Radiohead fans, prepare to willingly walk into the anxiety spiral.

A massive immersive Radiohead installation called Motion Picture House featuring KID A MNESIA has officially opened at the Brooklyn Navy Yard, turning part of the industrial waterfront into a haunting, dreamlike fever vision inspired by two of the band’s most beloved albums: Kid A and Amnesiac.

The limited-run experience takes over the Agger Fish Building through June 28 with towering projected visuals, unsettling soundscapes, cryptic monsters and distorted architecture, all accompanied by the emotional sensation of staring out a rainy train window.

The installation expands on KID A MNESIA, the acclaimed virtual exhibition originally released through Epic Games in 2021. That digital version was created during the pandemic as an interactive exploration of artwork that Thom Yorke and longtime Radiohead collaborator Stanley Donwood developed while making Kid A and Amnesiac.

But according to the band, this physical installation was always the real goal. Now, visitors can wander through the project in actual three-dimensional space, complete with galleries of large-scale artwork by Yorke and Donwood, plus a fully immersive audiovisual experience powered by a custom six-point surround sound system. The soundtrack draws directly from original Radiohead multitrack recordings specially remixed for the installation.

The experience first debuted inside a literal underground bunker at Coachella earlier this spring before heading to Brooklyn for its longest North American run. After New York, the installation will travel to Chicago, Mexico City and San Francisco.

Tickets are being sold in timed two-hour slots Thursdays through Sundays, with about 75 minutes dedicated to the immersive film itself and additional time to explore the surrounding galleries and installations. Radiohead is also using Fair AXS ticketing to reduce bots and scalpers. (And in an extremely Brooklyn-coded twist, organizers say students with a valid .edu email address can score 30% off tickets.)

For anyone who spent the early 2000s dramatically listening to “Everything In Its Right Place” while staring at the ceiling, this may be the closest thing yet to physically entering a Radiohead album.