=\"min-width: 50px;\">201810<\/td>\n<td style=\"min-width: 50px;\">Strait is the Gate<\/td>\n<td style=\"min-width: 50px;\">Andre Gide<\/td>\n<td style=\"min-width: 50px;\">France<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">2<\/td>\n<td style=\"min-width: 50px;\">9787544766500<\/td>\n<td style=\"min-width: 50px;\">201701<\/td>\n<td style=\"min-width: 50px;\">To Kill a Mockingbird<\/td>\n<td style=\"min-width: 50px;\">Harper Lee<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">3<\/td>\n<td style=\"min-width: 50px;\">9787201112695<\/td>\n<td style=\"min-width: 50px;\">201703<\/td>\n<td style=\"min-width: 50px;\">Siddhartha<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Germany<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">4<\/td>\n<td style=\"min-width: 50px;\">9787544774635<\/td>\n<td style=\"min-width: 50px;\">201901<\/td>\n<td style=\"min-width: 50px;\">How the Steel Was Tempered (New Edition)<\/td>\n<td style=\"min-width: 50px;\">Nikolai Alexeevich Ostrovsky<\/td>\n<td style=\"min-width: 50px;\">Union of Soviet Socialist Republics<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">5<\/td>\n<td style=\"min-width: 50px;\">9787201142708<\/td>\n<td style=\"min-width: 50px;\">201812<\/td>\n<td style=\"min-width: 50px;\">Klingsor\u2019s Last Summer<\/td>\n<td style=\"min-width: 50px;\">Hermann Hesse<\/td>\n<td style=\"min-width: 50px;\">Germany<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">6<\/td>\n<td style=\"min-width: 50px;\">9787544291170<\/td>\n<td style=\"min-width: 50px;\">201708<\/td>\n<td style=\"min-width: 50px;\">One Hundred Years of Solitude (50th Anniversary Edition)<\/td>\n<td style=\"min-width: 50px;\">Gabriel Garc\u00eda M\u00e1rquez<\/td>\n<td style=\"min-width: 50px;\">Colombia<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">7<\/td>\n<td style=\"min-width: 50px;\">9787541160868<\/td>\n<td style=\"min-width: 50px;\">202109<\/td>\n<td style=\"min-width: 50px;\">The Vegetarian<\/td>\n<td style=\"min-width: 50px;\">Han Kang<\/td>\n<td style=\"min-width: 50px;\">Korea<\/td>\n<td style=\"min-width: 50px;\">Sichuan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">8<\/td>\n<td style=\"min-width: 50px;\">9787573510921<\/td>\n<td style=\"min-width: 50px;\">202412<\/td>\n<td style=\"min-width: 50px;\">Cien anos de soledad<\/td>\n<td style=\"min-width: 50px;\">Gabriel Garc\u00eda M\u00e1rquez<\/td>\n<td style=\"min-width: 50px;\">Colombia<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">9<\/td>\n<td style=\"min-width: 50px;\">9787208061644<\/td>\n<td style=\"min-width: 50px;\">200604<\/td>\n<td style=\"min-width: 50px;\">The Kite Runner<\/td>\n<td style=\"min-width: 50px;\">Khaled Hosseini<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Shanghai People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">10<\/td>\n<td style=\"min-width: 50px;\">9787544291163<\/td>\n<td style=\"min-width: 50px;\">201708<\/td>\n<td style=\"min-width: 50px;\">Journey Under the Midnight Sun (2017 Edition)<\/td>\n<td style=\"min-width: 50px;\">Keigo Higashino<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">11<\/td>\n<td style=\"min-width: 50px;\">9787521748239<\/td>\n<td style=\"min-width: 50px;\">202212<\/td>\n<td style=\"min-width: 50px;\">Goodbye, Eri<\/td>\n<td style=\"min-width: 50px;\">Tatsuki Fujimoto<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">12<\/td>\n<td style=\"min-width: 50px;\">9787513348362<\/td>\n<td style=\"min-width: 50px;\">202208<\/td>\n<td style=\"min-width: 50px;\">Look Back<\/td>\n<td style=\"min-width: 50px;\">Tatsuki Fujimoto<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">New Star Press Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">13<\/td>\n<td style=\"min-width: 50px;\">9787506394864<\/td>\n<td style=\"min-width: 