Racing past the ₹400 crore mark, it posted a rock-solid ₹32.10 crore nett (India) on Day 12, registering the BIGGEST Second Tuesday, a feat never before witnessed at the box office
After rewriting box office rules through its first week and delivering a record-shattering second weekend and the biggest second Monday, Dhurandhar shows no signs of slowing down as trends indicate the spy-action entertainer replicating Week 1 day on day growth in Week 2.
Racing past the ₹400 crore mark, it posted a rock-solid ₹32.10 crore nett (India) on Day 12, registering the BIGGEST Second Tuesday, a feat never before witnessed at the box office.
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With weekday collections holding at extraordinary levels and audience demand remaining consistently strong across centres,
_Dhurandhar_ continues to chart a trajectory that defies all conventional box office behaviour.
Break-up:
Week 1: ₹218.00 crore
2nd Weekend: ₹146.60 crore
Day 11, Monday: ₹31.80 crore
Day 12, Tuesday: ₹32.10 crore
Total: ₹428.50 crore nett (India)
A box office phenomenon, Jio Studios & B62 Studios’ Aditya Dhar directorial powers ahead on an unprecedented, audience-driven run, breaking records not just once, but day after day and now week after week.
In an industry where sequels typically arrive years later—diluted, disconnected, and chasing the ghost of the original—Dhurandhar 2 wishes to go beyond and attempts to make a difference with its craft. The cliffhanger isn’t pretentious or provocative but poignant.
Ranveer Singh, the chameleon he is, allows the other actors in the ensemble to take centre stage and morph with others in the background. And for those yearning for his presence will get to see the whole of the mammoth iceberg when the second part blazes the celluloid on March 19 next year.
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_Dhurandhar Part 1 and Part 2_ were shot back-to-back. As one continuous production. Same cast, same crew, same creative momentum. Then split for release. It’s the first time a big-budget, mainstream Hindi film has attempted this at scale. And if it works the way we believe it will, it could reshape how Bollywood thinks about franchises entirely.
This isn’t uncharted territory worldwide. Tarantino shot Kill Bill as one film, then split it into Volume 1 and Volume 2. Pirates of the Caribbean locked in cast and crew for back-to-back shoots. The Matrix sequels embraced parallel production to preserve creative coherence.
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