{"id":703810,"date":"2026-01-18T07:54:31","date_gmt":"2026-01-18T07:54:31","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/703810\/"},"modified":"2026-01-18T07:54:31","modified_gmt":"2026-01-18T07:54:31","slug":"3d-printed-facade-wraps-workspace-in-japan-like-knit-textile","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/703810\/","title":{"rendered":"3D printed facade wraps workspace in japan like knit textile"},"content":{"rendered":"

Oka Architecture\u2019s 3D Printed Studio Exploring Circular Design<\/p>\n

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CIRCULUS Atelier is the working studio of Oka Architecture Design & Co., Ltd. (OAD) and a built application of the practice\u2019s CIRCULUS architectural framework, which examines circularity, continuity, and long-term adaptability in design. Conceived as both a workplace<\/a><\/strong> in Yokohama, Japan<\/a><\/strong>, and a prototype, the project investigates how digital fabrication can inform architecture as a system that integrates exterior enclosure and interior spatial treatment within a unified material<\/a><\/strong> logic.<\/p>\n

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The building\u2019s exterior is defined by KNIT, a modular<\/a> <\/strong>facade system developed and fabricated by the practice using large-scale 3D printing<\/a><\/strong>. Rather than functioning as a conventional cladding, the facade<\/a><\/strong> operates as a woven surface composed of repeated printed units. Variations in geometry across the modules create depth and shadow, allowing the facade to respond to changing light conditions over time. The fabrication process remains legible, with the method of production directly expressed in the architectural surface.<\/p>\n

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all images courtesy of Oka Architecture Design & Co., Ltd. (OAD)<\/p>\n

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Suspended 3D Printed Elements Shape CIRCULUS Atelier\u2019s interior<\/p>\n

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Inside the atelier, Studio Oka Architecture Design & Co., Ltd. (OAD) applies the same material approach in a different manner. Flexible 3D printed elements are suspended from the ceiling, forming a draped installation that introduces a soft overhead layer above the workspace. This suspended system filters daylight, moderates acoustics, and defines spatial zones without enclosing them. The ceiling is treated as a hanging field shaped by gravity and material behavior rather than as a rigid, fixed plane.<\/p>\n

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The interior installation relies on the inherent flexibility of the printed material, allowing elements to fold, overlap, and deform naturally. Through digital fabrication, softness becomes a controlled architectural attribute rather than a purely ornamental effect. Both the KNIT facade and the interior components are designed to be demountable, repairable, and reconfigurable, aligning with the CIRCULUS framework\u2019s emphasis on reuse and adaptability.<\/p>\n

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overall view of the CIRCULUS atelier, wrapped in a 3D printed KNIT facade resembling a woven surface<\/p>\n

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a studio Designed for Adjustment, Reuse and Long-Term Flexibility<\/p>\n

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All elements are produced in-house using 3D printing, enabling precise geometric control while limiting material waste. Architecture is treated as an evolving assembly rather than a finished object, capable of adjustment and transformation over time. As a working studio, the atelier provides a setting in which material performance, spatial comfort, and durability can be evaluated through daily use.<\/p>\n

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CIRCULUS Atelier operates as both a functional workplace and a test site for architectural research. By integrating design, fabrication, and occupation within a single environment, the project presents an approach to architecture that prioritizes continuity, material behavior, and long-term flexibility within a circular design system.<\/p>\n

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detail of the KNIT facade around the window opening reveals the layered rhythm of the 3D printed components<\/p>\n","protected":false},"excerpt":{"rendered":"Oka Architecture\u2019s 3D Printed Studio Exploring Circular Design \u00a0 CIRCULUS Atelier is the working studio of Oka Architecture…\n","protected":false},"author":2,"featured_media":703811,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[3939],"tags":[51732,10486,4021,4020,4022,77,20185,75,58164,16,15,14814],"class_list":["post-703810","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-3d-printing","tag-architecture-in-japan","tag-arts","tag-arts-and-design","tag-design","tag-entertainment","tag-facades","tag-materials","tag-modular-design","tag-uk","tag-united-kingdom","tag-where-people-work"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/115915028226888965","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/703810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=703810"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/703810\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/703811"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=703810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=703810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=703810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}