{"id":23213,"date":"2025-06-29T00:58:20","date_gmt":"2025-06-29T00:58:20","guid":{"rendered":"https:\/\/www.europesays.com\/us\/23213\/"},"modified":"2025-06-29T00:58:20","modified_gmt":"2025-06-29T00:58:20","slug":"new-exhibit-ode-to-dena-explores-altadenas-deep-black-artistic-legacy","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/23213\/","title":{"rendered":"New exhibit &#8216;Ode to Dena&#8217; explores Altadena\u2019s deep Black artistic legacy"},"content":{"rendered":"<p>            Keep up with LAist.<\/p>\n<p>If you&#8217;re enjoying this article, you&#8217;ll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.  <\/p>\n<p>When you walk into &#8220;<a class=\"Link\" href=\"https:\/\/caamuseum.org\/exhibitions\/2025\/ode-to-dena-black-artistic-legacies-of-altadena\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Ode to \u2019Dena: Black Artistic Legacies of Altadena<\/a>,&#8221; a free exhibit at the <a class=\"Link\" href=\"https:\/\/caamuseum.org\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">California African American Museum <\/a>in Exposition Park, you\u2019re greeted not with pieces of fine art \u2014 but a large wall of photos.<\/p>\n<p>Some are black and white, some are color. They show Altadenans over the decades during treasured moments, such as a birthday celebration or family pool time. They\u2019re part of the exhibition\u2019s more than 20 Black artists, all of whom live in or have family ties to the neighborhood.<\/p>\n<p>New exhibit &#8216;Ode to Dena&#8217; explores Altadena\u2019s deep Black artistic legacy<\/p>\n<p>\u201cOne of the first things that I envisioned in my mind was putting together this wall of archival photos, personal family photos, photos of the artists in the exhibition,\u201d said Cameron Shaw, the museum\u2019s executive director. She wanted to show how family and community are critical parts of Altadena life.<\/p>\n<p>    <img decoding=\"async\" class=\"Image\" alt=\"A close up of the photo collage wall that has multiple family an location photos in close alignment with each other. Among the photos is the Altadena feed store, a portrait of Keni &quot;Arts&quot; Davis, and other family scenes from decades ago.\" data-image-size=\"articleImage\"  width=\"792\" height=\"528\" src=\"https:\/\/scpr.brightspotcdn.com\/dims4\/default\/0bc99c9\/2147483647\/strip\/true\/crop\/3000x2000+0+0\/resize\/792x528!\/quality\/90\/?url=http%3A%2F%2Fscpr-brightspot.s3.us-west-2.amazonaws.com%2F60%2F47%2F71409aad48ba81fb3c95c4c225e9%2Fwall-art.jpg\" loading=\"lazy\" bad-src=\"data:image\/svg+xml;base64,PHN2ZyB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciIHZlcnNpb249IjEuMSIgaGVpZ2h0PSI1MjhweCIgd2lkdGg9Ijc5MnB4Ij48L3N2Zz4=\"\/><\/p>\n<p>The photo mural that visitors see at the exhibit entrance.<\/p>\n<p>\u2018Community curated\u2019<\/p>\n<p>\u201cOde to \u2019Dena\u201d isn\u2019t your traditional tour of place and history. This exhibition is about the neighborhood\u2019s artistic tradition, which blends the past and present.<\/p>\n<p>Curator Dominique Clayton said the show is bittersweet because it stems from pain, but that it also poses an opportunity for people to learn another part of L.A. County\u2019s cultural history.<\/p>\n<p>Museum galleries usually take a long time to organize, but Clayton said she was able to put this one together quickly. She started working on it in mid-January, just after the Eaton Fire broke out. She said that speed was in part because of Altadena\u2019s supportive community of artists.<\/p>\n<p>\u201c\u200aI like to say it\u2019s community curated,\u201d Clayton said. \u201c\u200aI would talk to one artist. I was introduced to another and another. And so it sort of built itself.\u201d<\/p>\n<p>Some of the artists in the gallery lost homes in the Eaton Fire, including Clayton\u2019s friend <a class=\"Link\" href=\"https:\/\/www.kenturah.com\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Kenturah Davis<\/a>, one of the artists on display.<\/p>\n<p>Meaning behind the art<\/p>\n<p>    <img decoding=\"async\" class=\"Image\" alt=\"A close-up of books on a shelf. Titles include &quot;Black Flora,&quot; &quot;Jubilee,&quot; &quot;Kaos Theory&quot; and &quot;Working in the Roots.