{"id":844019,"date":"2026-03-23T02:44:11","date_gmt":"2026-03-23T02:44:11","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/844019\/"},"modified":"2026-03-23T02:44:11","modified_gmt":"2026-03-23T02:44:11","slug":"project-hail-mary-blasts-off-to-huge-81m-box-office-opening","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/844019\/","title":{"rendered":"&#8216;Project Hail Mary&#8217; Blasts Off to Huge $81M Box Office Opening"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOriginal stories finding their way to the big screen are thriving at the early 2026 <a href=\"https:\/\/www.hollywoodreporter.com\/t\/box-office\/\" id=\"auto-tag_box-office_1\" data-tag=\"box-office\" rel=\"nofollow noopener\" target=\"_blank\">box office<\/a>.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tDefying all the odds, <a href=\"https:\/\/www.hollywoodreporter.com\/t\/phil-lord\/\" id=\"auto-tag_phil-lord_1\" data-tag=\"phil-lord\" rel=\"nofollow noopener\" target=\"_blank\">Phil Lord<\/a> and Christopher Miller\u2019s <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/project-hail-mary-review-ryan-gosling-sandra-huller-1236522665\/\" rel=\"nofollow noopener\" target=\"_blank\">Project Hail Mary<\/a>, starring <a href=\"https:\/\/www.hollywoodreporter.com\/t\/ryan-gosling\/\" id=\"auto-tag_ryan-gosling_1\" data-tag=\"ryan-gosling\" rel=\"nofollow noopener\" target=\"_blank\">Ryan Gosling<\/a>, blasted off with a domestic launch of $80.6 million \u2014 the best showing of the year so far, in addition to setting a new best for Amazon Studios. The news was just as good overseas, where the sci-fi epic collected $60.4 million overseas from more than 80 markets \u2014 it placed No.1 in 60 \u2014 for a global launch of $141 million, which is likely the best start of 2026 so far for a Hollywood title.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tProject Hail Mary is a notable win for <a href=\"https:\/\/www.hollywoodreporter.com\/t\/amazon-mgm-studios\/\" id=\"auto-tag_amazon-mgm-studios_1\" data-tag=\"amazon-mgm-studios\" rel=\"nofollow noopener\" target=\"_blank\">Amazon MGM Studios<\/a> as it tries once again to become a full-fledged major Hollywood studio. And its successful handling of the film couldn\u2019t be more perfect timing as David Ellison\u2019s Paramount-Skydance prepares to merge with Warner Bros., a deal that has left many in Hollywood reeling over massive job losses and concern over fewer movies getting made that stray outside the bounds of proven franchises.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThen comes along Hail Project Mary to upend the prevailing theory that the multiplex has become the dominion of sequels, threequels and endless franchise installments. Case in point: Hail Mary joins Christopher Nolan\u2019s Oppenheimer in becoming only the second non-sequel or non-franchise installment of the past decade to open to $80 million or more domestically.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tGosling\u2019s top-grossing film of all time, of course, is Barbie, but Hail Project is his biggest domestic opening featuring the actor in a leading role, not adjusted for inflation. It is also a domestic best for Lord and Miller.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn addition to Gosling, Sandra H\u00fcller also stars in Lord and Miller\u2019s sci-fi epic based on the Andy Weir novel about a science teacher wakes up on a spaceship light years from home with no recollection of who he is or how he got there. As his memory returns, he begins to uncover his mission: solve the riddle of the mysterious substance causing the sun to die out. He must call on his scientific knowledge and unorthodox ideas to save everything on Earth from extinction\u2026 but an unexpected friendship means he may not have to do it alone.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tProject Hail Mary was looking at a debut of $50 million-$60 million heading into the weekend, but quickly went into hyperdrive when both <a rel=\"nofollow noopener\" data-id=\"https:\/\/www.rottentomatoes.com\/m\/project_hail_mary\" data-type=\"link\" href=\"https:\/\/www.rottentomatoes.com\/m\/project_hail_mary\" target=\"_blank\">critics and audiences<\/a> embraced the warm-hearted, adventure-action movie with rave reviews and out-of-this-world audience polls \u2014 including an A CinemaScore, near-perfect PostTrak exits and a 96 audience ranking on Rotten Tomatoes (the critics score is 95 percent).<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAfter Project Hail Mary and Oppenheimer, the next-biggest opening for a non-sequel or franchise installment has opened to $60 million or more domestically; Us ($71 million). And excluding those three titles, only two such movies have opened to $50 million or more in the post-pandemic era; Apple\u2019s F1: The Movie and It Ends With Us.