50px;\">201709<\/td>\n<td style=\"min-width: 50px;\">Sophie\u2019s World<\/td>\n<td style=\"min-width: 50px;\">Jostein Gaarder<\/td>\n<td style=\"min-width: 50px;\">Norway<\/td>\n<td style=\"min-width: 50px;\">The Writer\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">14<\/td>\n<td style=\"min-width: 50px;\">9787573510037<\/td>\n<td style=\"min-width: 50px;\">202412<\/td>\n<td style=\"min-width: 50px;\">Anata ga dareka wo koroshita<\/td>\n<td style=\"min-width: 50px;\">Keigo Higashino<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">15<\/td>\n<td style=\"min-width: 50px;\">9787544298995<\/td>\n<td style=\"min-width: 50px;\">202009<\/td>\n<td style=\"min-width: 50px;\">Miracles of the Namiya General Store (2020 Edition)<\/td>\n<td style=\"min-width: 50px;\">Keigo Higashino<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">16<\/td>\n<td style=\"min-width: 50px;\">9787544774666<\/td>\n<td style=\"min-width: 50px;\">201812<\/td>\n<td style=\"min-width: 50px;\">Jane Eyre<\/td>\n<td style=\"min-width: 50px;\">Charlotte Bront?<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">17<\/td>\n<td style=\"min-width: 50px;\">9787530217054<\/td>\n<td style=\"min-width: 50px;\">201712<\/td>\n<td style=\"min-width: 50px;\">The Alchemist<\/td>\n<td style=\"min-width: 50px;\">Paulo Coelho<\/td>\n<td style=\"min-width: 50px;\">Brazil<\/td>\n<td style=\"min-width: 50px;\">Beijing October Art &amp; Literature Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">18<\/td>\n<td style=\"min-width: 50px;\">9787555913726<\/td>\n<td style=\"min-width: 50px;\">202208<\/td>\n<td style=\"min-width: 50px;\">Flowers for Algernon<\/td>\n<td style=\"min-width: 50px;\">Daniel Keyes<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Henan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">19<\/td>\n<td style=\"min-width: 50px;\">9787559614711<\/td>\n<td style=\"min-width: 50px;\">201801<\/td>\n<td style=\"min-width: 50px;\">Oranges Are Not the Only Fruit<\/td>\n<td style=\"min-width: 50px;\">Jeanette Winterson<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">Beijing Union Publishing Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">20<\/td>\n<td style=\"min-width: 50px;\">9787544783392<\/td>\n<td style=\"min-width: 50px;\">202101<\/td>\n<td style=\"min-width: 50px;\">The Life and Adventures of Robinson Crusoe<\/td>\n<td style=\"min-width: 50px;\">Daniel Defoe<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">Yilin Press<\/td>\n<\/tr>\n<p>Foreign Author Nonfiction Bestsellers, February 2025<\/p>\n<tr>\n<td><strong> February 2025 Ranking<\/strong><\/td>\n<td><strong>ISBN<\/strong><\/td>\n<td><strong>Release Date<\/strong><\/td>\n<td><strong>Title (Translated)<\/strong><\/td>\n<td><strong>Author<\/strong><\/td>\n<td><strong>Author nationality<\/strong><\/td>\n<td><strong>Chinese Publisher<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">1<\/td>\n<td style=\"min-width: 50px;\">9787111495482<\/td>\n<td style=\"min-width: 50px;\">201504<\/td>\n<td style=\"min-width: 50px;\">The Courage to Be Disliked<\/td>\n<td style=\"min-width: 50px;\">Ichiro Kishimi,Fumitake Koga<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">China Machine Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">2<\/td>\n<td style=\"min-width: 50px;\">9787201161693<\/td>\n<td style=\"min-width: 50px;\">202008<\/td>\n<td style=\"min-width: 50px;\">Counselling for Toads: A Psychological Adventure<\/td>\n<td style=\"min-width: 50px;\">Robert de Board<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">3<\/td>\n<td style=\"min-width: 50px;\">9787544276986<\/td>\n<td style=\"min-width: 50px;\">201910<\/td>\n<td style=\"min-width: 50px;\">Educated: A Memoir<\/td>\n<td style=\"min-width: 50px;\">Tara Westover<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Nan Hai Publishing Co.