{"id":1043089,"date":"2026-09-04T15:14:31","date_gmt":"2026-09-04T15:14:31","guid":{"rendered":"https:\/\/www.europesays.com\/us\/1043089\/"},"modified":"2026-09-04T15:14:31","modified_gmt":"2026-09-04T15:14:31","slug":"inploration-highlights-dozens-of-artists-who-explore-space-to-understand-earth-colossal","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/1043089\/","title":{"rendered":"&#8216;Inploration&#8217; Highlights Dozens of Artists Who Explore Space to Understand Earth \u2014 Colossal"},"content":{"rendered":"<p>In his essay \u201cThe Passing Wisdom of Birds,\u201d environmentalist and writer Barry Lopez rued how scientific methodology doesn\u2019t take into consideration our senses or perception, how data is divorced from the experience of nature. \u201cBiology should borrow here from quantum physics, which accepts the premise that, under certain circumstances, the observer can be deceived,\u201d he wrote. \u201cQuantum physics, with its ambiguous particles and ten-dimensional universes, is a branch of science that has in fact returned us to a state of awe with nature, without threatening our intellectual capacity to analyze complex events.\u201d<\/p>\n<p>Such is the fascination that grounds the book Inploration: Art Exploring Space to Understand Earth, forthcoming from Delmonico Books. The volume is the result of years of work by <a href=\"https:\/\/www.richelleellis.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Richelle Ellis<\/a>, an artist, author, and founder of the curatorial platforms <a href=\"https:\/\/inploration.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Inploration<\/a> and <a href=\"https:\/\/www.supercollider.la\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Supercollider<\/a>, who has spent the past decade investigating what she describes as \u201cthe intersection of art and aerospace.\u201d She\u2019s drawn to the way our questioning of the universe can revive a sense of wonder for our planet and prompt us to consider how we value and care for it.<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-5.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Cannupa Hanska Luger, \u201cThe One Who Checks &amp; The One Who Balances\u201d (2018 \u2013 ongoing), site-specific land acknowledgement, Navajo Nation. Photo by Chip Thomas, \u00a9 2024 Cannupa Hanska Luger\" data-rl_title=\"Cannupa Hanska Luger, \u201cThe One Who Checks &amp; The One Who Balances\u201d (2018 \u2013 ongoing), site-specific land acknowledgement, Navajo Nation. Photo by Chip Thomas, \u00a9 2024 Cannupa Hanska Luger\" data-rl_caption=\"Cannupa Hanska Luger, \u201cThe One Who Checks &amp; The One Who Balances\u201d (2018 \u2013 ongoing), site-specific land acknowledgement, Navajo Nation. Photo by Chip Thomas, \u00a9 2024 Cannupa Hanska Luger\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-5.jpg\" alt=\"artist Cannupa Hanska Luger wears a vibrant costume informed by Indigenous narratives and walks across a natural sandstone arch on the Navajo Nation\" class=\"wp-image-477456\"  \/><\/a>Cannupa Hanska Luger, \u201cThe One Who Checks &amp; The One Who Balances\u201d (2018 \u2013 ongoing), site-specific land acknowledgement, Navajo Nation. Photo by Chip Thomas, \u00a9 2024 Cannupa Hanska Luger<\/p>\n<p>\u201cWe coined\u00a0\u2018inploration\u2019\u00a0as a counterpart to exploration,\u201d Ellis says. \u201cRather than looking outward in search of discovery, inploration turns inward, using our relationship to the greater cosmos as a way to better understand ourselves and the planet we inhabit.\u201d The book compiles a wide range of studies, works of art, experiments, and insights from nearly 100 artists, scientists, astronauts, futurists, and others.<\/p>\n<p>Colossal readers will recognize work by <a href=\"https:\/\/www.thisiscolossal.com\/tags\/cannupa-hanska-luger\" rel=\"nofollow noopener\" target=\"_blank\">Cannupa Hanska Luger<\/a>, <a href=\"https:\/\/www.thisiscolossal.com\/tags\/tavares-strachan\" rel=\"nofollow noopener\" target=\"_blank\">Tavares Strachan<\/a>, <a href=\"https:\/\/www.thisiscolossal.com\/tags\/wangechi-mutu\" rel=\"nofollow noopener\" target=\"_blank\">Wangechi Mutu<\/a>, and more. From <a href=\"https:\/\/www.thisiscolossal.com\/tags\/cai-guo-qiang\" rel=\"nofollow noopener\" target=\"_blank\">Cai Guo-Qiang<\/a>\u2019s 500-meter fiery ladder to <a href=\"https:\/\/www.thisiscolossal.com\/tags\/james-turrell\" rel=\"nofollow noopener\" target=\"_blank\">James Turrell<\/a>\u2019s monumental earthwork in the Painted Desert with its skyward aperture, the book challenges us to think about our relationship to not only the earth but everything that exists in the incomprehensible beyond.