{"id":191472,"date":"2025-09-01T12:50:10","date_gmt":"2025-09-01T12:50:10","guid":{"rendered":"https:\/\/www.europesays.com\/us\/191472\/"},"modified":"2025-09-01T12:50:10","modified_gmt":"2025-09-01T12:50:10","slug":"paramount-australias-daniel-monaghan-joins-foxtel","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/191472\/","title":{"rendered":"Paramount Australia&#8217;s Daniel Monaghan Joins Foxtel"},"content":{"rendered":"<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong><a href=\"https:\/\/deadline.com\/tag\/paramount-australia\/\" id=\"auto-tag_paramount-australia\" data-tag=\"paramount-australia\" target=\"_blank\" rel=\"noopener\">Paramount Australia<\/a>\u2018s <a href=\"https:\/\/deadline.com\/tag\/daniel-monaghan\/\" id=\"auto-tag_daniel-monaghan\" data-tag=\"daniel-monaghan\" target=\"_blank\" rel=\"noopener\">Daniel Monaghan<\/a> Jumps To <a href=\"https:\/\/deadline.com\/tag\/foxtel\/\" id=\"auto-tag_foxtel\" data-tag=\"foxtel\" target=\"_blank\" rel=\"noopener\">Foxtel<\/a><\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tParamount Australia and New Zealand (ANZ)\u2019s Daniel Monaghan is exiting for a senior role at DAZN\u2019s pay-TV giant Foxtel. Currently Senior Vice-President, Content &amp; Programming at Paramount, he is taking on a post as Executive Director \u2013 Entertainment Content, working across Foxtel and streamer Binge, per an internal note from Hilary Perchard, CEO of Foxtel, Binge and sports streamer Kayo. He has been at Paramount-owned <a href=\"https:\/\/deadline.com\/tag\/network-10\/\" id=\"auto-tag_network-10\" data-tag=\"network-10\" target=\"_blank\" rel=\"noopener\">Network 10<\/a> for two decades, spearheading work on shows such as\u00a0The Masked Singer,\u00a0Australian Survivor,\u00a0Hunted, Have You Been Paying Attention?,\u00a0The Cheap Seats,\u00a0MasterChef,\u00a0Taskmaster\u00a0and\u00a0I\u2019m a Celebrity\u2026Get Me Out of Here!\u00a0and commissioning\u00a0Fake,\u00a0The Inspired Unemployed: Impractical Jokers\u00a0and\u00a0Last King of the Cross\u00a0among others for Paramount+. At Foxtel, he will replace Wendy Moore, who announced back in June her exit to launch a new venture. The news comes soon after Netflix poached Stan content boss Amanda Duthie. Network 10 has been in the spotlight of late with the <a href=\"https:\/\/deadline.com\/2025\/08\/paramount-ben-frow-channel-5-skydance-1236491703\/\" target=\"_blank\" rel=\"noopener\">future of Paramount\u2019s international assets under inspection<\/a> following the merger with Skydance. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>Joanne Whalley &amp; Charlene Tilton Board \u2018Write To Kill\u2019 Series<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>EXCLUSIVE:<\/strong> Joanne Whalley and Charlene Tilton are the latest cast members in indie-financed TV pilot Write to Kill, per writer and producer David P. Perlmutter. Whalley, a BAFTA TV-nominated actress, is known for television roles in Edge of Darkness, The Singing Detective and CBS miniseries Scarlett and Jackie Bouvier Kennedy Onassis, and films such as The Man Who Knew Too Little and Willow, where she met former husband, the late Val Kilmer. More recently roles include a reprise of her role in Willow in the Disney+ spin-off series and a starring role in Eleanor Coppola\u2019s Love is Love is Love. Tilton, known for playing Lucy Ewing in soap Dallas and guest-starred in the likes of The Love Boat, Murder She Wrote and Saturday Night Live. She also appeared in TNT\u2019s Dallas revival in 2012 and had roles in ABC\u2019s comedy The Middle and thriller Vengeance: A Love Story. She recently starred in Final Recovery, which also featured Write to Kill actors Kasper Cole and Michael Emery. Write to Kill, from author and producer Perlmutter, <a href=\"https:\/\/deadline.com\/2025\/05\/charlotte-kirk-write-to-kill-series-thriller-1236400393\/\" target=\"_blank\" rel=\"noopener\">stars Charlotte Kirk<\/a> as an aspiring author, cursed with writer\u2019s block and ridden with debt, who is offered life-changing money to commit a heinous crime.\u00a0The pilot is written by Perlmutter and Michael Gorman of Kat Harvey Films.