{"id":960164,"date":"2026-05-14T21:49:07","date_gmt":"2026-05-14T21:49:07","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/960164\/"},"modified":"2026-05-14T21:49:07","modified_gmt":"2026-05-14T21:49:07","slug":"rene-matic-wins-2026-deutsche-borse-photography-foundation-prize-the-art-newspaper","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/960164\/","title":{"rendered":"Rene Mati\u0107 wins 2026 Deutsche B\u00f6rse Photography Foundation Prize &#8211; The Art Newspaper"},"content":{"rendered":"<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Rene Mati\u0107 has been announced as the first British winner of the Deutsche B\u00f6rse Photography Foundation Prize in more than a decade, collecting \u00a330,000 for AS OPPOSED TO THE TRUTH, an exhibition utilising photography, installation and sound to explore notions of identity and belonging in contemporary society.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The announcement was made at The Photographers\u2019 Gallery at an evening ceremony on Thursday, 14 May, recognising the work that the international jury considered the most significant contribution to contemporary photography in Europe over the past 12 months. Mati\u0107 was nominated for their exhibition at the Center for Contemporary Arts Berlin (CCA Berlin), which ran from November 2024 to February 2025, and was also shortlisted for last year\u2019s Turner Prize. They created a new version of the installation for <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/thephotographersgallery.org.uk\/whats-on\/deutsche-borse-photography-foundation-prize-2026\" target=\"_blank\" rel=\"noopener\">the Prize exhibition at The Photographers\u2019 Gallery<\/a>, which runs until 7 June alongside work by the three other shortlisted artists.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The London-based artist works across photography, film, sculpture, sound and writing, brought together in what they describe as \u201crude(ness)\u201d\u2014a reference to rudeboy culture as well as a space \u201cto interrupt and be in between\u201d. Their practice often addresses issues of race, gender and class.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">\u201cConversation about representation politics comes up so much in photography and in image-making, but we never move past that,\u201d said Mati\u0107 in an interview with the Gallery, <a class=\"transition-colors duration-default shadow-externalLink hover:text-red-1\" href=\"https:\/\/thephotographersgallery.org.uk\/dbpfp26-rene-matic\" target=\"_blank\" rel=\"noopener\">screened on its website<\/a>. \u201cWe don&#8217;t talk about what we want to be represented as doing. I want to be represented as being cared for. There are a lot of images of us having violence put on us out there. I want to show a counter-image.\u201d<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Born in Peterborough in 1997, Mati\u0107 is one of the youngest winners in the Prize\u2019s 40-year history. The year of Mati\u0107&#8217;s birth, Richard Billingham won the inaugural edition of the prize with Ray\u2019s a Laugh, an intimate and chaotic portrait of working-class family life in the West Midlands.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">Shoair Mavlian, director of The Photographers\u2019 Gallery and chair of the jury, described Mati\u0107\u2019s work as \u201cdeeply personal, rooted in community and belonging \u2014 and [exploring] their power both to heal and bring people together\u201d. Anne-Marie Beckmann, director of the Deutsche B\u00f6rse Photography Foundation, said the work \u201cexpands what photography is and how we experience it\u201d.<\/p>\n<p class=\"pt-dp-p font-text-light font-light text-lg leading-normal tracking-wide mb-base last:mb-0\" itemprop=\"text\">The 2026 shortlist also included Jane Evelyn Atwood, recognised for Too Much Time \/ Trop de Peines, her long-running study of women\u2019s prisons; Weronika G\u0119sicka, nominated for Encyclopaedia, a project exploring manipulated images and fabricated knowledge; and Amak Mahmoodian, shortlisted for One Hundred and Twenty Minutes, an immersive meditation on dreams, exile and memory.<\/p>\n","protected":false},"excerpt":{"rendered":"Rene Mati\u0107 has been announced as the first British winner of the Deutsche B\u00f6rse Photography Foundation Prize in&hellip;\n","protected":false},"author":2,"featured_media":960165,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3939],"tags":[266670,4021,4020,4022,268245,77,2249,161233,16,15],"class_list":{"0":"post-960164","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-art-prize","9":"tag-arts","10":"tag-arts-and-design","11":"tag-design","12":"tag-deutsche-borse-photography-foundation-prize","13":"tag-entertainment","14":"tag-photography","15":"tag-the-photographers-gallery","16":"tag-uk","17":"tag-united-kingdom"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116575139688701672","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/960164","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=960164"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/960164\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/960165"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=960164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=960164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=960164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}