LOS ANGELES — Happy Oscars Sunday to all who celebrate.
Conan O’Brien kicked off the 98th Academy Awards Sunday night with a montage of clips from Best Picture nominees while taking on Amy Madigan’s Aunt Glady from “Weapons” as kids ran behind him.
O’Brien didn’t wait to hold back. He instantly joked about a Waymo hosting next year’s ceremony in a tux. He took a swing at Timothée Chalamet’s recent controversial remarks about opera and ballet.
What else can we expect at this year’s ceremony?
No awards show is complete without a musical performance.
Miles Caton and Raphael Saadiq performed “I Lied to You,” the nominated original song from “Sinners.” They were joined by a bevy of performers onstage — Misty Copeland, Eric Gales, Buddy Guy, Brittany Howard, Christone “Kingfish” Ingram, Jayme Lawson, Li Jun Li, Bobby Rush, Shaboozey and Alice Smith among them — for a near-recreation of the scene in “Sinners” where the song is introduced.
It is one of the more memorable moments in the film, where a blues song in a Mississippi juke joint opens up to showcase hip-hop DJs, rock ‘n’ roll guitarists, ballerinas and more, illustrating the Black music genre’s place at the foundation of American popular culture.
When the live tribute performance to “Sinners” wrapped on stage, there was a slew of applause, some of which came from people who stood for the ovation.
One of the most highly expected reunions of the night will be the cast of “Bridesmaids.” Melissa McCarthy, Kristen Wiig, Rose Byrne, Ellie Kemper and Maya Rudolph will come together to celebrate the film’s 15-year anniversary.
Did we get a “The Devil Wears Prada” reunion? Sort of … Anna Wintour and Anne Hathaway teamed up to present the costume design and make and hairstyling Oscars.
Billy Crystal opened the in memoriam segment honoring his best friend, Rob Reiner.
He ticked off a list of Reiner’s films, including “When Harry Met Sally,” starring Crystal and Meg Ryan, “Stand By Me,” “Say Anything” and “This is Spinal Tap,” among many others.
A photo of Reiner and his wife, Michelle Singer Reiner, appeared behind Crystal.
The Reiners were found dead in their Los Angeles home in December. Their son, Nick Reiner, has been charged in the deaths of his parents and has pleaded not guilty.
Having a slew of actors with longstanding ties to Reiner — Meg Ryan, Kiefer Sutherland, Fred Savage, Demi Moore, John Cusack, Ione Skye and many others — come on stage for the tribute was reminiscent of how the Academy did the same for director John Hughes at the Oscars 16 years ago.
Here’s a list of all the nominees. Winners will be in bold as they are announced throughout the ceremony.
Best Picture
- “Bugonia”
- “F1”
- “Frankenstein”
- “Hamnet”
- “Marty Supreme”
- “One Battle After Another”
- “The Secret Agent”
- “Sentimental Value”
- “Sinners”
- “Train Dreams”
Best Actor
- Timothée Chalamet, “Marty Supreme”
- Leonardo DiCaprio, “One Battle After Another”
- Ethan Hawke, “Blue Moon”
- Michael B. Jordan, “Sinners”
- Wagner Moura, “The Secret Agent”
Best Supporting Actor
- Benicio Del Toro, “One Battle After Another”
- Jacob Elordi, “Frankenstein”
- Delroy Lindo, “Sinners”
- Sean Penn, “One Battle After Another”
- Stellan Skarsgard, “Sentimental Value”
Penn did not attend Sunday night’s ceremony.
The win marks Penn’s third Academy Award.
He previously won two Academy Awards for best actor for the 2003 crime drama “Mystic River” and for portraying San Francisco politician and LGBTQ rights pioneer Harvey Milk in the 2008 biopic “Milk.”
Best Actress
- Jessie Buckley, “Hamnet”
- Rose Byrne, “If I Had Legs I’d Kick You”
- Kate Hudson, “Song Sung Blue”
- Renate Reinsve, “Sentimental Value”
- Emma Stone, “Bugonia”
Best Supporting Actress
- Elle Fanning, “Sentimental Value”
- Inga Ibsdotter Lilleaas, “Sentimental Value”
- Amy Madigan, “Weapons”
- Wunmi Mosaku, “Sinners”
- Teyana Taylor, “One Battle After Another”
“Thank you very much. I am very overwhelmed,” said Madigan as she accepted her Oscar.