&quot; \" data-image-size=\"articleImage\"  width=\"792\" height=\"528\" src=\"https:\/\/scpr.brightspotcdn.com\/dims4\/default\/5f45f47\/2147483647\/strip\/true\/crop\/3000x2000+0+0\/resize\/792x528!\/quality\/90\/?url=http%3A%2F%2Fscpr-brightspot.s3.us-west-2.amazonaws.com%2Ff9%2Ffb%2F558cbf214010824c36e05d877f02%2Fblack-dena-1.jpg\" loading=\"lazy\" bad-src=\"data:image\/svg+xml;base64,PHN2ZyB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciIHZlcnNpb249IjEuMSIgaGVpZ2h0PSI1MjhweCIgd2lkdGg9Ijc5MnB4Ij48L3N2Zz4=\"\/><\/p>\n<p>These items were curated by Octavia&#8217;s Bookshelf owner Nikki High as a symbol of the Altadena&#8217;s Black literary legacy.<\/p>\n<p>There are a variety of styles and subjects in the exhibit.  <\/p>\n<p>The beloved Pasadena bookstore <a class=\"Link\" href=\"https:\/\/www.octaviasbookshelf.com\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Octavia\u2019s Bookshelf<\/a> curated a display that shows the Black literary legacy of Altadena and Pasadena.<\/p>\n<p><a class=\"Link\" href=\"https:\/\/unframed.lacma.org\/2020\/12\/23\/john-outterbridge-1933%E2%80%932020\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">John C. Outterbridge<\/a>\u2019s renowned outhouse, a <a class=\"Link\" href=\"https:\/\/caamuseum.pastperfectonline.com\/webobject\/9FDD5472-3FB6-4696-9C78-326915160159\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">structure<\/a> that calls out institutionalized racism, brings in the Civil Rights era. <\/p>\n<p>Debris from the Eaton Fire also gets a new life here. A scorched flugelhorn sits next to burned tree branches. <\/p>\n<p>A piece titled &#8220;From the Ashes&#8221; from artist Sam Pace. The work includes a flugelhorn that was found in the ashes of his neighbor&#8217;s Altadena home.<\/p>\n<p>The burned sound bowl from the artist Grandfather. <\/p>\n<p>A charred sound bowl \u2014 used by the artist <a class=\"Link\" href=\"https:\/\/www.grndfther.com\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Grandfather<\/a> in several of his audio works \u2014 was the only item found in his home&#8217;s ashes after the Eaton Fire. <\/p>\n<p>The show also transcends generations. Davis\u2019 2-year-old son Micah has two watercolor paintings in the exhibit. He\u2019s the youngest artist in \u201cOde to \u2019Dena.\u201d <\/p>\n<p> Watercolor paintings from Micah Zuri Davis-O&#8217;Connor. These paintings were done with the help of his grandfather, Keni &#8220;Arts&#8221; Davis. His paintings, showing before and after looks at lost Altadena places, are also in the show.<\/p>\n<p> Betye Saar&#8217;s album artwork for jazz musician Bennie Maupin.<\/p>\n<p>The oldest is 98-year-old <a class=\"Link\" href=\"http:\/\/www.betyesaar.net\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Betye Saar<\/a>, who has a mixed media installation and album artwork in the exhibit.<\/p>\n<p>The exhibit is an example of change in America, Clayton said. The arts culture now has multiple generations of Black artists, and Altadena plays a big role in that. For example, Kenturah Davis&#8217; artworks are joined by ones from her parents. Her mother, Mildred \u201cPeggy\u201d Davis, has handmade quilts on display. <a class=\"Link\" href=\"https:\/\/keniarts.com\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Keni \u201cArts\u201d Davis<\/a>, Kenturah Davis&#8217; father, painted iconic Altadena locations before and after the fires.<\/p>\n<blockquote><p>&#8230;it\u2019s not so much about destruction and disaster, but really about enlightenment.<\/p><\/blockquote>\n<p>\u2014 Curator Dominique Clayton<\/p>\n<p>One of Clayton\u2019s favorite pieces comes from <a class=\"Link\" href=\"https:\/\/marcuslesliesingleton.com\/\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Marcus Leslie Singleton<\/a>, who watched from New York as his family lost their home. His oil painting, called \u201cMoses\u201d contains the only reference to fire in the show. It shows Moses as a Black man sitting next to a burning bush surrounded by desert. <\/p>\n<p>Clayton says that piece is emblematic of the hopeful energy she wanted for the whole show \u2014 \u201cso that it\u2019s not so much about destruction and disaster,&#8221; Clayton said, &#8220;but really about enlightenment.