{"id":959431,"date":"2026-05-14T14:14:15","date_gmt":"2026-05-14T14:14:15","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/959431\/"},"modified":"2026-05-14T14:14:15","modified_gmt":"2026-05-14T14:14:15","slug":"nemesis-review-a-ridiculously-entertaining-cop-show-packed-with-stars-of-the-wire-tv-crime-drama","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/959431\/","title":{"rendered":"Nemesis review \u2013 a ridiculously entertaining cop show packed with stars of The Wire | TV crime drama"},"content":{"rendered":"<p class=\"dcr-130mj7b\">Detective Isaiah Stiles (Matthew Law) is extremely committed to his job, but it brings him no satisfaction. The long hours he dedicates to crime-busting with the LAPD have alienated his teenage son and infuriated his wife, Candace (Gabrielle Dennis), to the point where Isaiah is sleeping in the summer house. He is permanently vexed. But he isn\u2019t meant to be happy: he\u2019s a maverick cop.<\/p>\n<p class=\"dcr-130mj7b\">The maverick-copness of its lead character is the first of many crime-show cliches shamelessly replicated by Nemesis, the first Netflix show from writer Courtney A Kemp, creator of the gangster drama Power and its various spin-offs. Isaiah carries the trauma of an old case where a junior colleague was killed in pursuit of a gang of elite thieves: now, whenever a robbery goes down in Los Angeles \u2013 and a big one has just happened, with bags of cash brazenly swiped from a posh party\u2019s high-stakes poker game \u2013 Isaiah suspects that his white whale, the man who pulled the trigger years ago, is behind it. To the consternation of colleagues, he has a whiteboard in his office covered in photographs and sticky notes.<\/p>\n<p class=\"dcr-130mj7b\">If that weren\u2019t enough to give him the haunted tetchiness of the classic maverick, Isaiah is also battling to escape the shadow of his father, Amos (Moe Irvin), a convicted gangster whose feckless criminality got Isaiah\u2019s brother killed. Amos is selfish, deluded and a danger to his family \u2013 Isaiah is nothing like him! He isn\u2019t!<\/p>\n<p class=\"dcr-130mj7b\">After a bit of detective work, Isaiah concludes that the poker heist and a subsequent jewellery raid are the work of the crew he has been pursuing all this time \u2013 and that they\u2019re led by an esteemed pillar of the Black business community, Coltrane Wilder (Y\u2019lan Noel). A lack of hard evidence means Isaiah risks losing his gun and badge if he insists on Coltrane\u2019s guilt, but he knows he\u2019s right and so do we, since we saw Coltrane masterminding the heists.<\/p>\n<p>Is that him off The Wire? Ariana Guerra as Yvette Cruz and Domenick Lombardozzi as Dave Cerullo.  Photograph: Saeed Adyani\/Netflix<\/p>\n<p class=\"dcr-130mj7b\">Once Isaiah has told Coltrane of his plan to bring him down, Nemesis isn\u2019t just a cop show, it\u2019s a battle of wits between alpha males with similar drives but different moral codes \u2013 almost a straight remake of Heat. It\u2019s not averse to ticking off the obvious subplots in a story about a criminal kingpin hiding in plain sight, just out of reach of a lawman who can\u2019t convince anyone else of the guy\u2019s guilt: if you\u2019ve seen similar tales before you might expect the two men\u2019s wives to coincidentally become friends, and indeed, this happens.<\/p>\n<p class=\"dcr-130mj7b\">What matters, though, isn\u2019t how new the building blocks of your show are. It\u2019s what you construct with them and, having quickly established all of the above in two episodes, Nemesis proceeds to, in plot terms, go berserk. It gets better and better as it goes on, layering on the betrayals, the unexpected alliances, the strained or switched loyalties, the risks taken and stakes raised. (The big boss overseeing Coltrane\u2019s crimes is his sister-in-law! Amos\u2019s criminal career may not be over! There\u2019s a mole in the LAPD!) Worries about the cheesiness of the set-up or the occasional wooden melodrama of some of the acting melt away as the heists become more elaborate, Isaiah gets closer to being fired, and every apparently trivial plot point turns out to be essential.<\/p>\n<p class=\"dcr-130mj7b\">Law and Noel are strong leads, with Noel suitably smooth and elusive as a man who might be correct in his belief that his misdeeds will never be punished, because he\u2019s just too cool and capable, and Law \u2013 familiar as O\u2019Shon the IT guy from Abbott Elementary \u2013 cannily spotting the parallels between Isaiah and a manic sitcom protagonist who is right about everything but always seen by others as wrong.<\/p>\n<p class=\"dcr-130mj7b\">Nemesis is a thriller first and a character study second, though: as a drama about cops and robbers, it\u2019s not exactly The Wire. Except that in the later episodes it sort of is, because esteemed Wire alumni keep turning up. Near the end we have Chris Bauer (Frank Sobotka!) as an irascible senior police officer, Domenick Lombardozzi (Herc!) as a stout New York detective drafted in to help, and Michael Potts (Brother Mouzone!) as Isaiah\u2019s grumpy old-school captain, all in a room together. Potts is particularly delightful as the grizzled boss, forever telling Isaiah off with colourful descriptions of how far up his ass the bosses are. After a spectacular street shootout leaves everyone\u2019s careers in jeopardy, Potts delivers perhaps the best extended \u201cdeep shit\u201d metaphor any TV cop ever uttered.<\/p>\n<p class=\"dcr-130mj7b\">The occasional moments of comedy show that Nemesis knows how absurd it needs to be. And because it judges its own chaos levels perfectly, it\u2019s ridiculously entertaining.<\/p>\n<p class=\"dcr-130mj7b\"> Nemesis is on Netflix now.<\/p>\n","protected":false},"excerpt":{"rendered":"Detective Isaiah Stiles (Matthew Law) is extremely committed to his job, but it brings him no satisfaction. The&hellip;\n","protected":false},"author":2,"featured_media":959432,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3937],"tags":[77,382,16,15],"class_list":{"0":"post-959431","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tv","8":"tag-entertainment","9":"tag-tv","10":"tag-uk","11":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116573350980055109","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/959431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=959431"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/959431\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/959432"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=959431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=959431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=959431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}