{"id":1046611,"date":"2026-09-06T09:09:13","date_gmt":"2026-09-06T09:09:13","guid":{"rendered":"https:\/\/www.europesays.com\/us\/1046611\/"},"modified":"2026-09-06T09:09:13","modified_gmt":"2026-09-06T09:09:13","slug":"wim-wenders-on-why-he-made-a-documentary-about-architect-peter-zumthor","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/1046611\/","title":{"rendered":"Wim Wenders on Why He Made a Documentary About Architect Peter Zumthor"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/variety.com\/t\/wim-wenders\/\" id=\"auto-tag_wim-wenders\" data-tag=\"wim-wenders\" rel=\"nofollow noopener\" target=\"_blank\">Wim Wenders<\/a>\u2019 3D documentary \u201cFrom Inside Out,\u201d which has its world premiere at the <a href=\"https:\/\/variety.com\/t\/venice-film-festival\/\" id=\"auto-tag_venice-film-festival\" data-tag=\"venice-film-festival\" rel=\"nofollow noopener\" target=\"_blank\">Venice Film Festival<\/a> on Sunday, examines the work of Pritzker Prize-winning architect <a href=\"https:\/\/variety.com\/t\/peter-zumthor\/\" id=\"auto-tag_peter-zumthor\" data-tag=\"peter-zumthor\" rel=\"nofollow noopener\" target=\"_blank\">Peter Zumthor<\/a>, paying particular attention to the design and construction of the David Geffen Galleries of the Los Angeles County Museum of Art.<\/p>\n<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the film, the result of a 14-year collaboration with the architect, Zumthor explains how he approaches the design of his buildings so that they are in harmony with their surroundings and serve the people who will use them.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWenders first came across Zumthor\u2019s work when the architect took part in a competition for a gallery building in Berlin, opposite the Neues Museum. \u201cIt looked splendid but wasn\u2019t built,\u201d Wenders explains.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAmong those appearing in the film are filmmakers Ava DuVernay and Werner Herzog, actress Ever Anderson, singer-songwriter Sophie Hunger, visual artist Tarek Atoui, and actress and dancer Aoi Yamada, who also appeared in Wenders\u2019 \u201cPerfect Days.\u201d <a href=\"https:\/\/variety.com\/t\/brad-pitt\/\" id=\"auto-tag_brad-pitt\" data-tag=\"brad-pitt\" rel=\"nofollow noopener\" target=\"_blank\">Brad Pitt<\/a> serves as executive producer on the film. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tVariety submitted a series of questions to the director about the film, and publishes his written responses below:<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>When did you first meet Peter Zumthor?<br \/><\/strong>As a commission for the 13th Architecture Biennale, I made a short film on him: \u201cNotes From a Day in the Life of an Architect.\u201d We got along great and decided to do \u201csomething real\u201d together, a long feature film.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What motivated you to make a film about him?<br \/><\/strong>I have loved architecture since my childhood and always wanted to know more about the work of an architect. Zumthor seemed like an ideal partner, as his work is truly rethinking the very basis of what architecture is or can be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What was it about his architecture that made it a suitable subject for a film?<br \/><\/strong>The fact that Zumthor works in quite a radical way. He spends more time on each building than most of his colleagues, both in the design and the construction process. Like other artists, he feels that a building is not done or finished with the approved plans, but that it is shaped only in its construction process. As a filmmaker, I share that approach.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Why did you choose to shoot it as a 3D film?<br \/><\/strong>No visual language would be more suitable for architecture than 3D.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Can you speak about the role of the people in the film? Are they actors?<br \/><\/strong>They are not \u201cactors.\u201d They are real people who visit the buildings by Peter Zumthor or live in them. They see these places, and the audience sees and experiences them through their eyes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Was the construction of the David Geffen Galleries pivotal to the film?<br \/><\/strong>Absolutely. We had already started the film when the building of the new LACMA became real and was no longer just a project. Peter and I agreed that the film should definitely include this milestone in his career, and what was already a \u201clong-term observation\u201d now became even longer. I also met Brad Pitt at that moment, as he had been an ardent defender of Zumthor\u2019s building, even in front of the City Council, and he agreed to help make the film.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Can you explain how Zumthor contributed to the making of the film?<br \/><\/strong>We shot countless times with Zumthor over a period of 14 years, both in his office in Switzerland as well as all over the world. He always made himself available for our film, opened his archives and answered each and every one of my questions.<\/p>\n","protected":false},"excerpt":{"rendered":"Wim Wenders\u2019 3D documentary \u201cFrom Inside Out,\u201d which has its world premiere at the Venice Film Festival on&hellip;\n","protected":false},"author":3,"featured_media":1046612,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_share_on_mastodon":"0"},"categories":[32],"tags":[648,1032,1043,1033,171,180021,67,132,68,30989,172989],"class_list":["post-1046611","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arts-and-design","tag-arts","tag-arts-and-design","tag-brad-pitt","tag-design","tag-entertainment","tag-peter-zumthor","tag-united-states","tag-unitedstates","tag-us","tag-venice-film-festival","tag-wim-wenders"],"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/1046611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=1046611"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/1046611\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/1046612"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=1046611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=1046611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=1046611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}