When answering press questions, Madigan said, “I loved the script as soon as I read it. I knew I could grab it by the throat.”
Madigan aslo hinted a potential prequel to “Weapons.”
The last time she was nominated for an Oscar was for her role in 1985 family drama “Twice in a Lifetime,” setting a record for the longest gap between nominations for an actress.
Best Director
- Chloé Zhao, “Hamnet”
- Josh Safdie, “Marty Supreme”
- Paul Thomas Anderson, “One Battle After Another”
- Joachim Trier, “Sentimental Value”
- Ryan Coogler, “Sinners”
Best Animated Feature Film
- “Arco”
- “Elio”
- “KPop Demon Hunters”
- “Little Amélie or the Character of Rain”
- “Zootopia 2”
“This is for Korea and for Koreans everywhere,” said co-director Maggie Kang as she received her Academy Award.
“Thank you to the Academy and to all the fans who got us here. And for those of you who look like me, I’m so sorry that it took us so long to see us in a movie like this. But it is here. And that means that the next generations don’t have to go longing,” she added.
Best Animated Short Film
- “Butterfly”
- “Forevergreen”
- “The Girl Who Cried Pearls”
- “Retirement Plan”
- “The Three Sisters”
“I guess, people think it takes patience to take five years to make a puppet film. It actually takes patience to live with someone who takes five years to make a puppet film. So, I’d like to thank my wife, Maya, and my daughter, Tulli,” said Chris Lavis as he accepted his award.
Maciek Szczerbowski, who won with Lavis, said, “We just really want to thank our amazing neighborhood, and the amazingly talented community of artists that we’ve had the superb luck to work with. Thank you, the fantastic city of Montreal. Thank you, Canada.”
Casting
- “Hamnet,” Nina Gold
- “Marty Supreme,” Jennifer Venditti
- “One Battle After Another,” Cassandra Kulukundis
- “The Secret Agent,” Gabriel Domingues
- “Sinners,” Francine Maisler
“I dedicate this to you and to the casting directors who never got a chance to get up here, who didn’t even get a chance to get their name on the movie,” said Kulukundis when she accepted her Oscar.
Cinematography
- “Frankenstein,” Dan Laustsen
- “Marty Supreme,” Darius Khondji
- “One Battle After Another,” Michael Bauman
- “Sinners,” Autumn Durald Arkapaw
- “Train Dreams,” Adolpho Veloso
Costume Design
- “Avatar: Fire and Ash,” Deborah L. Scott
- “Frankenstein,” Kate Hawley
- “Hamnet,” Malgosia Turzanska
- “Marty Supreme,” Miyako Bellizzi
- “Sinners,” Ruth E. Carter
“On behalf of myself and the amazing team that I work with, the artisans, the alchemists, dream weavers, we’re so grateful to the Academy for recognizing our craft,” said Hawley, the film’s costume designer.
Documentary Feature Film
- “The Alabama Solution”
- “Come See Me in the Good Light”
- “Cutting Through Rocks”
- “Mr. Nobody Against Putin”
- “The Perfect Neighbor”
“’Mr Nobody Against Putin’ is about how you lose your country. And what we saw when working with this footage is that you lose it through countless small, little acts of complicity,” filmmaker David Borenstein said as he accepted the Oscar.
“We all face a moral choice, but luckily, even a nobody is more powerful than you think,” he said.
Documentary Short Film
- “All the Empty Rooms”
- “Armed Only with a Camera: The Life and Death of Brent Renaud”
- “Children No More: Were and Are Gone”
- “The Devil Is Busy”
- “Perfectly a Strangeness”
In this short directed by Joshua Seftel and produced by Conall Jones, journalist Steve Hartman and photographer Lou Bopp document the empty bedrooms of children killed in school shootings over the course of seven years.
Gloria Cazares, whose child was killed in the Uvalde school shooting, accepted the award.
“My daughter, Jackie, was nine years old when she was killed in Uvalde. Since that day, her bedroom has been frozen in time,” she said.
Film Editing
- “F1,” Stephen Mirrione
- “Marty Supreme,” Ronald Bronstein and Josh Safdie
- “One Battle After Another,” Andy Jurgensen
- “Sentimental Value,” Olivier Bugge Coutté
- “Sinners,” Michael P. Shawver
Best International Feature Film
- “The Secret Agent” (Brazil)
- “It Was Just an Accident” (France)
- “Sentimental Value” (Norway)
- “Sirat” (Spain)
- “The Voice of Hind Rajab” (Tunisia)
Best Live Action Short Film
- “Butcher’s Stain”
- “A Friend of Dorothy”
- “Jane Austen’s Period Drama”
- “The Singers”
- “Two People Exchanging Saliva”
“Thank you to the Academy for supporting a movie that is weird, that is queer, and made by a majority of women!” said Natalie Musteata of “Two People Exchanging Saliva.”
