{"id":950788,"date":"2026-05-10T16:30:12","date_gmt":"2026-05-10T16:30:12","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/950788\/"},"modified":"2026-05-10T16:30:12","modified_gmt":"2026-05-10T16:30:12","slug":"who-is-look-mum-no-computer-get-to-know-united-kingdoms-eurovision-2026-entry","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/950788\/","title":{"rendered":"Who is LOOK MUM NO COMPUTER? Get to Know United Kingdom&#8217;s Eurovision 2026 entry"},"content":{"rendered":"<p>The <strong>Eurovision Song Contest<\/strong> is heading towards its <strong>70th edition<\/strong>, which will take place in <strong>Vienna (Austria) on May 12, 14, and 16<\/strong> at the <strong>Wiener Stadthalle<\/strong>.<\/p>\n<p>Little by little, the <strong>participating countries<\/strong> are immersed in preparations to refine the details of their entries with which they will compete to win the coveted <strong>glass microphone<\/strong>.<\/p>\n<p>The Eurovision season has brought a wide variety of entries, and among them stands out the <strong>United Kingdom<\/strong>, which has chosen to break the mold with an <strong>unconventional entry<\/strong>. The <strong>BBC<\/strong> has opted for an internal selection that has not left anyone indifferent: the project <strong>LOOK MUM NO COMPUTER<\/strong> is responsible for representing the country in Vienna.<\/p>\n<p>How has their journey been to become such a <strong>singular figure in electronic music<\/strong>? What lies behind their <strong>creative universe<\/strong>? What can such a <strong>different proposal<\/strong> bring to Eurovision compared to the usual entries?<\/p>\n<p>On this occasion, we review the <strong>musical career of LOOK MUM NO COMPUTER<\/strong>, the context of their candidacy, and their song. The <strong>United Kingdom representative at the Eurovision Song Contest 2026<\/strong> aims for a <strong>new victory<\/strong> with <strong>\u201cEins, Zwei, Drei\u201d<\/strong>, in what will be the <strong>69th British participation in the European contest<\/strong>.<\/p>\n<p>This is <strong>LOOK MUM NO COMPUTER<\/strong>, an <strong>childhood marked by curiosity and experimentation<\/strong><\/p>\n<p>LOOK MUM NO COMPUTER, stage name of Sam James Bartle, is one of the most distinctive figures in the contemporary British electronic scene. Born in England in the late 1980s, he showed from a very young age an almost obsessive curiosity for technology, mechanics and electronics, developing a mindset based on dismantling, experimenting and rebuilding. This self-taught and hands-on approach eventually became the foundation of his artistic identity.<\/p>\n<p>Before starting his solo career, he was part of the band ZIBRA, with which he performed on major stages such as the Glastonbury Festival in 2015. However, he soon felt the need to explore a more personal path, one in which he could freely merge his passion for music and technology.<\/p>\n<p>His solo project was born from a clear premise: to create music using instruments designed and built by himself. Through online videos, he began showcasing his creations, from modified toys to complex electronic devices turned into instruments. His approach, rooted in the DIY (do-it-yourself) movement, quickly captured public attention, establishing him as a reference figure in experimental electronic music.<\/p>\n<p>One of his main trademarks is his ability to transform everyday objects into musical tools. He has developed synthesizers from consoles, bicycles turned into sound machines and massive modular systems for live performance. He has also restored traditional instruments, such as church organs, adapting them to the electronic field, demonstrating a creativity that goes beyond convention.<\/p>\n<p>Since 2019 he has released numerous works, including These Songs Are Obsolete, the Look Mum No Bootleg releases, and projects such as Double Barrelled Decadence and Hungry Vultures, where he combines experimentation, melody and technology. In addition, he has collaborated on audiovisual projects, film music and video games.<\/p>\n<p>&#13;<br \/>\n  &#13;<br \/>\n  &#13;\n<\/p>\n<p>This is <strong>\u201cEins, Zwei, Drei\u201d<\/strong>, the proposal by <strong>LOOK MUM NO COMPUTER<\/strong> to represent <strong>the United Kingdom at Eurovision 2026<\/strong><\/p>\n<p><strong>LOOK MUM NO COMPUTER represents the United Kingdom at the Eurovision Song Contest 2026<\/strong> with <strong>\u201cEins, Zwei, Drei (One, Two, Three)\u201d<\/strong>. The song has been composed by <strong>Sam James Bartle himself together with Julie Aagaard, Lasse Midtsian Nymann, and Thomas Stengaard<\/strong>.<\/p>\n<p><strong>\u201cEins, Zwei, Drei\u201d<\/strong> is a track entirely in <strong>English with a German title<\/strong>. The entry describes the <strong>weariness of a routine life<\/strong>, especially the <strong>\u201c9 to 5\u201d work life<\/strong>, where the person feels they are merely <strong>surviving without motivation or purpose<\/strong>.