{"id":261534,"date":"2025-09-28T15:01:11","date_gmt":"2025-09-28T15:01:11","guid":{"rendered":"https:\/\/www.europesays.com\/us\/261534\/"},"modified":"2025-09-28T15:01:11","modified_gmt":"2025-09-28T15:01:11","slug":"the-eerie-delightful-world-of-artist-roberto-benavidezs-exquisite-pinatas","status":"publish","type":"post","link":"https:\/\/www.europesays.com\/us\/261534\/","title":{"rendered":"The eerie, delightful world of artist Roberto Benavidez&#8217;s exquisite pi\u00f1atas"},"content":{"rendered":"<p>            Keep up with LAist.<\/p>\n<p>If you&#8217;re enjoying this article, you&#8217;ll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.  <\/p>\n<p>Call them ethereal, call them joyful, call them creepy, call them \u201cPikachu\u201d \u2014 but don\u2019t call them anything other than pi\u00f1atas. South Pasadena-based artist Roberto Benavidez has established himself as a re-imaginer of the traditional Mexican craft, morphing paper into objects instilled with meaning, impermanence, beauty, humor and subversive undertones.<\/p>\n<p>In his first solo gallery show in Los Angeles (at Perrotin through Oct. 18), Benavidez creates pi\u00f1atas that explore his fascination with medieval Dutch painter Hieronymus Bosch and evoke the \u201c<a class=\"Link\" href=\"https:\/\/www.museodelprado.es\/en\/the-collection\/art-work\/the-garden-of-earthly-delights-triptych\/02388242-6d6a-4e9e-a992-e1311eab3609\" target=\"_blank\" data-cms-ai=\"0\" rel=\"noopener\">Garden of Earthly Delights<\/a>\u201d artist\u2019s imaginary world. At the Mid-City space, Benavidez\u2019s works are suspended in mid-air, bringing pi\u00f1atas of birds, mythical creatures and human-like forms to the skylit gallery.<\/p>\n<p>\u201cThere was this feeling of disrespect towards Mexican culture. Even though it&#8217;s consumed heavily, there&#8217;s still this feeling of inferiority imposed upon it, so my thought was to take the pi\u00f1ata into these realms where it&#8217;s been historically excluded,\u201d Benavidez told LAist. \u201cI hope when people see these pieces that it just expands the breadth of what Mexican culture is, what Mexican culture can be.\u201d<\/p>\n<p>Exhibition view of &#8220;Bosch Beasts&#8221;<\/p>\n<p>        (<\/p>\n<p>Paul Salveson<\/p>\n<p>\/<\/p>\n<p>Courtesy Roberto Benavidez and Perrotin<\/p>\n<p>)<\/p>\n<p>Exhibition view of &#8220;Bosch Beasts&#8221;<\/p>\n<p>        (<\/p>\n<p>Paul Salveson<\/p>\n<p>\/<\/p>\n<p>Courtesy Roberto Benavidez and Perrotin<\/p>\n<p>)<\/p>\n<p>It\u2019s hard not to smile when you\u2019re surrounded by the brightly colored, whimsical world that has taken over the gallery. But there\u2019s a darkness underneath these creatures, as well, which speaks to the artist\u2019s own struggles growing up as a self-described \u201chalf-breed, South Texan queer.\u201d<\/p>\n<p>\u201cI like creatures that are kind of cute but eerie,\u201d he said. \u201cI grew up Catholic and gay, so there was this ever-present idea of sin.\u201d<\/p>\n<p>The pi\u00f1ata became the medium where Benavidez brought together these two worlds \u2014 handcrafting each stage of these sculptures using traditional pi\u00f1ata processes.<\/p>\n<p>    <img decoding=\"async\" class=\"Image\" alt=\"This photo showcases a whimsical sculpture that blends features of a fish and a rodent into a single imaginative creature.\" data-image-size=\"articleImage\" width=\"792\" height=\"594\"  src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/1759071671_23_\" loading=\"lazy\"\/><\/p>\n<p> &#8220;Bosch Beast No. 14,&#8221; 2025<\/p>\n<p>(<\/p>\n<p>Paul Salveson<\/p>\n<p>\/<\/p>\n<p>Courtesy Roberto Benavidez and Perrotin<\/p>\n<p>)<\/p>\n<p>Benavidez got his start in the art world after moving to Los Angeles and taking painting and drawing classes at Pasadena Community College while working full time. He experimented across different materials, focusing on bronze casting and sculpture before turning his focus to pi\u00f1atas. They were the perfect medium for Bosch\u2019s creatures to come to life \u2014 and his connection to Bosch is deep-seated. \u201cWhen I grew up, there was no internet, I grew up in the sticks, but we had a set of encyclopedias. The imagery of the &#8216;Garden of Earthly Delights&#8217; has always been in my head.