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">4<\/td>\n<td style=\"min-width: 50px;\">9787201151656<\/td>\n<td style=\"min-width: 50px;\">201910<\/td>\n<td style=\"min-width: 50px;\">A Room of One\u2019s Own<\/td>\n<td style=\"min-width: 50px;\">Virginia Woolf<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">Tianjin People\u2019s Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">5<\/td>\n<td style=\"min-width: 50px;\">9787522200514<\/td>\n<td style=\"min-width: 50px;\">202105<\/td>\n<td style=\"min-width: 50px;\">Nonviolent Communication<\/td>\n<td style=\"min-width: 50px;\">Marshall B.Rosenberg<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Huaxia Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">6<\/td>\n<td style=\"min-width: 50px;\">9787535780348<\/td>\n<td style=\"min-width: 50px;\">201505<\/td>\n<td style=\"min-width: 50px;\">Why Nations Fail<\/td>\n<td style=\"min-width: 50px;\">Janmes A.Robinson<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Hunan Science &amp; Technology Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">7<\/td>\n<td style=\"min-width: 50px;\">9787521758399<\/td>\n<td style=\"min-width: 50px;\">202309<\/td>\n<td style=\"min-width: 50px;\">Elon Musk<\/td>\n<td style=\"min-width: 50px;\">Walter Isaacson<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">8<\/td>\n<td style=\"min-width: 50px;\">9787550268517<\/td>\n<td style=\"min-width: 50px;\">201607<\/td>\n<td style=\"min-width: 50px;\">Positive Discipline (Revised Edition)<\/td>\n<td style=\"min-width: 50px;\">Jane Nelsen<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">Beijing Union Publishing Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">9<\/td>\n<td style=\"min-width: 50px;\">9787521741124<\/td>\n<td style=\"min-width: 50px;\">202204<\/td>\n<td style=\"min-width: 50px;\">The Almanack of Naval Ravikant: A Guide to Wealth and Happiness<\/td>\n<td style=\"min-width: 50px;\">Eric Jorgenson<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">10<\/td>\n<td style=\"min-width: 50px;\">9787574217324<\/td>\n<td style=\"min-width: 50px;\">202402<\/td>\n<td style=\"min-width: 50px;\">Why Is Hunger Good?<\/td>\n<td style=\"min-width: 50px;\">Yumi Ishihara<\/td>\n<td style=\"min-width: 50px;\">Japan<\/td>\n<td style=\"min-width: 50px;\">Tianjin Science &amp; Technology Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">11<\/td>\n<td style=\"min-width: 50px;\">9787521762181<\/td>\n<td style=\"min-width: 50px;\">202404<\/td>\n<td style=\"min-width: 50px;\">The Worlds I See: Curiosity, Exploration, and Discovery at the Dawn of AI<\/td>\n<td style=\"min-width: 50px;\">Fei-Fei Li<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">12<\/td>\n<td style=\"min-width: 50px;\">9787508633558<\/td>\n<td style=\"min-width: 50px;\">201207<\/td>\n<td style=\"min-width: 50px;\">Thinking, Fast and Slow<\/td>\n<td style=\"min-width: 50px;\">Daniel Kanneman<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">13<\/td>\n<td style=\"min-width: 50px;\">9787508661766<\/td>\n<td style=\"min-width: 50px;\">201606<\/td>\n<td style=\"min-width: 50px;\">The Power of Now<\/td>\n<td style=\"min-width: 50px;\">Eckhart Tolle<\/td>\n<td style=\"min-width: 50px;\">Germany<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">14<\/td>\n<td style=\"min-width: 50px;\">9787521768527<\/td>\n<td style=\"min-width: 50px;\">202408<\/td>\n<td style=\"min-width: 50px;\">Nexus: A Brief History of Information Networks from the Stone Age to AI<\/td>\n<td style=\"min-width: 50px;\">Yuval Noah Harari<\/td>\n<td style=\"min-width: 50px;\">Israel<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">15<\/td>\n<td style=\"min-width: 50px;\">9787516837375<\/td>\n<td style=\"min-width: 