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong><a href=\"https:\/\/deadline.com\/tag\/rtl\/\" id=\"auto-tag_rtl\" data-tag=\"rtl\" target=\"_blank\" rel=\"noopener\">RTL<\/a> Making Crime Thriller<\/strong> \u2018<strong>Einsatz Seeler<\/strong>\u2018<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tRTL has rolled cameras on crime thriller movie Einsatz Seeler \u2013 Ein L\u00fcbeck-Krimi [working title, pictured above]. The thriller tells the story of Eric Seeler (Sebastian Str\u00f6bel), a former police officer turned street worker who lives with his street dog Gwena between the youth center, the shipyard, and reality. Hannah Vogt (Friederike Linke), on the other hand, is matter-of-fact, controlled and committed to the rules. When one of the young people from Seeler\u2019s project is suspected of murder, worlds collide. The drama will launch on RTL next spring and is part of the German network\u2019s Deadly Service Day. The script was written by Mike B\u00e4uml (Polizeiruf 110) and Alexander Dierbach (Alarm f\u00fcr Cobra 11), who also directed it. Hans-Hinrich Koch is the producer, and Bernhard Henning is the producer for ndF Berlin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong>NATPE Budapest Moves To April<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tHere\u2019s another change to the TV conference calendar. NATPE Budapest will next year move from its traditional June date to April 27-29, 2026. It will remain at the InterContinental Hotel in the Hungarian capital, with sessions also held at the nearby Dorothea Hotel. NATPE owner Brunico Communications put the date change down to an \u201cincreasingly crowded June window.\u201d Claire Macdonald, Executive Director of NATPE, said: \u201cWe listened and we\u2019re acting. After an outstanding 2025 edition, it became clear that moving NATPE Budapest to April gives buyers and partners a valuable head start. Buyers are the heartbeat of any sales market, and NATPE Budapest is where real dealmaking happens \u2013 not just conversation.\u201d Final details on studio screenings are still to be confirmed.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\t<strong><a href=\"https:\/\/deadline.com\/tag\/fifth-season\/\" id=\"auto-tag_fifth-season\" data-tag=\"fifth-season\" target=\"_blank\" rel=\"noopener\">Fifth Season<\/a> Builds Out International Sales Team With David Wilcox Hire<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto     \">\n\tFifth Season\u2019s international TV distribution boss Jennifer Ebell is building out her team. Ebell has hired ITV Studios\u2019 David Wilcox as SVP Sales EMEA while expanding the remits of regional leaders Alistair Jennings and Travis Webb. Taking on the role previously filled by Ebell, Wilcox will be responsible for driving EMEA sales across the Severance studio\u2019s content slate, leading the regional sales team and identifying new commercial opportunities across linear, digital and co-productions. He was at ITV Studios for seven years, where he had a similar role in EMEA. Meanwhile, Jennings has become SVP, APAC Sales and Partnerships and Webb now oversees Fifth Season\u2019s global home entertainment and digital strategy. Ebell took over as international TV distribution boss earlier this year after Prentiss Fraser exited to Fox. Ebell <a href=\"https:\/\/deadline.com\/2025\/05\/fifth-season-sales-on-severance-and-la-screenings-1236397267\/\" target=\"_blank\" rel=\"noopener\">recently told us <\/a>she is prepping a five-year strategy plan and wants to build on the foundations left by Fraser.<\/p>\n","protected":false},"excerpt":{"rendered":"Paramount Australia\u2018s Daniel Monaghan Jumps To Foxtel Paramount Australia and New Zealand (ANZ)\u2019s Daniel Monaghan is exiting for&hellip;\n","protected":false},"author":3,"featured_media":191473,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[107011,171,65038,46937,65039,107012,107013,17674,173,67,132,68],"class_list":{"0":"post-191472","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-tv","8":"tag-daniel-monaghan","9":"tag-entertainment","10":"tag-fifth-season","11":"tag-foxtel","12":"tag-global-briefs","13":"tag-network-10","14":"tag-paramount-australia","15":"tag-rtl","16":"tag-tv","17":"tag-united-states","18":"tag-unitedstates","19":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115129130972024669","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/191472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=191472"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/191472\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/191473"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=191472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=191472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=191472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}