{"id":981874,"date":"2026-05-24T13:05:37","date_gmt":"2026-05-24T13:05:37","guid":{"rendered":"https:\/\/www.europesays.com\/uk\/981874\/"},"modified":"2026-05-24T13:05:37","modified_gmt":"2026-05-24T13:05:37","slug":"best-london-exhibitions-to-see-right-now-tabish-khans-top-5the-top-5-art-exhibitions-to-see-in-london-right-now","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/uk\/981874\/","title":{"rendered":"Best London Exhibitions to See Right Now: Tabish Khan\u2019s Top 5The Top 5 Art Exhibitions to see in London right now"},"content":{"rendered":"\n<p>Tabish Khan, the <a href=\"https:\/\/www.instagram.com\/londonartcritic\/\" rel=\"nofollow noopener\" target=\"_blank\">@LondonArtCritic<\/a>, picks his top gallery &amp; museum exhibitions to see in London. If you are looking for more exhibitions, check out his <a href=\"https:\/\/fadmagazine.com\/2026\/05\/15\/top-london-gallery-museum-exhibitions-may-2026\/\" rel=\"nofollow noopener\" target=\"_blank\">previous top 5<\/a>.<\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Aleksandra-Karpowicz-Exhibition-09.jpg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1125\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Aleksandra-Karpowicz-Exhibition-09-800x450.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"675\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/Aleksandra-Karpowicz-Exhibition-09-1200x675.jpg\" alt=\"Installation view of Aleksandra Karpowicz\u2019s Remember What You Forgot at Felstead Art\" class=\"wp-image-336698\"  \/><\/a><\/p>\n<p>Aleksandra Karpowicz has been through the challenging process of receiving a cancer diagnosis and going through surgery and treatment in the last few years. She has taken the remnants and experiences of that process and turned them into a powerful exhibition. There is a mandala made from syringes and blister packs, clinical waste bins repurposed as an installation, pictures from the morning walks she took during her chemotherapy to stay grounded, and a film in which she speaks of resilience as she cuts off her hair; the hair is on display in the gallery. <strong>Until 13th June.\u00a0<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Gabriel-Abrantes.-Photo-Peter-Otto.jpg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1333\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Gabriel-Abrantes.-Photo-Peter-Otto-800x533.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/Gabriel-Abrantes.-Photo-Peter-Otto-1200x800.jpg\" alt=\"Installation view of Gabriel Abrantes\u2019 Bardo Loops at Gasworks\" class=\"wp-image-336699\"  \/><\/a><\/p>\n<p>These videos are deeply emotional and farcical at the same time, as ghosts argue about the benefits of genetic tests, breaking up with each other, and whether they should have a baby. All the while, a ghost plays a song on the piano about being lonely, while in a flooded room. These four short films are brilliantly done and stick with you long after you\u2019ve left. <strong>Until 14th June.<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Mark-Blower-260416-Rachel-Crowther-Chisenhale-0013-Edit-Edit_copy.jpg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1334\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Mark-Blower-260416-Rachel-Crowther-Chisenhale-0013-Edit-Edit_copy-800x534.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/Mark-Blower-260416-Rachel-Crowther-Chisenhale-0013-Edit-Edit_copy-1200x800.jpg\" alt=\"Installation view of Racheal Crowther\u2019s Liquid Trust at Chisenhale Gallery\" class=\"wp-image-336703\"  \/><\/a><\/p>\n<p>Enter the space, and a militaristic structure dominates the space. We can walk inside, and despite its oppressive look, it\u2019s been used as a mobile health unit. Surrounding it, the walls are painted a particular shade of pink designed to soothe people and reduce aggression, while a gentle chemical smell that mimics powdered milk fills the air. It\u2019s a great examination of all the psychological cues in life that are designed to subtly manipulate us. <strong>Until 14th June.<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Soho-Revue-Eleanor-May-Watson.