{"id":918039,"date":"2026-04-25T17:39:22","date_gmt":"2026-04-25T17:39:22","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/918039\/"},"modified":"2026-04-25T17:39:22","modified_gmt":"2026-04-25T17:39:22","slug":"international-sculpture-weekend-event-at-edinburgh-sculpture-workshop","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/918039\/","title":{"rendered":"International Sculpture weekend event at Edinburgh Sculpture Workshop"},"content":{"rendered":"

Join artists Libby Entwistle and Eilidh McKeown for their exhibition at Edinburgh Sculpture Workshop this weekend.<\/p>\n

The exhibition will be running until 26 April 2026, 11am \u2013 5pm.<\/p>\n

This is a special event as part of the International Sculpture Day weekend.<\/p>\n

Edinburgh Sculpture Workshop<\/a> (ESW) is excited to present Come Hell or High Water, an exhibition of finished and in-progress pieces by Libby Entwistle and Eilidh McKeown, our ECA\/ESW Graduate Awardees, who have been working in our studios between February and April 2026.<\/p>\n

Libby Entwistle is a multidisciplinary artist<\/a> whose work reframes historical sources, myths, and tales through a playful yet critical lens. <\/p>\n

\"\"Libby Entwistle and Eilidh McKeown, Come Hell or High Water (2026)<\/p>\n

Told from a feminine perspective, her work uncovers recurring historical patterns in an age increasingly detached from the past. <\/p>\n

Working across moving image, ceramics, sculpture, and painting, she creates modular environments and visual narratives that shift in meaning when rearranged. <\/p>\n

Her work operates within what she terms \u201cLorecore\u201d\u2014a cultural moment shaped by digital capitalism and the impulse to storify the self amid collapsing global narratives Libby Entwistle completed her MA (Hons) in Fine Art at the School of Art, Edinburgh College of Art.<\/p>\n

Earning her MA (Hons) in Fine Art<\/a> from the School of Art at Edinburgh College of Art, Eilidh McKeown is a Scottish artist whose practice investigates shifting belief systems in Scotland and the wider UK through a broadly sculptural, materially varied approach.<\/p>\n

Her work recontextualises culturally significant objects, images, and texts to spark critical dialogue around art, politics, and collective agency. <\/p>\n

Often drawing on multiple historical periods, her sculptures create spaces for reflection on the UK\u2019s turbulent political climate and the production of its art and culture. <\/p>\n

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