{"id":107953,"date":"2025-07-31T16:14:09","date_gmt":"2025-07-31T16:14:09","guid":{"rendered":"https:\/\/www.europesays.com\/us\/107953\/"},"modified":"2025-07-31T16:14:09","modified_gmt":"2025-07-31T16:14:09","slug":"texas-wild-deluxe-edition-adds-new-tracks-and-vinyl","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/107953\/","title":{"rendered":"Texas Wild Deluxe Edition Adds New Tracks and Vinyl"},"content":{"rendered":"<p class=\"lead\">When the\u00a0Texas Wild\u00a0album first dropped in 2023, it sounded like nothing else: a genre-bending mixtape of Lone Star covers, stitched together by Texas artists and produced in celebration of 100 years of state parks. The result was part conservation campaign, part love letter to the state\u2019s musical heritage \u2014 and one of the year\u2019s most surprising albums.\u00a0<\/p>\n<p>Now, the Texas Parks and Wildlife Foundation is bringing it back with\u00a0Texas Wild \u2013 Deluxe Edition, a re-release that expands the original project with five new tracks, limited-run collectible vinyl, and a few surprises that prove you really\u00a0can\u00a0make a good thing better.\u00a0<\/p>\n<p>The expanded album drops digitally on August 8, but fans won\u2019t have to wait that long to get a taste. A soulful, full-throttle cover of Roy Orbison\u2019s \u201cPretty Woman,\u201d featuring Grammy winner Ruthie Foster and cosmic country outfit The Texas Gentlemen, lands on streaming services Friday, August 1 \u2014 the same day that preorders open for the limited-edition pink Bio-Vinyl pressing. Only 1,500 copies of the eco-conscious LP will be available worldwide. They\u2019re wrapped in a package as collectible as the music itself: four interchangeable covers by Austin illustrator Mishka Westell depict iconic native wildlife \u2014 the mountain lion, desert bighorn, horned lizard, and mockingbird \u2014 along with a 24-page companion booklet on the wild places that inspired it all.\u00a0<\/p>\n<p>\u201cWe wanted to create a living homage to Texas\u2019 wild things, wild places, and wild traditions while introducing entirely new audiences to our lifelong mission to conserve it all,\u201d TPWF Executive Director Anne Brown said. \u201cVery few things can evoke the energy, inspiration, and awe we feel when we are out in the Texas wild, but music provides that perfect parallel.\u201d\u00a0<\/p>\n<p>The 15-track digital version offers even more. Newcomers include Max Frost putting an indie-pop spin on Beyonc\u00e9\u2019s \u201cIrreplaceable,\u201d and Austin country-rocker Jonathan Terrell tackling George Strait\u2019s \u201cAll My Exes Live in Texas.\u201d\u00a0<\/p>\n<p>The rest of the lineup reads like a genre-hopping road trip through Texas sound: Shakey Graves and Jess Williamson channel Daniel Johnston; Fat Tony and Paul Wall ride the Tex-Mex groove of the Texas Tornados; and Ryan Bingham dusts off the <a href=\"https:\/\/fwtx.com\/culture\/ies-cover-kelly-clarkson-hit-to-aid-texas-parks-and-wildlife\/\" rel=\"nofollow noopener\" target=\"_blank\">Toadies&#8217; brooding \u201cPossum Kingdom\u201d<\/a> \u2014 a bold choice he initially never imagined taking on.\u00a0<\/p>\n<p>\u201cI\u2019ve always been a big fan of the Toadies since I was in high school,\u201d <a href=\"https:\/\/fwtx.com\/culture\/people\/a-conversation-with-ryan-bingham\/\" rel=\"nofollow noopener\" target=\"_blank\">Bingham told\u00a0Fort Worth Magazine<\/a>. \u201cBut I never thought that I\u2019d ever really play any of those songs or cover \u2018Possum Kingdom.\u2019 I always felt like the music was on such a level, there\u2019s no way I could cover a song like that.\u201d\u00a0<\/p>\n<p>That changed when The Texas Gentlemen laid down the instrumental and asked him to give it a shot. \u201cThey sent it over to me and they\u2019re like, \u2018Man, just take a crack at it,\u2019\u201d Bingham recalled. \u201cSo I just sat, and I just worked on the vocals over and over and I just did the best I could with it. It was a lot of fun getting to do that.\u201d\u00a0<\/p>\n<p>The risk paid off. During the interview,\u00a0Fort Worth Magazine\u00a0shared with Bingham that the Toadies\u2019 management told the publication the band loved his version \u2014 a nod of approval that seemed to catch the singer off guard.\u00a0<\/p>\n<p>At the helm of this ambitious remix is Austin\u2019s own Walker Lukens, the singer-songwriter and producer who\u2019s worked with the likes of Rayland Baxter and Shakey Graves. His vision? A playlist that feels like Texas \u2014 sprawling, strange, tender, and wild.\u00a0<\/p>\n<p>\u201cWhat made this project so special is that we brought together legends and newcomers, all united by their love for these classic Texas songs,\u201d said Lukens. \u201cThere\u2019s an untamed creative spirit that you can only find in Texas music, and this album represents that.