UPDATED: After just two weekends, Disney’s Zootopia 2 has already reached $915.8M worldwide, including $695.3M from the international box office. The $1B threshold will be crossed within the next week.

After setting a number of records last weekend, the continued runaway performance for the Jared Bush- and Byron Howard-directed movie has also achieved new milestones with the sophomore session. With this weekend’s numbers, Zootopia 2 has become the No. 3 Hollywood release of 2025 worldwide and No. 1 internationally. In China, Z2, at $430.4M, is also now the No. 2 studio movie ever in the market, behind only Avengers: Endgame.

Japan was new this frame, opening at No. 1 with $12.3M for the 2nd best start ever for a Hollywood movie, behind only Frozen 2.

Weekend two offshore came in at $219M in 52 material markets. The overall drop was 40% (-27% excluding China), with standout holds in key markets including Vietnam (+45%), Taiwan (+13%), Brazil (-16%), Germany (-18%), France (-27%), Korea (-27%), Australia (-28%), Spain (-28%), UK (-34%), Italy (-38%), China (-45%), and Mexico (-46%).

Z2 is the highest Walt Disney Animation Studios release ever in China and Vietnam; and has surpassed the total cume of Zootopia in China, Korea, Mexico and Brazil as well as a host of other markets including Poland, Egypt, Turkey, UAE, Ukraine, India, Indonesia, Malaysia, Taiwan, Colombia and Central America.

The Top 5 through weekend 2 are: China ($430.4M), France ($27.3M), Korea ($25.6M), Mexico ($18.6M) and Germany ($16.2M).

In Imax, the global total is $49.2M. 

Z2 this weekend also pushes Disney across the $5B mark at the global box office ($5.102B) for 2025. The Walt Disney Studios is the first and only studio to hit this mark this year, and the only studio to achieve it in back-to-back years. It’s also the studio’s third time since 2018.

New player, Universal/Blumhouse-Atomic Monster’s Five Nights at Freddy’s 2, grossed $109.1M worldwide in its debut, coming in well above pre-weekend projections. The international estimate is $46.1M from 76 markets, below Five Nights at Freddy’s, above Final Destination Bloodlines and Annabelle Comes Home, and more than double Smile 2, excluding previews.

Mexico, which was the top international market for the first Freddy’s, went back to the haunted pizza parlor to deliver a No. 1 $6.9M in its launch frame. This is the 2nd biggest horror opening of the year (behind Conjuring: Last Rites) and both the 2nd biggest Universal horror opening ever and the 2nd biggest Blumhouse opening of all time (both behind FNAF the first).

The UK & Ireland grossed $4.4M, across 850 screens, in the No. 2 spot. The weekend’s result came in just above FNAF’s 3-day bow. The 3-day gross, excluding previews, also makes FNAF2 Uni’s highest-grossing Horror opening of all time, surpassing the first FNAF.

In Brazil, FNAF2 opened to $3.2M at No. 1 with the second-biggest opening day for a Horror film of the year on Thursday. An opening weekend of this level is just off Five Nights at Freddy’s, well above Final Destination Bloodlines, and more than double Annabelle Comes Home and Black Phone 2. This is further Universal’s biggest December opening ever in the market and its 2nd best for a horror title.

Spain did $2.9M at No. 2, performing above Five Nights at Freddy’s. The weekend is the 2nd best for horror this year and tops ever for Blumhouse (excluding previews).

Australia debuted at No. 2 with $2.4M, for the 2nd biggest horror opening of the year (behind Conjuring: Last Rites), 2nd biggest Blumhouse opening of all time (behind FNAF) and the 3rd biggest Universal horror opening ever (behind Us and FNAF).

Japan is still to release, on January 23.

Meanwhile, Universal’s Wicked: For Good, which crossed $400M global earlier this week, added $13.4M from 80 overseas markets this session. That takes the running offshore cume to $143.2M and worldwide to $440.1M.

The Top 5 to date for Elphaba and Glinda are: UK ($49.4M), Australia ($16.2M), Germany ($8M), Korea ($6M) and Mexico ($6M). 

China opens on December 24 and Japan on March 6.

And, on another magical note, Lionsgate’s Now You See Me, Now You Don’t crossed the two-century mark this week, now at $210M worldwide. This weekend conjured $9M from 85 territories for an international cume of over $154M.

MISC UPDATED CUMES/NOTABLE

The Running Man (PAR): $2M intl weekend (56 markets); $29.2M intl cume/$65.7M global 
Regretting You (PAR): $475K intl weekend (27 markets); $41.2M intl cume/$90M global
Bugonia (UNI): $973K intl weekend (64 markets); $19.8M intl cume/$37.3M global