-Photo_-Tom-Carter.jpg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1334\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/Soho-Revue-Eleanor-May-Watson.-Photo_-Tom-Carter-800x534.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/Soho-Revue-Eleanor-May-Watson.-Photo_-Tom-Carter-1200x800.jpg\" alt=\"Painting by Eleanor May Watson from There Is No Time Like Spring at Soho Revue\" class=\"wp-image-336701\"  \/><\/a><\/p>\n<p>Whether it be a bunch of flowers or light filtering across a table, these works capture the memory of a domestic moment, with each scene a composite of moments she\u2019s observed. Being a mother of two young children means she\u2019s nostalgic for moments that haven\u2019t come to pass but will be fleeting when they arrive. <strong>Until 6th June.<\/strong><\/p>\n<p><a href=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/SouthOpen4\u00a9BJDeakin_Photograpy-9353-1.jpg\" data-lbwps-width=\"2000\" data-lbwps-height=\"1334\" data-lbwps-srcsmall=\"https:\/\/fadmagazine.com\/wp-content\/uploads\/SouthOpen4\u00a9BJDeakin_Photograpy-9353-1-800x534.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"800\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/SouthOpen4\u00a9BJDeakin_Photograpy-9353-1-1200x800.jpg\" alt=\"Installation view of South Open 4 at OHSH Projects, Peckham\" class=\"wp-image-336702\"  \/><\/a><\/p>\n<p>This annual open call sees the gallery return to the Peckham arches with a great selection of artists. I was drawn to the two works in the centre, Cas Campbell\u2019s animal-human hybrid figure and Vivien Delta\u2019s pile of masks made from volcanic stoneware. It\u2019s a great mix of mediums, from a conceptual sculpture playing on the space\u2019s lack of a fire extinguisher to an oversized painted gun. <strong>Until 30th May.<\/strong><\/p>\n<p class=\"has-small-font-size\">All images are copyrighted and courtesy of the respective artists and galleries. Gasworks photo: Peter Otto. Chisenhale photo: Mark Blower. Soho Revue photo: Tom Carter. South Open photo: BJDeakin photography.<\/p>\n<p> Categories  Tags   Author <img loading=\"lazy\" alt=\"\" src=\"https:\/\/www.europesays.com\/uk\/wp-content\/uploads\/2026\/05\/31a859b31345744a8b8cd8ca9db0db64ecfaf0b6eb9b770e0908e2b697e7418d.jpeg\"  class=\"avatar avatar-60 photo\" height=\"60\" width=\"60\" decoding=\"async\"\/> <\/p>\n<p><strong><a href=\"https:\/\/fadmagazine.com\/author\/tabish\/\" title=\"Posts by Tabish Khan\" rel=\"author nofollow noopener\" target=\"_blank\">Tabish Khan<\/a><\/strong><\/p>\n<p>Art Critic for both FAD and Londonist. See as many exhibitions as possible and write reviews, opinion pieces and a weekly top 5 for FAD.<\/p>\n<p> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><\/p>\n","protected":false},"excerpt":{"rendered":"Tabish Khan, the @LondonArtCritic, picks his top gallery &amp; museum exhibitions to see in London. If you are&hellip;\n","protected":false},"author":2,"featured_media":981875,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[7757],"tags":[273130,748,273131,8271,393,273132,273133,4884,257,251694,234798,228979,273134,190396,244342,16,15],"class_list":["post-981874","post","type-post","status-publish","format-standard","has-post-thumbnail","category-london","tag-aleksandra-karpowicz","tag-britain","tag-chisenhale-gallery","tag-contemporary-art","tag-england","tag-gabriel-abrantes","tag-gasworks","tag-great-britain","tag-london","tag-london-art-critic","tag-london-exhibitions","tag-ohsh-projects","tag-racheal-crowther","tag-soho-revue","tag-tabish-khan","tag-uk","tag-united-kingdom"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@uk\/116629703836643539","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/981874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/comments?post=981874"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/posts\/981874\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media\/981875"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/media?parent=981874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/categories?post=981874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/uk\/wp-json\/wp\/v2\/tags?post=981874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}