50px;\">202401<\/td>\n<td style=\"min-width: 50px;\">There\u2019s An Elephant In Every Mosquito: Why We Don\u2019t Get Upset About Little Things For No Reason<\/td>\n<td style=\"min-width: 50px;\">Ernstfried Hanisch,Eva Wunderer<\/td>\n<td style=\"min-width: 50px;\">Germany<\/td>\n<td style=\"min-width: 50px;\">Taihai Publishing House<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">16<\/td>\n<td style=\"min-width: 50px;\">9787108009821<\/td>\n<td style=\"min-width: 50px;\">199807<\/td>\n<td style=\"min-width: 50px;\">1587, A Year of No Significance<\/td>\n<td style=\"min-width: 50px;\">Ray Huang<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">SDX Joint Publishing Company<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">17<\/td>\n<td style=\"min-width: 50px;\">9787515360430<\/td>\n<td style=\"min-width: 50px;\">202007<\/td>\n<td style=\"min-width: 50px;\">The 7 Habits of Highly Effective People (Revised Edition)<\/td>\n<td style=\"min-width: 50px;\">Stephen R.Covey<\/td>\n<td style=\"min-width: 50px;\">United States of America<\/td>\n<td style=\"min-width: 50px;\">China Youth Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">18<\/td>\n<td style=\"min-width: 50px;\">9787572621277<\/td>\n<td style=\"min-width: 50px;\">202412<\/td>\n<td style=\"min-width: 50px;\">Live<\/td>\n<td style=\"min-width: 50px;\">Lam Chua<\/td>\n<td style=\"min-width: 50px;\">Singapore<\/td>\n<td style=\"min-width: 50px;\">Hunan Literature &amp; Art Press<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">19<\/td>\n<td style=\"min-width: 50px;\">9787521719253<\/td>\n<td style=\"min-width: 50px;\">202008<\/td>\n<td style=\"min-width: 50px;\">The Book You Wish Your Parents Had Read (and Your Children Will Be Glad That You Did)<\/td>\n<td style=\"min-width: 50px;\">Philippa Perry<\/td>\n<td style=\"min-width: 50px;\">Britain<\/td>\n<td style=\"min-width: 50px;\">CITIC Publishing House Co., Ltd.<\/td>\n<\/tr>\n<tr>\n<td style=\"min-width: 50px;\">20<\/td>\n<td style=\"min-width: 50px;\">9787111551447<\/td>\n<td style=\"min-width: 50px;\">201612<\/td>\n<td style=\"min-width: 50px;\">The Red Book<\/td>\n<td style=\"min-width: 50px;\">Carl Gustav Jung,Sonu Shamdasani<\/td>\n<td style=\"min-width: 50px;\">Switzerland<\/td>\n<td style=\"min-width: 50px;\">China Machine Press<\/td>\n<\/tr>\n<p>Notes on the Charts<\/p>\n<p><a href=\"http:\/\/www.openbook.com.cn\/EN\/indexEnglish.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">OpenBook<\/a><a href=\"http:\/\/www.openbook.com.cn\/EN\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-104631 lazyload\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2025\/04\/OpenBook-Co-Ltd-logo-lined-ftw.jpg\" alt=\"\" width=\"200\" height=\"149\"\/><\/a> is a privately owned industry-data research firm based in Beijing. It functions somewhat as Nielsen and NDP do from the West, and Nielsen Book Research International has worked with OpenBook in Asian operations. With authoritative data and information resources, OpenBook is able to deliver consulting service to partners who would like to explore the Chinese book market and identify suitable partners.<\/p>\n<p>At last report, OpenBook monitored more than 18,000 online and offline bookstores.<\/p>\n<p>The online channel includes digital retailers such as large self-operated online stores, platform stores, and small- and medium-sized stores. The offline channels include more than 4,800 bookstores. Coverage includes most of the state-owned and influential privately owned bookstores in 30 provinces, municipalities, and autonomous regions. Taiwan, Hong Kong, and Tibet are not included in OpenBook\u2019s system.<\/p>\n<p>In 2022, OpenBook tracked around 76.21 billion RMB in sales (US$10.62 billion).