{"id":123427,"date":"2025-08-06T11:12:14","date_gmt":"2025-08-06T11:12:14","guid":{"rendered":"https:\/\/www.europesays.com\/us\/123427\/"},"modified":"2025-08-06T11:12:14","modified_gmt":"2025-08-06T11:12:14","slug":"amphibian-stage-in-fort-worth-tells-timeless-human-tale-in-the-heart-sellers","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/123427\/","title":{"rendered":"Amphibian Stage in Fort Worth tells timeless human tale in \u2018The Heart Sellers\u2019"},"content":{"rendered":"<p class=\"body-text-paragraph\">Lloyd Suh\u2019s timely The Heart Sellers has become one of the most produced plays in the U.S. since premiering two years ago. With immigration policy once again front and center, it\u2019s no wonder the story of a pair of recent transplants from Asia bonding over a frozen turkey and the mixed blessings of their similar situations has struck such a chord.<\/p>\n<p class=\"body-text-paragraph\">But The Heart Sellers has little to do with current politics. Instead, in a superbly subtle, affecting production at Amphibian Stage in Fort Worth, it turns out to be a timeless human tale: the joys and struggles of finding one\u2019s place in the world, especially when you\u2019re so far from home.<\/p>\n<p class=\"body-text-paragraph\">Suh\u2019s title is a play on words; he was actually inspired by a piece of now ancient history: The Hart-Celler Act of 1965, which opened up immigration from Asian, African and Latin American countries for the first time since the 1920s. Policy had previously favored Europeans.<\/p>\n<p>Related:<a class=\"dmnc_features-article-body-embeds-related-story-module__82BFj\" href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/2025\/08\/01\/broadway-dallas-presents-life-of-pi\/\" target=\"_blank\" rel=\"noopener\">Broadway Dallas doesn\u2019t present a lot of non-musical plays. \u201cLife of Pi\u201d is an exception<\/a><\/p>\n<p>News Roundups<\/p>\n<p class=\"dmnc_features-cta-social-cta-social-module__zWZy- mb-4\">Catch up on the day&#8217;s news you need to know.<\/p>\n<p class=\"body-text-paragraph\">The Heart Sellers is set eight years later on Thanksgiving of 1973. Luna, from the Philippines, and Jane, who\u2019s Korean, have met for the first time at the grocery store and are now in Luna\u2019s apartment gradually getting to know one another, revealing in real time over 80 minutes what\u2019s inside of them.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" style=\"aspect-ratio:2731 \/ 4096\"   class=\"dmnc_images-modern-image-module__QFaG- max-w-full h-auto text-white dmnc_images-modern-image-module__9Zlll bg-gray-light object-contain\" width=\"2731\" height=\"4096\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/08\/KRBA5HZVRRBYFPECKQWAI32T54.jpg\" alt=\"Tara Park, left, and Olivia de Guzman, stars of Amphibian Stage s production of Lloyd Suh s...\"\/><\/p>\n<p>Tara Park, left, and Olivia de Guzman, stars of Amphibian Stage s production of Lloyd Suh s popular 2023 play  The Heart Sellers. <\/p>\n<p>Evan Michael Woods<\/p>\n<p class=\"body-text-paragraph\">The audience knows the turkey they\u2019ve stuck in the oven at 400 degrees will never be ready, and maybe they do too. Bright-eyed Jane (Tara Park) and melancholy Luna (Olivia de Guzman) are not as innocent or naive as they first seem, and they have devastating senses of humor. From their speech, which includes American idiomatic expressions and eventually saltier language, you can tell they\u2019ve been in the U.S. for a minute.<\/p>\n<p class=\"body-text-paragraph\">They have much shared history, even beyond the fact that their husbands are first-year residents at a local hospital and therefore never around. They start by comparing notes on American culture and eating Ritz crackers sprayed with Easy Cheese. Drinking wine from a Mickey Mouse mug, Jane reveals she\u2019s a fan of Soul Train.<\/p>\n<p class=\"body-text-paragraph\">Though they don\u2019t have a lot of money, that will change when their husbands become fully practicing doctors. What\u2019s really eating away at them are the limitations of being both women and immigrants in a sexist, xenophobic world, trading military coups and martial law back home for 1970s America\u2019s version of hard times. They think about what might\u2019ve been if they weren\u2019t in semi-arranged marriages that have kept them from pursuing their wildest dreams.