<\/p>\n<p>Inploration will be released at the end of October, and you can pre-order your copy on <a href=\"https:\/\/bookshop.org\/a\/96\/9781636812144\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Bookshop<\/a>.<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-8.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Cai Guo-Qiang, \u201cSky Ladder\u201d (2015), gunpowder, fuse and helium balloon, 500 x 5.5 meters (100 seconds). Realized at Huiyu Island Harbour, Quanzhou, Fujian, June 15, 2015, 4:45 am (dawn). Photo by Lin Yi, \u00a9 Cai Studio\" data-rl_title=\"Cai Guo-Qiang, \u201cSky Ladder\u201d (2015), gunpowder, fuse and helium balloon, 500 x 5.5 meters (100 seconds). Realized at Huiyu Island Harbour, Quanzhou, Fujian, June 15, 2015, 4:45 am (dawn). Photo by Lin Yi, \u00a9 Cai Studio\" data-rl_caption=\"Cai Guo-Qiang, \u201cSky Ladder\u201d (2015), gunpowder, fuse and helium balloon, 500 x 5.5 meters (100 seconds). Realized at Huiyu Island Harbour, Quanzhou, Fujian, June 15, 2015, 4:45 am (dawn). Photo by Lin Yi, \u00a9 Cai Studio\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"2696\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-8.jpg\" alt=\"an artwork by Cai Guo-Qiang of a ladder suspended in the sky made of gunpowder that was set ablaze\" class=\"wp-image-477459\"  \/><\/a>Cai Guo-Qiang, \u201cSky Ladder\u201d (2015), gunpowder, fuse and helium balloon, 500 x 5.5 meters (100 seconds). Realized at Huiyu Island Harbour, Quanzhou, Fujian, June 15, 2015, 4:45 am (dawn). Photo by Lin Yi, \u00a9 Cai Studio<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-4.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Lucy McRae, \u201cSolitary Survival Raft\u201d (2020). Photo by Ariel Fisher, \u00a9 Lucy McRae\" data-rl_title=\"Lucy McRae, \u201cSolitary Survival Raft\u201d (2020). Photo by Ariel Fisher, \u00a9 Lucy McRae\" data-rl_caption=\"Lucy McRae, \u201cSolitary Survival Raft\u201d (2020). Photo by Ariel Fisher, \u00a9 Lucy McRae\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-4.jpg\" alt=\"a sculpture of a \" survival=\"\" raft=\"\" designed=\"\" for=\"\" one=\"\" person=\"\" all=\"\" in=\"\" orange=\"\" class=\"wp-image-477455\"  \/><\/a>Lucy McRae, \u201cSolitary Survival Raft\u201d (2020). Photo by Ariel Fisher, \u00a9 Lucy McRae<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-2.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Azuma Makoto, \u201cIn Bloom #1: EXOBIOTANICA I-BOTANICAL SPACE FLIGHT\u201d (2014), Black Rock Desert, Nevada. \u00a9 AMKK\" data-rl_title=\"Azuma Makoto, \u201cIn Bloom #1: EXOBIOTANICA I-BOTANICAL SPACE FLIGHT\u201d (2014), Black Rock Desert, Nevada. \u00a9 AMKK\" data-rl_caption=\"Azuma Makoto, \u201cIn Bloom #1: EXOBIOTANICA I-BOTANICAL SPACE FLIGHT\u201d (2014), Black Rock Desert, Nevada. \u00a9 AMKK\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1333\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-2.jpg\" alt=\"a small clump of flowers appears to dangle out in space with the blurry outline of Earth in the background\" class=\"wp-image-477453\"  \/><\/a>Azuma Makoto, \u201cIn Bloom #1: EXOBIOTANICA I-BOTANICAL SPACE FLIGHT\u201d (2014), Black Rock Desert, Nevada. \u00a9 AMKK<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-1.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"James Turrell, \u201cRoden Crater\u201d (2015). \u00a9 James Turrell, \u00a9 Skystone Foundation\" data-rl_title=\"James Turrell, \u201cRoden Crater\u201d (2015). \u00a9 James Turrell, \u00a9 Skystone Foundation\" data-rl_caption=\"James Turrell, \u201cRoden Crater\u201d (2015). \u00a9 James Turrell, \u00a9 Skystone Foundation\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"3587\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-1.jpg\" alt=\"a wide-angle interior view of James Turrell's &quot;Roden Crater&quot; earthwork, with an aperture open to the sky and a large stairwell leading down into the cavernous space\" class=\"wp-image-477452\"  \/><\/a>James Turrell, \u201cRoden Crater\u201d (2015). \u00a9 James Turrell, \u00a9 Skystone Foundation<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-3.