The La Opera offers a Mother’s Day discount for the final performance of Verdi’s Falstaff

Cory Weaver. Photo Caption: Deanna Breiwick as Nannetta, Sarah Saturnino as Meg Page, Nicole Heaston as Alice Ford, and Hyona Kim as Mistress Quickly in LA Opera’s 2026 production of Falstaff

The acclaimed comic masterpiece concludes this Sunday at the Dorothy Chandler Pavilion with a 20% savings.

The LA Opera will lower the curtain on its acclaimed production of Giuseppe Verdi’s Falstaff this Sunday, May 10, with a final matinee performance timed for the Mother’s Day holiday.

Under the direction of Maestro James Conlon, the production concludes its run with a special incentive for last-minute gift-seekers. Using the promotional code MOM20, attendees can secure a 20% discount on tickets for the final performance of this classic Italian comedy.

You can purchase tickets online at the LA Opera website or via phone at 213.972.8001. You can email customer service with questions. 

Cory Weaver. Craig Colcough (front) as Falstaff, with Yuntong Han (Bardolph), Nathan Bowles (Dr. Caius), Ernesto Petti (Ford), and Vinícius Costa (Pistol),  in LA Opera’s 2026 production of Falstaff.

The production, a traditional staging by Lee Blakeley, features longtime company favorite Craig Colclough in the title role. Colclough portrays Sir John Falstaff, a boastful but cash-strapped knight whose ill-fated scheme to seduce two wealthy Windsor wives—Alice Ford and Meg Page—spirals into a whirlwind of deception and public humiliation.

Joining Colclough in this ensemble masterpiece are vocalists Nicole Heaston, Ernesto Petti, and Hyona Kim as the vengeful pranksters, alongside Deanna Breiwick and Anthony León as the opera’s central young lovers. The performance is noted for its period-specific aesthetics, including lavish scenery and sumptuous costumes designed by Adrian Linford.

Cory Weaver. Photo Caption: Deanna Breiwick as Nannetta in LA Opera’s 2026 production of Falstaff.

Clocking in at approximately two hours and 40 minutes, the opera is sung in its original Italian with English subtitles provided. The production was made possible through the support of the GRoW @ Annenberg Foundation and several private donors, including Régina and Gregory Annenberg Weingarten.