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" style=\"aspect-ratio:2624 \/ 3936\"   class=\"dmnc_images-modern-image-module__QFaG- max-w-full h-auto text-white dmnc_images-modern-image-module__9Zlll bg-gray-light object-contain\" width=\"2624\" height=\"3936\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/08\/RBANSQ2BNBC47KZRRKTDAORWZ4.jpg\" alt=\"Tara Park, left, and Olivia de Guzman, stars of Amphibian Stage s production of Lloyd Suh s...\"\/><\/p>\n<p>Tara Park, left, and Olivia de Guzman, stars of Amphibian Stage s production of Lloyd Suh s popular 2023 play  The Heart Sellers. <\/p>\n<p>Evan Michael Woods<\/p>\n<p class=\"body-text-paragraph\">Jane wonders if coming to the U.S. is a big adventure or the safe choice. Luna depicts a scene she saw near the airport after arriving in America that makes her question if she\u2019s where she\u2019s supposed to be. They know they\u2019ve traded a life with their families and friends for the potential of greater opportunities in the U.S. But have they sold their hearts in the process?<\/p>\n<p class=\"body-text-paragraph\">Suh\u2019s script handles these ideas gently, with de Guzman and Park coming across as real people, not ideological mouthpieces, under the sensitive direction of Shyama Nithiananda. Despite their tough situation, The Heart Sellers is never glum. Instead, it\u2019s a warm, bittersweet look at life\u2019s challenges that anyone should be able to relate to.<\/p>\n<p class=\"body-text-paragraph\"><b>Details<\/b><\/p>\n<p class=\"body-text-paragraph\">Through Aug. 17 at Amphibian Stage, 120 S. Main St., Fort Worth. $7-$62. <a href=\"http:\/\/amphibianstage.com\/\" rel=\"noopener\" target=\"_blank\">amphibianstage.com<\/a>.<\/p>\n<ul class=\"dmnc_features-article-body-embeds-subject-tag-list-only-list-only-module__DAHnF list-disc\"><a class=\"dmnc_features-article-body-embeds-subject-tag-list-only-list-only-module__BZO7y link-blue\" href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/2025\/08\/05\/feast-your-eyes-on-this-still-life-of-cut-fruit-acquired-by-kimbell-museum\/\" target=\"_blank\" rel=\"noopener\">Feast your eyes on this still life of cut fruit acquired by Kimbell museum<\/a><a class=\"dmnc_features-article-body-embeds-subject-tag-list-only-list-only-module__BZO7y link-blue\" href=\"https:\/\/www.dallasnews.com\/arts-entertainment\/2025\/08\/02\/bruce-wood-dance-and-uptown-players-are-collaborating-on-cabaret-style-imagine\/\" target=\"_blank\" rel=\"noopener\">Bruce Wood Dance and Uptown Players are collaborating on cabaret-style \u2018Imagine\u2019<\/a><\/ul>\n<p class=\"body-text-paragraph\">Arts Access is an arts journalism collaboration powered by The Dallas Morning News and KERA.<\/p>\n<p class=\"body-text-paragraph\">This community-funded journalism initiative is funded by the Better Together Fund, Carol &amp; Don Glendenning, City of Dallas OAC, Communities Foundation of Texas, The University of Texas at Dallas, The Dallas Foundation, Eugene McDermott Foundation, James &amp; Gayle Halperin Foundation, Jennifer &amp; Peter Altabef and The Meadows Foundation. The News and KERA retain full editorial control of Arts Access\u2019 journalism.<\/p>\n","protected":false},"excerpt":{"rendered":"Lloyd Suh\u2019s timely The Heart Sellers has become one of the most produced plays in the U.S. since&hellip;\n","protected":false},"author":3,"featured_media":123428,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5138],"tags":[5229,11321,7711,7371,7372,7260,358,1148,3187,67,586,132,5230,68,2969],"class_list":{"0":"post-123427","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-fort-worth","8":"tag-america","9":"tag-arts-entertainment","10":"tag-arts-access","11":"tag-fort-worth","12":"tag-fortworth","13":"tag-performing-arts","14":"tag-texas","15":"tag-theater","16":"tag-tx","17":"tag-united-states","18":"tag-united-states-of-america","19":"tag-unitedstates","20":"tag-unitedstatesofamerica","21":"tag-us","22":"tag-usa"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114981525537957511","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/123427","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=123427"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/123427\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/123428"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=123427"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=123427"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=123427"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}