{"id":220125,"date":"2025-09-12T06:00:18","date_gmt":"2025-09-12T06:00:18","guid":{"rendered":"https:\/\/www.europesays.com\/us\/220125\/"},"modified":"2025-09-12T06:00:18","modified_gmt":"2025-09-12T06:00:18","slug":"kazakhstans-almaty-museum-of-arts-completes-as-pair-of-stone-and-aluminum-volumes","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/220125\/","title":{"rendered":"kazakhstan&#8217;s almaty museum of arts completes as pair of stone and aluminum volumes"},"content":{"rendered":"<p>A New Cultural Landmark in Kazakhstan<\/p>\n<p>\u00a0<\/p>\n<p>The Almaty Museum of Arts has opened its doors in Kazakhstan\u2019s cultural capital, welcoming visitors to a monumental new space for modern and contemporary art. Designed by British practice Chapman Taylor, the 10,060-square-meter <a href=\"https:\/\/www.designboom.com\/tag\/museums-galleries\/\" rel=\"nofollow noopener\" target=\"_blank\"><strong>museum<\/strong><\/a> stands at the edge of the city with the Tian Shan mountains rising behind it, an architectural gesture that captures the tension between urban life and the natural landscape.<\/p>\n<p>\u00a0<\/p>\n<p>Founded by entrepreneur and philanthropist Nurlan Smagulov, the museum showcases more than seven hundred works drawn from his collection, a gift that will ultimately belong to the city. The opening on September 12th, 2025 signals a significant expansion of Almaty\u2019s cultural landscape, setting up the museum as a hub for both international and Central Asian art.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-1154118 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"almaty museum arts kazakhstan\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/almaty-museum-art-opening-chapman-taylor-kazakhstan-designboom-01.jpg\"  data- loading=\"lazy\"\/><br \/>images \u00a9 <a href=\"https:\/\/www.narodizkiy.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Alexey Narodizkiy<\/a><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>architecture by chapman taylor<\/p>\n<p>\u00a0<\/p>\n<p><a href=\"https:\/\/www.chapmantaylor.com\/\" target=\"_blank\" rel=\"noopener nofollow\"><strong>Chapman Taylor<\/strong><\/a>\u2019s design of Kazakhstan\u2019s <strong><a href=\"https:\/\/www.almaty.art\/\" target=\"_blank\" rel=\"noopener nofollow\">Almaty Museum of Arts<\/a><\/strong> brings together two contrasting volumes: Jura limestone walls anchor the structure to the earth, while aluminum-clad \u2018L\u2019-shaped wings rise in a subtle echo of the surrounding peaks. A central glazed corridor, known as Art Street, creates a luminous spine through the building, drawing natural light deep into the interior and framing views of the nearby mountains.<\/p>\n<p>\u00a0<\/p>\n<p>Inside, the spatial sequence is deliberately fluid. Visitors move from high, quiet galleries to more intimate rooms, including a multifunctional auditorium, creative studios, and a caf\u00e9 that opens onto landscaped gardens scattered with commissioned sculptures. \u2018We wanted the building to feel porous,\u2019 <strong>says the team at Chapman Taylor.<\/strong> \u2018It should belong to the city as much as to the art.\u2019<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1154119 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"almaty museum arts kazakhstan\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/almaty-museum-art-opening-chapman-taylor-kazakhstan-designboom-02.jpg\"  data- loading=\"lazy\"\/><br \/>The Almaty Museum of Arts opens in the heart of Kazakhstan<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>The Almaty Museum of Arts\u2019 inaugural exhibits<\/p>\n<p>\u00a0<\/p>\n<p>The opening program signals the Almaty Museum of Arts\u2019 ambition. \u2018I Understand Everything,\u2019 a sweeping retrospective of Almagul Menlibayeva, traces four decades of experimentation from early textile works to recent AI-driven projects. Nearby, \u2018Qonaqtar,\u2019 curated by Inga L\u0101ce, draws from the permanent collection to explore hospitality, migration, and identity in Central Asia through paintings, sculptures, and contemporary installations.<\/p>\n<p>\u00a0<\/p>\n<p>The collection itself ranges from Soviet-era modernists such as Toqbolat Togyzbayev to contemporary figures including Saule Suleimenova and Said Atabekov. International dialogues emerge in works by Khadim Ali, Xu Zhen, and Jade\u0301 Fadojutimi, placing Kazakhstan\u2019s art scene in conversation with global movements.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1154120 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"almaty museum arts kazakhstan\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/almaty-museum-art-opening-chapman-taylor-kazakhstan-designboom-03.jpg\"  data- loading=\"lazy\"\/><br \/>Chapman Taylor designs a 10,060 square-meter museum before the Tian Shan mountains<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Several galleries are devoted to long-term installations, bringing rare opportunities in Kazakhstan to encounter major works by Richard Serra, Anselm Kiefer, Yayoi Kusama, and Bill Viola. Serra\u2019s monumental Junction (2011), relocated with the artist\u2019s approval before his death, envelops visitors in curving steel forms that alter the sense of gravity and scale.<\/p>\n<p>\u00a0<\/p>\n<p>Beyond the building, newly commissioned outdoor sculptures extend the museum\u2019s reach into the city. Alicja Kwade\u2019s Pre-Position evokes ancient astronomical tools, while Jaume Plensa\u2019s twelve-metre-high NADES offers a moment of calm at a busy intersection. Yinka Shonibare\u2019s vibrant Wind Sculpture (TG) II captures the energy of the region\u2019s layered cultural identities.<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1154121 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"almaty museum arts kazakhstan\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/almaty-museum-art-opening-chapman-taylor-kazakhstan-designboom-04.jpg\"  data- loading=\"lazy\"\/><br \/>outdoor sculptures by Alicja Kwade, Jaume Plensa, and Yinka Shonibare animate the plaza<\/p>\n<p><img decoding=\"async\" class=\"wp-image-1154122 size-full lazyload\" bad-src=\"data:image\/gif;base64,R0lGODlhAQABAIAAAAAAAP\/\/\/yH5BAEAAAAALAAAAAABAAEAAAIBRAA7\" alt=\"almaty museum arts kazakhstan\" width=\"818\" height=\"545\" src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/almaty-museum-art-opening-chapman-taylor-kazakhstan-designboom-05.jpg\"  data- loading=\"lazy\"\/><br \/>Nurlan Smagulov donates a collection of more than 700 works to the city<\/p>\n","protected":false},"excerpt":{"rendered":"A New Cultural Landmark in Kazakhstan \u00a0 The Almaty Museum of Arts has opened its doors in Kazakhstan\u2019s&hellip;\n","protected":false},"author":3,"featured_media":220126,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[648,1032,1033,171,69002,67,132,68],"class_list":{"0":"post-220125","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arts-and-design","8":"tag-arts","9":"tag-arts-and-design","10":"tag-design","11":"tag-entertainment","12":"tag-museums-and-galleries","13":"tag-united-states","14":"tag-unitedstates","15":"tag-us"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115189804429676059","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/220125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=220125"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/220125\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/220126"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=220125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=220125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=220125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}