\u201d<\/p>\n<p>Traditionally, pi\u00f1atas feature seven stars, symbolizing the seven deadly sins, a motif the artist often brings into his work. In the case of <a class=\"Link\" href=\"https:\/\/www.perrotin.com\/fr\/artists\/Roberto_Benavidez\/1682\/bosch-beast-no-14\/89635\" target=\"_blank\" data-cms-ai=\"0\" rel=\"noopener\">\u201cBosch Beast Number 14<\/a>\u201d \u2014 the nod is more subtle.<\/p>\n<p>\u201cIn the past I wanted it to be obvious, whereas this one, I just liked the idea of incorporating those seven spikes,\u201d he said. \u201cMy goal for all of these is to captivate viewers with beauty. I don\u2019t necessarily need them to see these underlying concepts. It\u2019s just more for me.\u201d<\/p>\n<p>He doesn\u2019t give his works clever names, but some \u2014 like &#8220;Bosch Beast Number 14&#8221; \u2014 have been given their own monikers by his fans. <\/p>\n<p>\u201cI think people started calling [this one] \u2018Pikachu\u201d because it reminded them of Pokemon.\u201d<\/p>\n<p>There is a lot of humor in Benavidez\u2019s work \u2014 and he is in on the laugh.<\/p>\n<p>\u201cI think it&#8217;s kind of funny that that&#8217;s a part of the history of the pi\u00f1ata that nobody ever thinks about. Nobody ever thinks about it as a religious symbol. I&#8217;m not making fun of religion or sin. I think mainly it&#8217;s absurd to me, and I just like the visual aspect of it. It can seem like a little punk creature.\u201d<\/p>\n<p>    <img decoding=\"async\" class=\"Image\" alt=\"This photo features a striking bird sculpture with a long, elegant tail. The bird's head and upper body are covered in dark feathers.\" data-image-size=\"articleImage\" width=\"792\" height=\"1056\"  src=\"https:\/\/www.europesays.com\/us\/wp-content\/uploads\/2025\/09\/1759071671_193_\" loading=\"lazy\"\/><\/p>\n<p>&#8220;Bosch Bird No. 12,&#8221; 2025<\/p>\n<p>(<\/p>\n<p>Paul Salveson<\/p>\n<p>\/<\/p>\n<p>Courtesy Roberto Benavidez and Perrotin<\/p>\n<p>)<\/p>\n<p>There\u2019s also a little secret hidden inside each of the works \u2014 a nod to the tradition of bursting of a pi\u00f1ata \u2014 a treat left by the artist only for the future to find.<\/p>\n<p>The accessibility of the materials Benavidez works with means that it\u2019s a craft he believes anyone can do; he\u2019s taught numerous pi\u00f1ata-making workshops around the area and has seen his students achieve incredible results. Perrotin Gallery director Jennie King said that\u2019s part of what she\u2019s enjoyed seeing as people visit the exhibit. <\/p>\n<p>\u201cAnyone can get glue, paperboard, crepe paper \u2014 and yet they have a real jewel-like feel,&#8221; she said. &#8220;And they really do inspire a kind of wonder, I think, in the viewers for that combination.\u201d<\/p>\n<p>Details<\/p>\n<p><b>Perrotin Gallery<\/b> <br \/>5036 W. Pico Blvd., Los Angeles<br \/>Show on display now through Oct. 18; the gallery is also showing Danielle Orchard\u2019s show, &#8220;Firstborn.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"Keep up with LAist. If you&#8217;re enjoying this article, you&#8217;ll love our daily newsletter, The LA Report. Each&hellip;\n","protected":false},"author":3,"featured_media":261535,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5123],"tags":[1582,276,2961,224,5337,113565,136860,136859,136858],"class_list":{"0":"post-261534","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-los-angeles","8":"tag-ca","9":"tag-california","10":"tag-la","11":"tag-los-angeles","12":"tag-losangeles","13":"tag-mexican-culture","14":"tag-pasadena-art","15":"tag-pinatas","16":"tag-roberto-benavidez"},"share_on_mastodon":{"url":"https:\/\/pubeurope.com\/@us\/115282528839337697","error":""},"_links":{"self":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/261534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/comments?post=261534"}],"version-history":[{"count":0,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/posts\/261534\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media\/261535"}],"wp:attachment":[{"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/media?parent=261534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/categories?post=261534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.europesays.com\/us\/wp-json\/wp\/v2\/tags?post=261534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}