\u201d<\/p>\n<p>    <img decoding=\"async\" class=\"Image\" alt=\"A close up of a square canvas painting. In the image is a Black man in a white T-shirt sitting next to a burning green bush. He's surrounded by desert shown as shades of orange and red.\" data-image-size=\"articleImage\"  width=\"792\" height=\"550\" src=\"https:\/\/scpr.brightspotcdn.com\/dims4\/default\/31a1055\/2147483647\/strip\/true\/crop\/3000x2082+0+0\/resize\/792x550!\/quality\/90\/?url=http%3A%2F%2Fscpr-brightspot.s3.us-west-2.amazonaws.com%2Ff7%2Fc4%2F7dd69ed4408995505aa8e41acd6b%2Fblack-dena-8.jpg\" loading=\"lazy\" bad-src=\"data:image\/svg+xml;base64,PHN2ZyB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciIHZlcnNpb249IjEuMSIgaGVpZ2h0PSI1NTBweCIgd2lkdGg9Ijc5MnB4Ij48L3N2Zz4=\"\/><\/p>\n<p>Marcus Leslie Singleton&#8217;s &#8220;Moses.&#8221; During the L.A. fires, Singleton helped raise money from New York for his family, who lost their home in Altadena.<\/p>\n<p>Altadenas are everywhere<\/p>\n<p>Shaw said the team leaned into its mission to preserve Black art history and culture after the fires. She hopes that people who have a history with the Altadena area can see themselves reflected honestly in the exhibit.<\/p>\n<p>Shaw also wants folks who don\u2019t have that connection to \u200alearn about the neighborhood\u2019s <a class=\"Link\" href=\"https:\/\/laist.com\/news\/climate-environment\/in-altadena-where-many-black-families-became-homeowners-displaced-residents-grapple-with-grief-and-uncertainty\" target=\"_blank\" data-cms-ai=\"0\" rel=\"nofollow noopener\">Black history and community<\/a>. That goes back to the 1960\u2019s. Until then, Altadena was almost an entirely white community.<\/p>\n<p>This was largely because of redlining. When it was banned in 1968, a \u201cwhite flight\u201d in Altadena ensued. One of L.A. County\u2019s first middle-class communities with Black people emerged there, known as the Meadows. Today, Altadena is 18% Black \u2014 roughly double the rest of the county.<\/p>\n<p>\u201c\u200aDominique says something so beautiful, which is that there are Altadenas everywhere,\u201d Shaw said. \u201cAnd that doesn\u2019t mean that Altadena is replicable, but that there are Black places worth protecting.\u201d<\/p>\n<blockquote><p>Read about them, learn about them, tell someone else about them.<\/p><\/blockquote>\n<p>\u2014 Curator Dominique Clayton on how to support the artists<\/p>\n<p>And Clayton has an idea for how visitors can put that into action with the artists. <\/p>\n<p>\u201c\u200aTake a moment to look them up,\u201d she said. \u201cRead about them, learn about them, tell someone else about them.\u201d<\/p>\n<p>\u201cOde to \u2019Dena\u201d will be on display through Oct. 12. Visitors can check out the free exhibit at the California African American Museum in Exposition Park.<\/p>\n","protected":false},"excerpt":{"rendered":"Keep up with LAist. If you&#8217;re enjoying this article, you&#8217;ll love our daily newsletter, The LA Report. Each&hellip;\n","protected":false},"author":3,"featured_media":23214,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[21053,21054,1582,21056,276,21055,5810,2961,224,5337],"class_list":{"0":"post-23213","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-altadena","9":"tag-black-art","10":"tag-ca","11":"tag-caam","12":"tag-california","13":"tag-california-african-american-museum","14":"tag-eaton-fire","15":"tag-la","16":"tag-los-angeles","17":"tag-losangeles"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/114763943512518341","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/23213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=23213"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/23213\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/23214"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=23213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=23213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=23213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}