{"id":110493,"date":"2025-08-01T14:42:10","date_gmt":"2025-08-01T14:42:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/110493\/"},"modified":"2025-08-01T14:42:10","modified_gmt":"2025-08-01T14:42:10","slug":"eyes-of-wakanda-review-a-gorgeous-crash-course-in-black-panthers-past","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/110493\/","title":{"rendered":"Eyes of Wakanda review: a gorgeous crash course in Black Panther\u2019s past"},"content":{"rendered":"<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Similar to <a href=\"https:\/\/www.theverge.com\/2024\/11\/11\/24293749\/what-if-season-three-premiere-date-x-men-storm-secret-wars\" target=\"_blank\" rel=\"noopener\">What If\u2026?<\/a>, Eyes of Wakanda leans hard into the fantastical and remixes pieces of the larger MCU canon in a way that makes it come across like Marvel-approved fanfiction. But the new series features much stronger visuals, and each of its four episodes tell self-contained narratives that have far more nuanced ideas about justice and morality. And after so many films and series about the multiverse, Eyes of Wakanda is a good reminder of how enjoyable Marvel\u2019s projects can be when the studio brings its storytelling down to Earth.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">While there is a certain degree of connective tissue between its episodes, Eyes of Wakanda zooms in on a series of very different, pivotal moments from the nation\u2019s history. The series opens in the late 13th century, at a time when it is widely understood within Wakanda how important it is that outsiders remain in the dark about the kingdom\u2019s existence.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">In the wrong hands, Wakanda\u2019s advanced technology and vast stores of vibranium could plunge the world into absolute chaos. Even though other countries are ill-equipped to take them on in battle, the Wakandans are careful about maintaining their secrecy. But they recognize the value in knowing what\u2019s happening around the world, which is why they recruit people like Noni (Winnie Harlow), a failed Dora Milaje, to become War Dogs \u2014 operatives tasked with carrying out covert missions beyond Wakanda\u2019s borders.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">While Eyes of Wakanda frames most of its featured leads in a heroic light, it\u2019s clear that showrunner Todd Harris is interested in using the series to interrogate the ethical implications of Wakanda\u2019s approach to statecraft. In the earliest days of the War Dogs\u2019 existence as an organization, they represent a very real fear of what might happen if Wakanda and its creations were discovered. A few pieces of stolen Wakandan tech are all it takes for one traitor (Cress Williams) to convince foreigners that he\u2019s a god who has a right to enslave mortals. But as time goes on, the War Dogs\u2019 missions to recover lost vibranium artifacts become more like self-centered quests for glory than attempts at keeping the world safe. It\u2019s not always clear that what they\u2019re doing is morally sound, and there are multiple instances where operatives\u2019 emotional entanglements with outsiders come close to putting everyone in danger.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Because it\u2019s a series about highly trained warriors, Eyes of Wakanda is a touch more brutal than Marvel\u2019s previous Disney Plus series. The show is peppered with blood-smattered action sequences where characters are maimed and, in one notable instance, killed with an axe to the head. But there are also elements of whimsy woven throughout \u2014 especially in one episode set in Ancient Greece that unfolds like an interpolation of The Song of Achilles.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Unlike What If\u2026?, which was focused on expanding Marvel\u2019s multiverse, Eyes of Wakanda puts more of its energy into highlighting <a href=\"https:\/\/www.washingtonpost.com\/news\/worldviews\/wp\/2018\/02\/27\/africas-real-wakanda-and-the-struggle-to-stay-uncolonized\/\" target=\"_blank\" rel=\"noopener\">real pieces of African history that inspired Black Panther\u2019s lore<\/a>. There is still plenty of larger-than-life sci-fi zaniness, though, which keeps things from getting too dry. Out of all the recent animated anthology projects currently streaming, Eyes of Wakanda actually feels most like <a href=\"https:\/\/www.theverge.com\/movie-reviews\/682832\/predator-killer-of-killers-review-hulu\" target=\"_blank\" rel=\"noopener\">Hulu\u2019s Predator: Killer of Killers<\/a> in the way it keeps things short and sweet before bringing it all full circle. It makes for a solid bit of Marvel storytelling \u2014 the kind that the studio probably wants to make more of now that it\u2019s trying to prioritize quality over quantity.<\/p>\n<p class=\"duet--article--dangerously-set-cms-markup duet--article--standard-paragraph _1ymtmqpi _17nnmdy1 _17nnmdy0 _1xwtict1\">Eyes of Wakanda also stars Lynn Whitfield, Jona Xiao, Steve Toussaint, Anika Noni Rose, Patricia Belcher, and Gary Anthony Williams. All four episodes are now streaming on Disney Plus.<\/p>\n","protected":false},"excerpt":{"rendered":"Similar to What If\u2026?, Eyes of Wakanda leans hard into the fantastical and remixes pieces of the larger&hellip;\n","protected":false},"author":3,"featured_media":110494,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[14345,7299,171,7644,53,6584,20329,20330,67,132,68],"class_list":{"0":"post-110493","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-movies","8":"tag-comics","9":"tag-disney","10":"tag-entertainment","11":"tag-marvel","12":"tag-movies","13":"tag-streaming","14":"tag-tv-show-reviews","15":"tag-tv-shows","16":"tag-united-states","17":"tag-unitedstates","18":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114954039858298690","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/110493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=110493"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/110493\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/110494"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=110493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=110493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=110493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}