Review | ‘Bat Boy’ outgrows its cave at City Center
Still a gleefully chaotic mix of camp, horror, rock opera, and satire, “Bat Boy: The Musical” has returned—bigger,…
Review: Second Thought’s thriller ‘Incarnate’ may not scare, but demands attention
This season, Second Thought Theatre successfully pulled off a slate of world premiere shows by local playwrights. With…
Review: FMT’s ‘Into the Woods’ is a magical journey filled with massive talents
Into the Woods is no mere musical. The Stephen Sondheim/James Lapine masterpiece is a profound, layered theatrical experience…
Review: A young actor emerges in Uptown Players’ dynamic ‘Jamie’
From its first moments with its exciting first number, it was immediately clear that Uptown Players’ newest production…
Review: Second Thought Theatre’s ‘Dead Body’ is no stiff
As today’s population engages deeper and deeper with AI and technology, Jenny Ledel goes one step further. In…
Stage Notes: Review of ‘LUX: a solo show;’ Elevator Project unveils new season
Stage Notes is a weekly aggregate post about theater, classical music, dance, comedy and stage news, events, reviews and…
Love collides with computers in ‘Ada and the Engine’ at Long Beach Playhouse • the Hi-lo
In the final weekend of its run at Long Beach Playhouse, “Ada and the Engine” may offer a…
Review: ‘A Strange Loop’ is queer, raw, unapologetic and amazing at Circle Theatre
Circle Theatre’s regional premiere of A Strange Loop, the Tony and Pulitzer Prize-winning musical, opened last Saturday. Directed…