<\/p>\n<p>The song reinforces this feeling of being trapped in a <strong>monotonous routine that drains energy and personal identity<\/strong>. From this, arises the desire to <strong>escape this routine and find something that restores excitement to life<\/strong>, with a <strong>constant search for novelty and freedom<\/strong>.<\/p>\n<p>Ly<strong>rics<\/strong><\/p>\n<p><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong>English<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n<p>So sick of doing the whole 9 \u2013 5<br \/>I pay my dues, I\u2019m just stayin alive<br \/>And I\u2019m so bored of it, bored of it<br \/>Oh what\u2019s the point of it, point of it?<\/p>\n<p>A paracetamol to quench the pain<br \/>The office cubicle has trapped me again<br \/>Am I a mouse in a cage am I?<br \/>d d d demotivational<\/p>\n<p>Ah \u2013 if only there was a language<br \/>That I could count in<br \/>That would make me feel better<br \/>Oh yah!<\/p>\n<p><strong>Eins, zwei, drei darling I need something salty<br \/>Eins, zwei, drei with a slice of pepperoni<br \/>I\u2019ll pay you can owe me<br \/>That\u2019ll be a pony<br \/>Eins, zwei, drei<br \/>I\u2019m coming back to life<\/strong><\/p>\n<p><strong>Eins, zwei, drei got me feeling okey dokey<br \/>Eins, zwei, drei goodbye drudgery hello me<br \/>So light you can throw me<br \/>Kill at Karaoke<br \/>Eins, zwei, drei<br \/>I\u2019m coming back to life<\/strong><\/p>\n<p>Counting in English doesn\u2019t cut the mustard<br \/>So sick of munchin roly poly with custard<br \/>I\u2019m so bored with it, bored with it<br \/>Oh what\u2019s the point of it, point of it ?<\/p>\n<p>I\u2019ve always been a fan of aviation<br \/>I\u2019m jumping on a plane to another nation<br \/>All my pounds they feel counterfeit<br \/>I need some euros to counter it<\/p>\n<p><strong>Eins, zwei, drei darling I need something salty<br \/>Eins, zwei, drei with a slice of pepperoni<br \/>I\u2019ll pay, you can owe me<br \/>That\u2019ll be a pony<br \/>Eins, zwei, drei<br \/>I\u2019m coming back to life<\/strong><\/p>\n<p><strong>Eins, zwei, drei got me feeling okey dokey<br \/>Eins, zwei, drei goodbye drudgery hello me<br \/>So light you can throw me<br \/>Kill at Karaoke<br \/>Eins, zwei, drei<br \/>I\u2019m coming back to life<\/strong><\/p>\n<p>Eins<br \/>Zwei<br \/>Drei<\/p>\n<p>Eins Zwei Eins Zwei Drei<\/p>\n<p><strong>Eins, zwei, drei darling I need something salty<br \/>Eins, zwei, drei with a slice of pepperoni<br \/>I\u2019ll pay you can owe me<br \/>That\u2019ll be a pony<br \/>Eins, zwei, drei<br \/>I\u2019m coming back to life<\/strong><\/p>\n<p>Eins Zwei Drei<br \/>Eins Zwei Drei<br \/>Eins Zwei Drei<br \/>Got Me Feeling okey dokey<br \/>Eins Zwei Drei<br \/>I\u2019m coming back to life<\/p>\n<p><strong>United Kingdom at Eurovision: A Quick History<\/strong><\/p>\n<p>The United Kingdom debuted in Eurovision in 1957 and has only missed 1958. It has five victories and is the country with the most second places, with a total of 16. It has hosted the contest on nine occasions. Throughout its history it has featured highly prominent artists such as Cliff Richard and Bonnie Tyler, combining established figures and new proposals. <\/p>\n<p>In 2022 it achieved one of its best recent results with Sam Ryder, finishing second with 466 points. In 2023 it hosted the festival in Liverpool. In 2025, Remember Monday finished in 19th place with 88 points, with a country-pop styled proposal that was well executed vocally but did not receive televoting support, which awarded them zero points.<\/p><\/p>\n","protected":false},"excerpt":{"rendered":"The Eurovision Song Contest is heading towards its 70th edition, which will take place in Vienna (Austria) on&hellip;\n","protected":false},"author":2,"featured_media":950789,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,4],"tags":[748,393,4884,1144,712,16,15,1764],"class_list":{"0":"post-950788","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uk","8":"category-united-kingdom","9":"tag-britain","10":"tag-england","11":"tag-great-britain","12":"tag-northern-ireland","13":"tag-scotland","14":"tag-uk","15":"tag-united-kingdom","16":"tag-wales"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116551236231604253","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/950788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=950788"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/950788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/950789"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=950788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=950788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=950788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}