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Pannaphan Yodmanee, \u201cIn the aftermath\u201d (2017-18), found objects, artist-made icons, plaster, resin, concrete, steel, pigment, dimensions variable. \u00a9 Pannaphan Yodmanee, courtesy of Queensland Art Gallery Gallery of Modern Art\" data-rl_title=\"Pannaphan Yodmanee, \u201cIn the aftermath\u201d (2017-18), found objects, artist-made icons, plaster, resin, concrete, steel, pigment, dimensions variable. \u00a9 Pannaphan Yodmanee, courtesy of Queensland Art Gallery Gallery of Modern Art\" data-rl_caption=\"Pannaphan Yodmanee, \u201cIn the aftermath\u201d (2017-18), found objects, artist-made icons, plaster, resin, concrete, steel, pigment, dimensions variable. \u00a9 Pannaphan Yodmanee, courtesy of Queensland Art Gallery Gallery of Modern Art\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1329\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-3.jpg\" alt=\"a multimedia installation in the corner of a gallery made of found objects, plaster, and other materials that looks post-apocalyptic\" class=\"wp-image-477454\"  \/><\/a>Pannaphan Yodmanee, \u201cIn the aftermath\u201d (2017-18), found objects, artist-made icons, plaster, resin, concrete, steel, pigment, dimensions variable. \u00a9 Pannaphan Yodmanee, courtesy of Queensland Art Gallery Gallery of Modern Art<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-6.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\" title=\"Lita Albuquerque, \u201cStellar Axis: Antarctica\u201d (2006). Photo by Jean de Pomereu, courtesy of the artist and the Nevada Museum of Art. \u00a9 Lita Albuquerque\" data-rl_title=\"Lita Albuquerque, \u201cStellar Axis: Antarctica\u201d (2006). Photo by Jean de Pomereu, courtesy of the artist and the Nevada Museum of Art. \u00a9 Lita Albuquerque\" data-rl_caption=\"Lita Albuquerque, \u201cStellar Axis: Antarctica\u201d (2006). Photo by Jean de Pomereu, courtesy of the artist and the Nevada Museum of Art. \u00a9 Lita Albuquerque\" data-rl_><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1380\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-6.jpg\" alt=\"a bright white Antarctic landscape with small black spheres on the ground\" class=\"wp-image-477457\"  \/><\/a>Lita Albuquerque, \u201cStellar Axis: Antarctica\u201d (2006). Photo by Jean de Pomereu, courtesy of the artist and the Nevada Museum of Art. \u00a9 Lita Albuquerque<\/p>\n<p><a href=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-9.jpg\" class=\"swipebox\" data-rel=\"lightbox-gallery-477451\"><img loading=\"lazy\" decoding=\"async\" width=\"894\" height=\"1100\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2026\/09\/inploration-9.jpg\" alt=\"the cover of the book 'INPLORATION'\" class=\"wp-image-477460\"  \/><\/a><\/p>\n<p><strong>Do stories and artists like this matter to you?<\/strong> Become a <a href=\"https:\/\/www.thisiscolossal.com\/members\/\" data-type=\"page\" data-id=\"118516\" rel=\"nofollow noopener\" target=\"_blank\">Colossal Member<\/a> now, and support independent arts publishing.<\/p>\n<ul class=\"wp-block-list\">\n<li>Hide advertising<\/li>\n<li>Save your favorite articles<\/li>\n<li>Get 15% off in the <a href=\"https:\/\/colossal.shop\/\" rel=\"nofollow noopener\" target=\"_blank\">Colossal Shop<\/a><\/li>\n<li>Receive members-only newsletter<\/li>\n<li>Give 1% for art supplies in K-12 classrooms<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"In his essay \u201cThe Passing Wisdom of Birds,\u201d environmentalist and writer Barry Lopez rued how scientific methodology doesn\u2019t&hellip;\n","protected":false},"author":3,"featured_media":1043090,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[32],"tags":[648,1032,4514,1033,917,171,417708,783,67,132,68],"class_list":["post-1043089","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-astronomy","tag-design","tag-earth","tag-entertainment","tag-richelle-ellis","tag-space","tag-united-states","tag-unitedstates","tag-us"],"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/117213427989696235","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/1043089","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=1043089"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/1043089\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/1043090"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=1043089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=1043089"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=1043089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}