Josh Chesler
| Special for The Republic
Musicians with Arizona ties, from Stevie Nicks to Alice Cooper
Here are 12 of the biggest music celebrities who are Arizona natives or who have lived here, including Wayne Newton, Tanya Tucker and John Denver.
The Republic
- Indie band The Format played their first show in nearly two decades to a sold-out crowd in Phoenix.
- The band performed fan favorites and debuted two new songs during the 19-song set.
- Jim Adkins of Jimmy Eat World made a surprise appearance to cover “Hey Jealousy” by the Gin Blossoms.
If you walked the halls of Arizona high schools in the mid-2000s, you were too young to see Nirvana and missed Beatlemania by a couple of generations. You might’ve heard stories from older siblings and friends about the early days of Jimmy Eat World as a local band, but “Bleed American” launched them on to “TRL” before they could really feel like your local band.
Instead, you had The Format. The indie pop/rock group (primarily known as the duo of vocalist Nate Ruess and multi-instrumentalist Sam Means) exploded on to the scene with 2003’s “Interventions + Lullabies” and ultimately spoke to an entire generation of Phoenix millennials before disbanding in 2008. And on Saturday, Sept. 27, at the Arizona Veterans Memorial Coliseum, you and your graduating class may have attended an impromptu high school reunion for The Format’s first show since 2007.
After a sudden thunderstorm cut short the outdoor set from the award-winning local combo of JPW & Dad Weed, nearly 15,000 fans piled into the Coliseum to crawl through mile-long merch lines — which featured Suns-themed jerseys and towels featuring the venue’s “Madhouse on McDowell” nickname — and reach their seats for the sold-out concert. When the lights went down and “Sirius” by the Alan Parsons Project (better known as the Chicago Bulls’ intro song) came over the speakers, the 60-year-old building shook with the crowd’s excitement as much as it ever had for any Suns game.
From the very first line of “Tie the Rope,” it was obvious that both the crowd and band were ready to erupt after the 18-year wait. Ruess’s signature timbre sounded as if he hadn’t missed a day, and yet he was nearly drowned out by the audience by the time the opening track reached the chorus. Fans who had flown in from all over the country were more than ready to sing and dance along to almost every song on the band’s 19-song setlist, and (as Ruess semi-joked when someone requested a specific song) The Format were prepared to deliver the hits.
The five-piece band — which featured both Means and Marko Buzard on multiple guitars and keyboards — tore through energetic fan-favorites “Wait, Wait, Wait,” “The Compromise” and “Tune Out” following the opener before Ruess took a minute away from dancing and jumping around to address the crowd between songs.
“I know it’s obvious, but it’s been almost 20 years,” Ruess began, pausing every handful of words. “I’ve been wanting to say this for almost 20 years. We are The Format.”
The Format returned after nearly 20 years
The audience reached a fever pitch with the simple introduction, as Ruess (who went on to form the Grammy-winning band fun. after The Format’s dissolution) went on to point out that a lot had changed since the last time the band was together. He added that they didn’t even know how to handle the evening’s energy. That mood that was most certainly shared by the audience members experiencing a wide array of emotions (from dancing to crying) thanks to the combination of excitement and nostalgia.
Before anyone in the room had the chance to get too emotional, the band immediately launched back into their beloved-yet-brief discography with the title track from 2006’s “Dog Problems.” This was followed by the crowd once again winning the volume battle during the choruses of “Time Bomb” and reaching the mid-point of their main set with “I’m Ready, I Am.”
But it wasn’t until The Format reached one of their slower tunes — in this case “A Mess to Be Made” — that the audience all broke out their smartphone lights to wave back and forth. While it’s a common sight at large shows these days, it’s worth noting that the last time The Format played a show, the very first iPhone had just launched and flashlights weren’t sitting in everyone’s pockets (neither were lighters, to be fair), so it was likely the first time that’s ever happened for Phoenix’s favorite indie band.
“This is the most enjoyable time I’ve ever had,” Ruess said following the 2003 song. “We’ve been putting the time in for the last 8 or 9 months just trying to get all of this stuff right and trying to remember how to play all of these songs.”
The vocalist continued to tell the story of when he and Means were first discussing possible venues for the return show, and they “probably would’ve had the best time in the Nile (Underground)” but both remembered going to see bigger bands at the State Fair. So rather than playing it safe and picking a small venue, the duo decided to opt for the Coliseum, expecting it to be “half-empty.”
Instead, The Format sold out the venue within minutes of tickets becoming available (much to their genuine surprise, according to sources close to the band), and the vast majority of those fans absolutely lost their minds when the band’s final hit single from their original run “She Doesn’t Get It” started to play.
Following the big moment, the band dove into perhaps the only song that could constitute a deep cut for the evening with “Janet” from their “Snails” EP before playing the release’s titular track (which was made more popular by its inclusion on “Dog Problems”).
A special Arizona music surprise for fans
At this point, roughly an hour into the evening, The Format busted out a new trick once again. Ruess picked up an electric guitar and joked that he “learned a couple of chords” and wanted to “try them out” at the show. This led to what appears to be the first of two new songs for the night (a borderline-Tom Petty-inspired tune called “Shot in the Dark”) before returning to their well-known material with “Give It Up.”
Spending two songs with a guitar in his hands also gave the 43-year-old Ruess (who joked multiple times about his age) a break from running around the stage, all leading to the explosive finale of “The First Single (You Know Me).” Aside from belting out just about every word of the band’s biggest hit at near-deafening levels, much of the crowd was also impressively prepared for the two quick handclaps in the chorus, leaving Ruess to look genuinely emotional as he took a minute to thank everyone for “the time of (his) life” just before the bridge.
When the band quickly left before the encore, the elated, yet sweaty, audience clapped their hands and stomped their feet without virtually anyone leaving the building. Means and Ruess soon returned — with the latter having switched his blue T-shirt for a Suns jersey with his name on the back — for one of the loudest singalongs of the night on the quiet “On Your Porch” before the entire band joined for the other new song, “Holy Roller.”
As the evening began drawing to a close, The Format still had one major surprise up their sleeve. Ruess began explaining that he, Means and Buzard had all been in the Phoenix music scene since they were young teenagers, and they wanted to bring out one of their favorite songwriters and inspirations to cover yet another Arizona band that no one in the state “would be anywhere without.”
And in perhaps the defining moment in Arizona alt-rock history, Jim Adkins joined The Format to perform “Hey Jealousy” by the Gin Blossoms before Means and Ruess closed their encore with “A Save Situation.” Following a second brief intermission, the band returned for “If Work Permits” before officially retiring for the night more than 90 minutes after the show began.
For those who hadn’t gotten their musical fill for the evening, the timing was perfect as local songwriter Sydney Sprague began her set on the outdoor stage as the Coliseum emptied into the fairgrounds.