<\/p>\n<p>Retail outlets include:<\/p>\n<ul>\n<li>Traditional bookstores<\/li>\n<li>Supermarkets<\/li>\n<li>Campus bookstores<\/li>\n<li>\u201cProfessional\u201d stores, said to be small stores with a specific industrial or trade focus<\/li>\n<li>Airport stores<\/li>\n<\/ul>\n<p>In addition, OpenBook is drawing data from online bookstores of three main types:<\/p>\n<ul>\n<li>The \u201cTmall\u201d stores of Alibaba (Tmall is described as a marketplace of companies that create storefronts online to sell products including books)<\/li>\n<li>The \u201cJingDong\u201d Stores of JD.com (similar to Tmall as a marketplace of both individual companies and bookstores operated by JD.com)<\/li>\n<li>Ten independent online bookselling retailers<\/li>\n<\/ul>\n<p>China has 500 or more publishers in operation today. Most of them are government-owned. Private publishers are required to generate ISBNs for their titles from a publishing company that is government-owned\u2014which, in other words, creates a system in which all ISBNs are registered through government channels. The government approves each book published in China.<\/p>\n<p>More China bestseller reports from Publishing Perspectives are <a href=\"https:\/\/publishingperspectives.com\/tag\/china-bestsellers\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>, more on the Chinese book publishing market is <a href=\"https:\/\/publishingperspectives.com\/tag\/china\/\" target=\"_blank\" rel=\"noopener\">here<\/a>, and more on book publishing in Asia is <a href=\"https:\/\/publishingperspectives.com\/tag\/asia\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p>About the AuthorPorter Anderson<a href=\"https:\/\/www.facebook.com\/porterandersonmedia\" class=\"x-author-social\" title=\"Visit the Facebook Profile for Porter Anderson\" target=\"_blank\" rel=\"noopener\"> Facebook<\/a><a href=\"https:\/\/twitter.com\/Porter_Anderson\" class=\"x-author-social\" title=\"Visit the Twitter Profile for Porter Anderson\" target=\"_blank\" rel=\"noopener\"> Twitter<\/a><\/p>\n<p class=\"p-author mbn\">Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair&#8217;s International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London&#8217;s The Bookseller. Anderson was for more than a decade a senior producer and anchor with CNN.com, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.<\/p>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"The animated extravaganza \u2018Ne Zha: The Past of the Three Realms\u2019 goes to new heights with consumers, rocketing&hellip;\n","protected":false},"author":2,"featured_media":6914,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3938],"tags":[521,4068,4069,3444,4070,4038,1395,4071,77,4072,4073,4074,4075,4076,48,16,15,4077,4078,4079],"class_list":{"0":"post-6913","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-books","8":"tag-asia","9":"tag-authors","10":"tag-bestsellers","11":"tag-books","12":"tag-books-to-film","13":"tag-childrens-books","14":"tag-china","15":"tag-china-bestsellers","16":"tag-entertainment","17":"tag-fiction","18":"tag-illustration","19":"tag-industry-statistics","20":"tag-new-adult","21":"tag-openbook","22":"tag-rights","23":"tag-uk","24":"tag-united-kingdom","25":"tag-words-to-screen","26":"tag-ya","27":"tag-young-readers"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/114312098823964729","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/6913","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=6913"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/6913\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/6914"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=6913"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=6913"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=6913"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}