Director Sam A. Davis of “Singers” called his short a “simple story about the power of music and art to bring us together in a moment when we live in an increasingly isolated world.”
Yes, there was a tie and it’s not the first time this has happened at the Oscars.
The most recent tie came during the 2013 Oscars honoring films from 2012, when “Zero Dark Thirty” and “Skyfall” tied for the sound editing category. There have been five other ties in Oscars history, making Sunday’s tie the seventh.
The first tie, which was at the 5th Academy Awards almost 100 years ago, was based on an old rule. Wallace Beery (“The Champ”) and Fredric March (“Dr. Jekyll and Mr. Hyde”) tied for best actor. They came within exactly one vote of each other, and in accordance with Academy rules at the time, they shared the recognition. That rule has since changed and only an exact match in totals would qualify as a tie today, according to the Academy.
Makeup and Hairstyling
- “Frankenstein”
- “Kokuho”
- “Sinners”
- “The Smashing Machine”
- “The Ugly Stepsister”
“While we’re making this film, we had the sense we’re part of something very special, and tonight confirms that,” makeup artist Mike Hill said as he accepted his Oscar.
Original Score
- “Bugonia,” Jerskin Fendrix
- “Frankenstein,” Alexandre Desplat
- “Hamnet,” Max Richter
- “One Battle After Another,” Jonny Greenwood
- “Sinners,” Ludwig Goransson
Original Song
- “Dear Me” from “Diane Warren: Relentless”
- “Golden” from “KPop Demon Hunters”
- “I Lied To You” from “Sinners”
- “Sweet Dreams Of Joy” from “Viva Verdi!”
- “Train Dreams” from “Train Dreams”
Production Design
- “Frankenstein”
- “Hamnet”
- “Marty Supreme”
- “One Battle After Another”
- “Sinners”
Sound
- “F1”
- “Frankenstein”
- “One Battle After Another”
- “Sinners”
- “Sirat”
Visual Effects
- “Avatar: Fire and Ash”
- “F1”
- “Jurassic World Rebirth”
- “The Lost Bus”
- “Sinners”
Adapted Screenplay
- “Bugonia,” Will Tracy
- “Frankenstein,” Guillermo Del Toro
- “Hamnet,” Chloé Zhao and Maggie O’Farrell
- “One Battle After Another,” Paul Thomas Anderson
- “Train Dreams,” Clint Bentley and Greg Kwedar
“I wrote this movie for my kids to say sorry for the housekeeping mess that we left in this world we’re handing off to them,” Anderson said as he accepted his Oscar.
“This is an adaptation, so I owe a huge debt of admiration and love to Thomas Pynchon. Any writer knows that…you either beg for forgiveness, or your special thanks is really to your family and the people that you share a roof with, who put up with what it means to live with a writer,” he added.
Original Screenplay
- “Blue Moon,” Robert Kaplow
- “It Was Just an Accident,” Jafar Panahi
- “Marty Supreme,” Ronald Bronstein and Josh Safdie
- “Sentimental Value,” Eskil Vogt and Joachim Trier
- “Sinners,” Ryan Coogler
During his speech, he asked the “Sinners” cast and crew to stand up. “You’re all winners in my book,” he said. “I want to thank the Academy for thinking of our movie that came out almost a year ago. This is an incredible honor. I want to thank my fellow nominees.”
It has been another great year in filmmaking, and the only thing tighter than some of the Oscar races this year has been security for the 98th Academy Awards.
The unusually heavy security has been ramped up amid the ongoing Middle East war and concerns about retaliatory strikes by Iran. There have been no specific threats against the Oscars on Sunday, and last week, Gov. Gavin Newsom said the state has been working collaboratively with local law enforcement agencies and emergency services to ensure vital information is transmitted to keep communities safe.
The Los Angeles Police Department has set up a roughly one-mile security perimeter around the Dolby Theatre that includes uniformed officers, security cameras, K-9 units, and even surveillance drones.
For now, all is calm, and all is bright as heading into Hollywood’s biggest night.