{"id":947018,"date":"2026-05-08T22:36:14","date_gmt":"2026-05-08T22:36:14","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/947018\/"},"modified":"2026-05-08T22:36:14","modified_gmt":"2026-05-08T22:36:14","slug":"review-modern-midsummer-nights-dream-at-the-rep-birmingham-is-tremendous-fun-for-whole-family-four-stars","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/947018\/","title":{"rendered":"REVIEW: Modern Midsummer Night\u2019s Dream at The Rep, Birmingham, is tremendous fun for whole family, four stars ****"},"content":{"rendered":"\n<p>A Midsummer Night\u2019s Dream, The Rep, Birmingham, until 24th May<\/p>\n<p>There is nothing \u2013 and I mean absolutely nothing \u2013 in this whole wide world that makes kids laugh more than the sight of someone getting kicked in the nuts.<\/p>\n<p><img decoding=\"async\" class=\"rthmb\" src=\"data:image\/svg+xml,%3Csvg xmlns=\" http:=\"\" viewbox=\"0 0 3000 2000\" alt=\"A Midsummer Night's Dream. Photo: Manuel Harlan\" data-root=\"\/_media\/img\/\" data-path=\"X8DQQBX3LX27AXKMJ3CA.jpg\" data-ar=\"1.50\"\/>A Midsummer Night&#8217;s Dream. Photo: Manuel Harlan<\/p>\n<p>Don\u2019t believe me? Get yourself up to Birmingham Rep where this super-silly production of A Midsummer Night\u2019s Dream excels in said kicking to the tenderest of parts. Not to mention the flicking, biffing and otherwise gratuitous violence aimed at those ouchi-est of nether regions. Cue mass giggling, screeching and crying out for more, more, more from the primary schoolers in this enthusiastic, all-ages crowd.<\/p>\n<p><img decoding=\"async\" class=\"rthmb\" src=\"data:image\/svg+xml,%3Csvg xmlns=\" http:=\"\" viewbox=\"0 0 3000 2000\" alt=\"A Midsummer Night's Dream. Photo: Manuel Harlan\" data-root=\"\/_media\/img\/\" data-path=\"QE2L1ID4YRX6ZMU03EVH.jpg\" data-ar=\"1.50\"\/>A Midsummer Night&#8217;s Dream. Photo: Manuel Harlan<\/p>\n<p>Directors Joe Murphy and Madeleine Kludje have gone no-holds-barred full panto on the bard for this one, plundering the plot \u2013 already ripe for ridiculousness as originally written around 1594 &#8211; for every conceivable opportunity to titillate the crowd.<\/p>\n<p>Ringleader, imposing themself front and centre in this havoc of hi-jinks, is Adam Carter aka drag artist Fatt Butcher, our dame if you like. They\u2019re Puck \u2013 \u201cas in what the Puck?\u201d &#8211; a flamboyantly costumed, spectacularly sarcastic preening peacock leading the cast up and down in a mischievous merry dance with a couple of crowd singalongs for good measure. Victims of the conjured vicissitudes on the neon-lit stage are Haydn Oakley who doubles up as the stiff shirt Theseus and the crusty Oberon, king of the fairies who resembles no-one so much as the tramp who gives that fearful fellow a heart attack in David Lynch\u2019s Mulholland Drive and, in one of this production\u2019s bold reversals, is the one drugged to fall in lust with the donkey-transformed Bottom.<\/p>\n<p><img decoding=\"async\" class=\"rthmb\" src=\"data:image\/svg+xml,%3Csvg xmlns=\" http:=\"\" viewbox=\"0 0 2175 2902\" alt=\"A Midsummer Night's Dream. Photo: Manuel Harlan\" data-root=\"\/_media\/img\/\" data-path=\"G7R8VQ3EB5JZKQOLL8GV.jpg\" data-ar=\"0.75\"\/>A Midsummer Night&#8217;s Dream. Photo: Manuel Harlan<\/p>\n<p>Boss of this twisted bewitching is Ellena Vincent\u2019s forceful Titania, which may sound like quite a controversial, even catastrophic change to the original, but actually works rather well; Oberon serenading the ass with Foreigner\u2019s I Want To Know What Love Is one of many show-stopping scenes.<\/p>\n<p>Vincent doubles up as Hippolyta while the quartet of messed-about lovers also feature a modern quirk in that Charlotte Wallis, Evie Ward-Drummond, Isabel Adomakoh Young and Qasim Mahmood are dressed in school uniform and act out their relationship issues with the aid of smart phones, as if they\u2019re involved in a playground tiff. Oh, and Lysander is now Lysandra so half of the intrigue\u2019s now lesbian.<\/p>\n<p>Again, on the face of it and in cold text, this could appear a little try-hard woke but it never comes across that way. And that\u2019s one of the really encouraging strengths of this production \u2013 that the embracing of sexual fluidity and the multi-cultural casting feels totally natural \u2013 not so much a statement as an honest reflection of Birmingham\u2019s gladdening cultural make-up.<\/p>\n<p><img decoding=\"async\" class=\"rthmb\" src=\"data:image\/svg+xml,%3Csvg xmlns=\" http:=\"\" viewbox=\"0 0 2738 1932\" alt=\"A Midsummer Night's Dream. Photo: Manuel Harlan\" data-root=\"\/_media\/img\/\" data-path=\"HQM07PMUULTRPOQMUQG6.jpg\" data-ar=\"1.42\"\/>A Midsummer Night&#8217;s Dream. Photo: Manuel Harlan<\/p>\n<p>Talking of statements, though, there\u2019s a preachy bit at the start and finish about climate change that, admirable intention aside, is out-of-place tonally. The mis-step\u2019s not worth dwelling on though, when there are the idiotic rude mechanicals to savour.<\/p>\n<p>The way the play is pitched, one might fear that the high daftness count throughout might lessen the traditionally hilarious impact of the play within the play. Fear not. Hannah McPate\u2019s Quince is as put-upon an organiser as there ever was and gets a surprising turn which I won\u2019t spoil. There\u2019s some ridiculously good doings involving James Tanton\u2019s Snout and the depiction of wall which calls to mind Spinal Tap, and Omar Malik gives Puck a run for their money as cock of the roost with his Bottom, a magnificent study in narcissistic buffoonery.<\/p>\n<p>Played with the emphasis on sheer entertainment, this AMND is probably a no-go for prudes and purists but a brilliant introduction to Shakespeare for little \u2018uns and tremendous fun for the open of mind and young of heart.<\/p>\n","protected":false},"excerpt":{"rendered":"A Midsummer Night\u2019s Dream, The Rep, Birmingham, until 24th May There is nothing \u2013 and I mean absolutely&hellip;\n","protected":false},"author":2,"featured_media":947019,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7820],"tags":[19639,855,748,393,4884,6082,2765,16,15,20248],"class_list":{"0":"post-947018","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-birmingham","8":"tag-arts-and-entertainment","9":"tag-birmingham","10":"tag-britain","11":"tag-england","12":"tag-great-britain","13":"tag-reviews","14":"tag-stage","15":"tag-uk","16":"tag-united-kingdom","17":"tag-whats-on-news"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116541350854261481","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/947018","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=947018"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/947018\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/947019"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=947018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=947018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=947018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}