{"id":197740,"date":"2025-09-03T20:38:12","date_gmt":"2025-09-03T20:38:12","guid":{"rendered":"https:\/\/www.europesays.com\/us\/197740\/"},"modified":"2025-09-03T20:38:12","modified_gmt":"2025-09-03T20:38:12","slug":"torn-captures-strife-in-the-streets-of-new-york-after-oct-7","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/197740\/","title":{"rendered":"&#8216;Torn&#8217; Captures Strife in the Streets of New York After Oct. 7"},"content":{"rendered":"<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn the days following the Oct. 7, 2023 attacks on Israel, posters featuring the 251 people kidnapped by Hamas began popping up on the streets of New York. Just as quickly as the mysterious posters appeared, they began being <a href=\"https:\/\/www.hollywoodreporter.com\/t\/torn\/\" id=\"auto-tag_torn_1\" data-tag=\"torn\" rel=\"nofollow noopener\" target=\"_blank\">torn<\/a> down. Amidst the chaos and anger, Nim Shapira, an American-Israeli filmmaker based in New York, took to the streets to document the clashes between those who wanted the posters up, and those who wanted them gone. <\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe result is the documentary Torn, which will bow on Sept. 5th in New York and Sept. 12 in Los Angeles \u2013 with more cities to be announced. For Nim, the film isn\u2019t about the geopolitical conflict in the Middle East. He deliberately keeps footage of Oct. 7th and the war in Gaza to a minimum. It\u2019s a film that doesn\u2019t offer answers; it asks questions.<\/p>\n<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t\u201cIt zigzags between hostage families, protests, social media feeds, rabbis, activists, civil libertarians, and people doxxed for tearing posters down, while layering in news coverage from across the spectrum, from Al Jazeera to Fox News,\u201d notes Nim of his film. \u201cMy goal was to capture the city\u2019s raw cacophony\u2014alive, grieving, angry, divided\u2013 so the film feels immediate, messy, and contradictory, just like New York itself.\u201d<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIn a conversation with The Hollywood Reporter, Nim explains why he turned his lens away from the conflict in the Middle East and focused on the conflict manifesting on the streets of New York.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>This film covers a controversial topic. What do you have to say to those who would refuse to see your film?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tIf people see this is a film made by an American-Israeli about Jewish pain, some would say, \u201cI don\u2019t want to see this film.\u201d This film is much more than that. It\u2019s a film about compassion, it\u2019s about freedom of speech, it\u2019s about competing narratives. And I would love for everyone to see it.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tFor me, this is about the hostages, and I think this is something that every Jewish person will tell you: \u201cIt could have been us.\u201d It could have been us vacationing in Israel or sleeping in an Airbnb in south Israel or going to a party. So I saw my face in every hostage. Many Jews were really hurting and society didn\u2019t choose to see them or see their pain.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThat being said, now more than ever, I will say that Israelis are not Netanyahu and Gazans are not Hamas. I really believe that the only way forward is coexistence, and to do this we need to communicate. Hopefully my film can help this process.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What has been the most impactful moment for you to see in the upcoming release of <\/strong><strong>Torn<\/strong><strong>?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThis is an independent film, and I\u2019m very proud of the number of screenings I\u2019ve had so far. I\u2019m very proud of us releasing it in New York and L.A. And when I say us, it\u2019s me and my small team.\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI was able to screen the film in many different places, and help create dialogue between people who wouldn\u2019t have otherwise listened to each other. I remember one of the most meaningful screenings was in Berkeley, in a private home with 20 people: half Trump voters, half Kamala voters. Instead of taking questions like I usually do, I just listened. They argued, they listened, they wrestled with one another. That\u2019s what this film is for. Jewish audiences often come in with grief and recognition, while other audiences bring their own traumas \u2013 different, but equally valid. What amazes me is how the same film sparks such different conversations, depending on the room. Most importantly, they didn\u2019t agree with one another, but it was a magical moment, and I was proud to see their dialogue.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>Why was it so important for you to make this film?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tThe most important thing for me was the idea that we couldn\u2019t talk to each other as people. Specifically in this day and age, it\u2019s incredibly important for me to connect with the Palestinian people. Unfortunately, I haven\u2019t been able to connect with them in real life, but online. I have Palestinian friends online, and I talk to them weekly about what\u2019s going on, and we send each other clips, or \u201cHave you seen this?\u201d Or, \u201cWhat do you think about that?\u201d They share content with me from both Gaza and Israel \u2013 stories, footage, perspectives that I may never have encountered otherwise, and I try to do the same for them.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI think that when we don\u2019t have missiles and rockets above our heads, and we\u2019re thousands of miles away from the conflict, the least we can do is to sit down and talk to one another. Or at least listen to the narrative, and we can disagree, but at least listen to one another. For me, in making Torn, one of my most important goals was to break the echo chambers and polarization, and hopefully invite a conversation.<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\t<strong>What do you hope people take away after watching your film?<\/strong><\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tI have three goals: One is for people to understand that empathy is not a limited resource and every person is a soul. Two: I want people to understand that it is possible to hold several truths in your brain. It\u2019s hard, but it\u2019s possible to hold multiple truths because this topic is very complicated. And the third thing is more of a question. Can we have difficult conversations with people that we disagree with?\u00a0<\/p>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n\tBefore Oct. 7th, I had many friends from the Middle East, I had Lebanese friends and Moroccan friends and these relationships were fractured after Oct. 7th. This film is not a statement, it is an invitation for a dialogue I could not have with them.<\/p>\n","protected":false},"excerpt":{"rendered":"In the days following the Oct. 7, 2023 attacks on Israel, posters featuring the 251 people kidnapped by&hellip;\n","protected":false},"author":3,"featured_media":197741,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5122],"tags":[5229,405,403,5226,5225,5228,5227,109725,67,586,132,5230,68,2969],"class_list":{"0":"post-197740","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-new-york","8":"tag-america","9":"tag-new-york","10":"tag-new-york-city","11":"tag-newyork","12":"tag-newyorkcity","13":"tag-ny","14":"tag-nyc","15":"tag-torn","16":"tag-united-states","17":"tag-united-states-of-america","18":"tag-unitedstates","19":"tag-unitedstatesofamerica","20":"tag-us","21":"tag-usa"},"share_on_mastodon":{"url":"","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/197740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=197740"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/197740\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/197741"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=197740"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=197740"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=197740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}