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cOpenings like this is what makes this business special. You could feel how big this film was going to be with the rave reviews from the early screenings and massive presales. Congrats to everyone to who was involved in making this film,\u201d said Amazon MGM domestic distribution chief Kevin Wilson. \u201cAnd it leaves no doubt that Ryan Gosling is a singular star that has the massive global appeal and charisma to anchor a story like this.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOr, as summed up by <a href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/project-hail-mary-review-ryan-gosling-sandra-huller-1236522665\/\" rel=\"nofollow noopener\" target=\"_blank\">THR\u2018s review<\/a>, \u201cRyan Gosling proves he can have chemistry with a rock in thrilling space odyssey warmed by humanity and hope.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe movie also opened in 82 markets around the globe, including\u00a0the U.K., France, Germany, Italy, Mexico, Brazil, Australia, Korea, Japan and China. On a like-for-like basis, excluding China, the opening weekend results were on par with Interstellar and Dune, and it marksonly the fourth non-sequel\/non-franchise film to open above $50M internationally post-COVID alongside Oppenheimer, F1: The Movie, and Superman.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe movie opened No. 1 in more than 60 countries Until MGM builds out its own international distribution system \u2014 believe it or not, that is what separates a major Hollywood studio from other companies, such as Lionsgate, or MGM before it was purchased by Amazon.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tOriginality is becoming a major talking point of the early 2026 box office. <a href=\"https:\/\/www.hollywoodreporter.com\/t\/walt-disney-pictur-1\/\" id=\"auto-tag_walt-disney-pictur-1_1\" data-tag=\"walt-disney-pictur-1\" rel=\"nofollow noopener\" target=\"_blank\">Pixar<\/a>, the storied animation studio that built its brand on telling stories that could play across generations, hit a rough patch in recent times, but its new movie <a href=\"https:\/\/www.hollywoodreporter.com\/t\/hoppers\/\" id=\"auto-tag_hoppers_1\" data-tag=\"hoppers\" rel=\"nofollow noopener\" target=\"_blank\">Hoppers<\/a> has seemingly broken the curse. After three weekends, it has become the top-grossing Hollywood film at the global box office with $242.6 million in ticket sales through Sunday. It is also the top-grossing film domestically, animated or otherwise, after earning another $18 million in its third outing for a cume of $120.4 million.  <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat\u2019s not to say franchises were AWOL entirely from the weekend.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnother strong new player of the weekend is Dhurandhar: The Revenge, the latest installment in the Indian action-thriller starring Ranveer Singh. The pic overperformed to come in in third with north of $10 million.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tAnd Searchlight Pictures\u2019 horror-comedy\u00a0<a data-id=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/ready-or-not-2-here-i-come-review-samara-weaving-1236530850\/\" data-type=\"link\" href=\"https:\/\/www.hollywoodreporter.com\/movies\/movie-reviews\/ready-or-not-2-here-i-come-review-samara-weaving-1236530850\/\" rel=\"nofollow noopener\" target=\"_blank\">Ready or Not 2: Here I Come<\/a> placed fourth in its North American launch with an estimated $9.1 million for an early global start of $11.9 million after rolling out in its first handful of major markets. The film, directed by filmmaking duo\u00a0Radio Silence\u00a0(Matt Bettinelli-Olpin and Tyler Gillett), stars\u00a0Samara Weaving,\u00a0reprising her role as the fan-favorite Grace.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tReady or Not 2 received solid reviews and a B+ CinemaScore iAn North also launched in its first handful of major markets overseas, including the U.K., Australia and Brazil. It will be playing almost everywhere by mid-April.<\/p>\n","protected":false},"excerpt":{"rendered":"Original stories finding their way to the big screen are thriving at the early 2026 box office. Defying&hellip;\n","protected":false},"author":2,"featured_media":844020,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[9],"tags":[1479,11543,241372,823,77,232796,89359,40953,14392,16,15],"class_list":["post-844019","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entertainment","tag-amazon-mgm-studios","tag-box-office","tag-chris-miller","tag-disney","tag-entertainment","tag-hoppers","tag-phil-lord","tag-pixar","tag-ryan-gosling","tag-uk","tag-united-kingdom"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116276197126282226","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/844019","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=844019"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/844019\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/844020"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=844019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=844019"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=844019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}