\u201d\u00a0<\/p>\n<p>Zella Day brings psychedelic shimmer to The 13th Floor Elevators\u2019 \u201cYou\u2019re Gonna Miss Me,\u201d while The Suffers shine soulfully on B.W. Stevenson\u2019s \u201cMy Maria.\u201d And for Foster, reimagining Orbison was about more than paying tribute.\u00a0<\/p>\n<p>\u201cThere\u2019s something beautiful about taking a classic and making it your own while honoring what came before,\u201d Foster said. \u201cSupporting the Texas Parks and Wildlife Foundation makes it even more meaningful \u2014 we\u2019re celebrating the music and the land that inspires it.\u201d\u00a0<\/p>\n<p>Preorders for the vinyl edition are now open at\u00a0<a href=\"https:\/\/texaswildalbum.org\/\" target=\"_blank\" aria-label=\"Link opens in new window (TexasWildAlbum.org)\" rel=\"nofollow noopener\">TexasWildAlbum.org<\/a>, with in-store releases arriving August 29 at indie record shops and Texas State Park stores statewide.\u00a0<\/p>\n<p>Track Listing \u2013 Texas Wild: Deluxe Edition\u00a0<\/p>\n<p><strong>Side A\u00a0<\/strong><\/p>\n<ol>\n<li>Fat Tony feat. Paul Wall \u2014 \u201c(Hey Baby) Que Paso\u201d (Texas Tornados)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Ryan Bingham \u2014 \u201cPossum Kingdom\u201d (The Toadies)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Adrian Quesada feat. Uncle Roy &amp; Spice and The Soul Supporters \u2014 \u201cSay My Name\u201d (Destiny\u2019s Child)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Shakey Graves feat. Jess Williamson \u2014 \u201cTrue Love Will Find You in the End\u201d (Daniel Johnston)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Sir Woman feat. Ray Wylie Hubbard \u2014 \u201cTexas Sun\u201d (Khruangbin &amp; Leon Bridges)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>The Texas Gentlemen \u2014 \u201cThat\u2019s Right (You\u2019re Not From Texas)\u201d (Lyle Lovett)\u00a0<\/li>\n<p>&#13;\n<\/ol>\n<p><strong>Side B<\/strong><\/p>\n<ol>\n<li>Zella Day \u2014 \u201cYou\u2019re Gonna Miss Me\u201d (The 13th Floor Elevators)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>The Suffers \u2014 \u201cMy Maria\u201d (B.W. Stevenson)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>LUNA LUNA \u2014 \u201cSi Una Vez\u201d (Selena)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Toadies \u2014 \u201cSince U Been Gone\u201d (Kelly Clarkson)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Sarah Jaffe \u2014 \u201cAngel Flying Too Close To The Ground\u201d (Willie Nelson)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>The Texas Gentlemen &amp; Ruthie Foster \u2014 \u201cPretty Woman\u201d (Roy Orbison)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Shane Smith and The Saints feat. Hayes Carll \u2014 \u201cPancho and Lefty\u201d (Townes Van Zandt)\u00a0<\/li>\n<p>&#13;\n<\/ol>\n<p><strong>Digital Bonus Tracks\u00a0<\/strong><\/p>\n<ol>\n<li>Max Frost \u2014 \u201cIrreplaceable\u201d (Beyonc\u00e9)\u00a0<\/li>\n<p>&#13;<\/p>\n<li>Jonathan Terrell \u2014 \u201cAll My Exes Live in Texas\u201d (George Strait)\u00a0<\/li>\n<p>&#13;\n<\/ol>\n","protected":false},"excerpt":{"rendered":"When the\u00a0Texas Wild\u00a0album first dropped in 2023, it sounded like nothing else: a genre-bending mixtape of Lone Star&hellip;\n","protected":false},"author":3,"featured_media":107954,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5138],"tags":[5229,2677,185,4788,7371,7372,9730,975,5921,358,68993,7453,3187,67,586,132,5230,68,2969,3340],"class_list":{"0":"post-107953","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-fort-worth","8":"tag-america","9":"tag-artists","10":"tag-celebrities","11":"tag-conservation","12":"tag-fort-worth","13":"tag-fortworth","14":"tag-fwtx-staff","15":"tag-music","16":"tag-style","17":"tag-texas","18":"tag-texas-parks-wildlife-foundation","19":"tag-top-story","20":"tag-tx","21":"tag-united-states","22":"tag-united-states-of-america","23":"tag-unitedstates","24":"tag-unitedstatesofamerica","25":"tag-us","26":"tag-usa","27":"tag-vinyl"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114948739194631025","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/107953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=107953"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/107953\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/107954"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=107953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=107953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=107953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}