Dallas, Texas – The African American Museum, Dallas (AAMD) will present Sunday Call to Church: The Art of Clementine Hunter opening Friday, Dec. 5, 2025, in the Museum’s Folk Art Gallery (located on the main level). Free and open to the public, the exhibition celebrates the remarkable vision and enduring legacy of self-taught Louisiana artist Clementine Hunter (1887-1988), whose vivid depictions of everyday life on the Melrose Plantation stand among the most important bodies of folk art in American history. The exhibition continues through March 6, 2026.

Sunday Call to Church: The Art of Clementine Hunter draws from private collections and from the Museum’s extensive folk art holdings, recognized as one of the most significant in the Southwest. The exhibition offers visitors an intimate look at Hunter’s expressive style and storytelling genius. Through vibrant scenes of worship, work and community, Hunter chronicled a world rarely seen in mainstream art history – one that honors the rhythms, resilience and faith of Black life in the rural South.

“This exhibit is decades in the making.  It was a dream of our founder, Dr. Harry Robinson, Jr. to secure such a large collection of Ms. Hunter’s work, and we are thrilled to share this extensive exhibition with the Dallas community and visitors from across the region,” said Lisa Brown-Ross, president and CEO of the African American Museum, Dallas. “Clementine Hunter’s art speaks to the joy and creativity that emerge from everyday life. We invite families, students and art lovers alike to experience her vision and feel the spirit she captured so beautifully.”

“Clementine Hunter painted what she knew – the rituals of community, the spirit of Sunday mornings and the dignity of work,” said Margie J. Reese, senior programs officer, African American Museum, Dallas. “Her story reinforces why preserving cultural memory remains central to our mission.”

As part of opening weekend, the museum will host a public lecture by Dr. Bolanji Campbell, professor of art and visual culture at Rhode Island School of Design, on Saturday, Dec. 6, at 2 p.m. in the Education Plaza Auditorium. Dr. Campbell’s presentation will explore the broader context of African American folk-art traditions and Hunter’s lasting influence on American art.

Prior to the exhibition’s debut, an opening reception will be held, presented by Bank of Texas and Norm and Robyn Bagwell.

Dr. Harry Robinson Jr., chief operating officer emeritus, serves as honorary chair of the Exhibition Host Committee. Committee members include the Friends of Folk Art and Decorative Art and Design; Jim and Kim Cox; Levi Davis; Brian and Effie Dennison; Marnese Elder; Michelle George; Gilbert Gerst; Darwin and Tangee Gibson; Debra Hunter Johnson; David and Tracey Nash-Huntley; Henry and Cheryl Richards; Paul and Kim Ritter; John and Lisa Ross; Lisa Sherrod; Michelle Thomas; Bruce and Rhondalynne Ware; and Autry Warren.

Season sponsors of the African American Museum, Dallas are Visit Dallas, City of Dallas’ Office of Arts and Culture and the Texas Commission on the Arts.

The African American Museum is located in historic Fair Park, and admission is free. Museum hours are Tuesdays through Fridays, 11 a.m.–5 p.m., and Saturdays, 10 a.m.–5 p.m. Free self-parking is available in nearby lots.

For more information, go to aamdallas.org/events  or call 214-565-9026.

About the African American Museum, Dallas. The African American Museum, Dallas, was founded in 1974 as a part of Bishop College and has operated independently since 1979. For more than 50 years, the African American Museum, Dallas has stood as a cultural beacon in Dallas and the southwestern United States. Located in Dallas’ historic Fair Park, the African American Museum, Dallas is the only museum in the Southwest devoted to the collection, preservation, and display of African American artistic, cultural and historical materials that relate to the African American experience. Anchored by ongoing funding from the City of Dallas through its Office of Arts and Culture, the Museum’s responsibility is to ensure that these irreplaceable treasures will endure to educate and inspire current and future generations. The African American Museum, Dallas incorporates a wide variety of visual art forms and historical documents that portray the African American experience in the nation, the Southwest and Dallas. The Museum has a small but rich collection of African art, African American fine art, and one of the largest African American folk art and decorative art collections in the United States. Learn more at aamdallas.org.